Browse Movie Reviews - Page 258,126 of 258,691

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Review of The Lost Weekend (1945)

By Tim Dirks (207) for Tim Dirks' The Greatest Films (207) on 01 Jan 2000

The Lost Weekend (1945) is a serious, painful and uncompromising, frank look at alcohol addiction that follows almost five days ('one lost…

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Review of Duck Soup (1933)

By Tim Dirks (207) for Tim Dirks' The Greatest Films (207) on 01 Jan 2000

The Marx Brothers' greatest and funniest masterpiece - the classic comedy Duck Soup (1933) is a short, but brilliant satire and lampooning…

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Review of The Awful Truth (1937)

By Tim Dirks (207) for Tim Dirks' The Greatest Films (207) on 01 Jan 2000

The Awful Truth (1937) is one of the classic, definitive screwball comedies of the thirties…

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Review of Grand Hotel (1932)

By Tim Dirks (207) for Tim Dirks' The Greatest Films (207) on 01 Jan 2000

Grand Hotel (1932) is a classic masterpiece and all-star epic with high-powered stars of the early 1930s…

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Review of Queen Christina (1934)

By Tim Dirks (207) for Tim Dirks' The Greatest Films (207) on 01 Jan 2000

Queen Christina (1933) is one of Greta Garbo's quintessential, most-remembered screen portrayals (and one of her finest films), with glowing scenes…

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Review of Stage Door (1937)

By Tim Dirks (207) for Tim Dirks' The Greatest Films (207) on 01 Jan 2000

Stage Door (1937) is director Gregory La Cava's superb, realistic film about show business, female camaraderie, and the lives of aspiring,…

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Review of Kiss Me Deadly (1955)

By Tim Dirks (207) for Tim Dirks' The Greatest Films (207) on 01 Jan 2000

Kiss Me Deadly (1955) is the definitive, apocalyptic, nihilistic, science-fiction film noir of all time. The film's 50's Los Angeles hero…

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Review of Safety Last! (1923)

By Tim Dirks (207) for Tim Dirks' The Greatest Films (207) on 01 Jan 2000

Safety Last (1923) earned Harold Lloyd, the bookish, horn-rimmed glasses-wearing comedian, his nickname the King of Daredevil Comedy…

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Review of Meet Me in St. Louis (1944)

By Tim Dirks (207) for Tim Dirks' The Greatest Films (207) on 01 Jan 2000

Meet Me In St. Louis (1944) is a delightful, classic, nostalgic, romanticized musical film - and one of the greatest musicals ever made…

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Review of Slums of Beverly Hills (1998)

By Madeleine Williams (207) for Cinematter (205) on 01 Jan 2000

Slums of Beverly Hills

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Review of Dear God (1996)

By Madeleine Williams (207) for Cinematter (205) on 01 Jan 2000

This lightweight comedy is so deathly earnest it forgot the humor…

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Review of I'm No Angel (1933)

By Tim Dirks (207) for Tim Dirks' The Greatest Films (207) on 01 Jan 2000

In the comedy classic, I'm No Angel (1933), one of Mae West's three best films, she is reunited with supporting star Cary Grant following their…

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Review of Only Angels Have Wings (1939)

By Tim Dirks (207) for Tim Dirks' The Greatest Films (207) on 01 Jan 2000

Only Angels Have Wings (1939) is a quintessential adventure-aviation film with drama, dark fatalism, suspense and romance that is stocked with…

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Review of When We Were Kings (1996)

By Madeleine Williams (207) for Cinematter (205) on 01 Jan 2000

A thoroughly entertaining documentary about a clash between boxing legends…

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Review of The Seven Year Itch (1955)

By Tim Dirks (207) for Tim Dirks' The Greatest Films (207) on 01 Jan 2000

The Seven Year Itch (1955) is a delightful, sophisticated and witty farce, using to the fullest extent the mordant humor of director Billy Wilder…

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Review of The Best Years of Our Lives (1946)

By Tim Dirks (207) for Tim Dirks' The Greatest Films (207) on 01 Jan 2000

The Best Years of Our Lives (1946) is producer Samuel Goldwyn's classic, significant American film about the difficult adjustments of veterans…

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Review of Boogie Nights (1997)

By Madeleine Williams (207) for Cinematter (205) on 01 Jan 2000

Technically brilliant, and with good acting, Boogie nights is a very good, but not great, film…

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Review of Gattaca (1997)

By Madeleine Williams (207) for Cinematter (205) on 01 Jan 2000

Its three leads are all engaging and well written, and its attention to detail enhances the film in ways big budget special effects can't…

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Review of Strange Days (1995)

By Madeleine Williams (207) for Cinematter (205) on 01 Jan 2000

Futuristic film noir mystery with excellent performances and thrilling cinematography…

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Review of The Blair Witch Project (1999)

By Madeleine Williams (207) for Cinematter (205) on 01 Jan 2000

It seems flimsy and a bit superficial at first, but by the end you'll be hearing noises and looking over your shoulder…

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Page 258,126 of 258,691

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