Browse Movie Reviews - Page 258,297 of 258,691

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Review of The Sweet Hereafter (1997)

By Kenneth Turan (2,323) for Los Angeles Times (12,977) on 13 Apr 1999

Egoyan understands how potent a deliberate pace can be, how effective it is in making already powerful material strong enough to tear at your heart…

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Review of Cookie's Fortune (1999)

By Michael Wilmington (1,474) for Chicago Tribune (6,211) on 13 Apr 1999

Altman has delivered a lot of surprises in his long directing career, and his new comedy, Cookie's Fortune, is one of the most refreshing --…

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Review of Light of Day (1987)

By Hal Boedeker (16) for Miami Herald (3,319) on 12 Apr 1999

Despite a few good moments here and there and a stunning performance by Gena Rowlands, Light of Day is an anemic drama with little to say…

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Review of The Big Country (1958)

By John Hartl (735) for The Seattle Times (964) on 12 Apr 1999

For all this film's mighty pretensions, it does not get far beneath the skin of its conventional Western situation and its stock Western characters…

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Review of Men in Black (1997)

By Peter Travers (3,602) for Rolling Stone (4,035) on 12 Apr 1999

Sonnenfeld deftly orchestrates the intricate two-part harmony, and Smith and Jones -- a powerhouse comic pair -- make it all look easy…

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Review of The Godfather (1972)

By Arthur Knight (23) for The Hollywood Reporter (7,050) on 11 Apr 1999

Director Francis Ford Coppola, with a strong assist from cameraman Gordon Willis, has done an extraordinary job of capturing period and place…

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Review of Hard Eight (1997)

By Russell Smith (106) for Austin Chronicle (7,653) on 11 Apr 1999

Hall, one of our least appreciated great actors, is mesmerizing as Sydney…

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Review of Look Who's Talking (1989)

By Roger Ebert (5,190) for Chicago Sun-Times (7,580) on 11 Apr 1999

Look Who's Talking is full of good feeling, and director Amy Heckerling finds a light touch for her lightweight material…

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Review of Maximum Overdrive (1986)

By John Paraeles (1) for The New York Times (9,847) on 10 Apr 1999

For the most part, [King] has taken a promising notion - our dependence on our machines - and turned it into one long car-crunch movie, wheezing…

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Review of One True Thing (1998)

By Ella Taylor (978) for L.A. Weekly (3,142) on 09 Apr 1999

No matter how tactful and sensitive Franklin's direction, he has made himself complicit in a polarization that panders to anti-intellectual…

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Review of Mulan (1998)

By James Berardinelli (4,524) for ReelViews (4,523) on 09 Apr 1999

Mulan effortlessly blends serious, comic, and cute elements into a whole that should entertain the majority of movie-goers, regardless of race,…

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Review of We're No Angels (1989)

By Ira Robbins (5) for Entertainment Weekly (6,953) on 08 Apr 1999

What are two of America’s top dramatic actors, a serious playwright, and a hard-boiled British director doing in We’re No Angels, a meaningless…

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Review of Fresh (1994)

By Gene Siskel (446) for Chicago Tribune (6,211) on 08 Apr 1999

Fresh is Boyz N the Hood meets Searching for Bobby Fischer. Key to the success of the film is the solemn performance by young Sean Nelson…

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Review of Breaking Away (1979)

By Bob Thomas (136) for The Associated Press (882) on 07 Apr 1999

Breaking Away is a very funny and touching story about love, growing up, bicycle racing, and class consciousness…

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Review of The Chamber (1996)

By Jonathan Rosenbaum (1,657) for Chicago Reader (7,190) on 06 Apr 1999

Material so bereft of plot and insight that all it can provide is actorly turns with no cogent means for tying them together…

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Review of Starman (1984)

By Josh Larsen (2,042) for LarsenOnFilm (1,412) on 06 Apr 1999

If Starman works at all, it’s because of the way Allen gazes at Bridges, as if his mystery is her answer…

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Review of Heartbreak Ridge (1986)

By William Thomas (198) for Empire (3,446) on 06 Apr 1999

An unusually thoughtful look (and a broad one) at powers on the wane, at America's shift from Vietnam polarisations to 80's apathy, and at…

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Review of Dick Tracy (1990)

By Bill Cosford (281) for Miami Herald (3,319) on 06 Apr 1999

Dick Tracy has pop-art elements, imaginatively conceived montages, and a riff on crime-as-business that’s as pointed as the Godfather movies,…

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Review of Alone in the Dark (1982)

By Keith Phipps (1,177) for The A.V. Club (5,644) on 06 Apr 1999

A fairly faithful adaptation of what a game is like, but without the pleasure of getting to play or the much-needed option of pressing the off button…

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Review of The Spanish Prisoner (1997)

By David Denby (676) for New York Magazine (Vulture) (3,519) on 06 Apr 1999

Mamet has to learn to trust the camera more than he does; he has to stop trying to control everything with language; he has to let loose a…

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Page 258,297 of 258,691

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