Browse Movie Reviews - Page 258,167 of 258,691

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Review of The Cousins (1959)

By Don Druker (117) for Chicago Reader (7,190) on 01 Jan 2000

This is Chabrol's second film, and its subtle development of character points toward the dense structures of his later films with their reluctance…

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Review of The Private Life of Sherlock Holmes (1970)

By Don Druker (117) for Chicago Reader (7,190) on 01 Jan 2000

Affectionately conceived, chock-full of marvelous subtleties, this meticulously constructed adventure-romance shouldn't be missed…

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Review of Coogan's Bluff (1968)

By Don Druker (117) for Chicago Reader (7,190) on 01 Jan 2000

Eastwood's performance as the flawed, headstrong superman has been terribly underrated, but he brings to the part of Coogan a sure knowledge…

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Review of Kiss Me, Stupid (1964)

By Don Druker (117) for Chicago Reader (7,190) on 01 Jan 2000

In any event, this has to rank as Wilder's most corrosive and despairing portrait of America…

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Review of Horse Feathers (1932)

By Don Druker (117) for Chicago Reader (7,190) on 01 Jan 2000

This 1932 release was the first Marx film to take on the Depression, and the brothers manage to satirize everything from education to prostitution…

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Review of Monterey Pop (1968)

By Don Druker (117) for Chicago Reader (7,190) on 01 Jan 2000

The film possesses a quality of nostalgia beyond the fact that it was made way back in 1967…

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Review of Knife in the Water (1962)

By Don Druker (117) for Chicago Reader (7,190) on 01 Jan 2000

The sexual tensions build slowly and subtly, and when they explode into violence, it seems to be the desired result…

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Review of The Girl Can't Help It (1956)

By Don Druker (117) for Chicago Reader (7,190) on 01 Jan 2000

Tashlin's savage lampoon of American notions of success and fulfillment is hilarious and genuinely appealing…

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Review of The Elusive Corporal (1962)

By Don Druker (117) for Chicago Reader (7,190) on 01 Jan 2000

An ironic comedy of fake French heroics and real French heroism, the film is delicate and witty and features a delightful performance from…

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Review of Heavy Traffic (1973)

By Don Druker (117) for Chicago Reader (7,190) on 01 Jan 2000

Bakshi manages to offend nearly everyone from transvestites to mafiosi; but the comic distancing achieved by his army of animators manages…

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Review of The Major and the Minor (1942)

By Don Druker (117) for Chicago Reader (7,190) on 01 Jan 2000

The Wilder ironies and favorite themes--sexual deception, innuendo, the power of words to slice up and serve a character -- are all present…

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Review of The Spider's Stratagem (1970)

By Don Druker (117) for Chicago Reader (7,190) on 01 Jan 2000

[Features] sumptuous visuals and sense of high tragedy…

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Review of Rancho Deluxe (1975)

By Don Druker (117) for Chicago Reader (7,190) on 01 Jan 2000

Surprise: Frank Perry kept his wits about him long enough to make this mildly watchable 1974 film about the modern west…

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Review of The Odessa File (1974)

By Don Druker (117) for Chicago Reader (7,190) on 01 Jan 2000

The surprises increasingly fail to surprise…

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Review of In Cold Blood (1967)

By Don Druker (117) for Chicago Reader (7,190) on 01 Jan 2000

An uneasy mixture of facile Freudianism and 40s expressionism…

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Review of The Miracle Worker (1962)

By Don Druker (117) for Chicago Reader (7,190) on 01 Jan 2000

Anne Bancroft is superb as Annie Sullivan, the teacher who finally reached into Helen Keller's darkness, and Patty Duke is chillingly real…

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Review of The Hawks and the Sparrows (1966)

By Don Druker (117) for Chicago Reader (7,190) on 01 Jan 2000

Pier Paolo Pasolini was a major theorist as well as a leader in the Italian avant-garde…

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Review of Hour of the Wolf (1968)

By Don Druker (117) for Chicago Reader (7,190) on 01 Jan 2000

This 1967 effort is one of Bergman's most outlandish, with its pack of ghouls and its heavy suggestions of exhibitionism, necrophilia, and…

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Review of The Virgin Spring (1960)

By Don Druker (117) for Chicago Reader (7,190) on 01 Jan 2000

The period details are magnificently worked into the narrative, and the pace and economy of the tortured Swede's storytelling make his metaphysics…

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Review of Hiroshima Mon Amour (1959)

By Don Druker (117) for Chicago Reader (7,190) on 01 Jan 2000

Integrating past and present, poetic images and documentary footage, music and Marguerite Duras' dialogue, the film achieved a structural balance…

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Page 258,167 of 258,691

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