Browse Movie Reviews - Page 258,005 of 258,691

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Review of Death and the Maiden (1994)

By Scott Renshaw (514) for rec.arts.movies.reviews (2,454) on 01 Jan 2000

It is sabotaged by actors who often appear not to have the faintest idea what to do with the material…

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Review of Pitch Black (2000)

By Scott Renshaw (514) for Scott Renshaw's Screening Room (24) on 01 Jan 2000

A filmmaker just can't have it both ways when he decides he wants to make Aliens meets Les Miserables…

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Review of Saving Private Ryan (1998)

By Scott Renshaw (514) for Scott Renshaw's Screening Room (24) on 01 Jan 2000

Saving Private Ryan may be the most mature war film ever made…

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Review of Hercules (2014)

By Scott Renshaw (514) for rec.arts.movies.reviews (2,454) on 01 Jan 2000

Merely a pleasant way to spend a Saturday afternoon…

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Review of Hercules (1999)

By Scott Renshaw (514) for rec.arts.movies.reviews (2,454) on 01 Jan 2000

Merely a pleasant way to spend a Saturday afternoon…

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Review of Hercules (1983)

By Scott Renshaw (514) for rec.arts.movies.reviews (2,454) on 01 Jan 2000

Merely a pleasant way to spend a Saturday afternoon…

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Review of On the Pole: Eddie Sachs (1961)

By Scott Renshaw (514) for rec.arts.movies.reviews (2,454) on 01 Jan 2000

It's a movie that makes you feel cheated and offended, because someone came up with a poster and a marketing plan to which they had to attach…

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Review of Anaconda (1954)

By G. Allen Johnson (514) for San Francisco Examiner (1,621) on 01 Jan 2000

If only director Luis Llosa and his cast could see the joke and seize upon it; instead, like its computer-morphed snake, the film doesn't have…

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Review of Anaconda (1954)

By Scott Renshaw (514) for rec.arts.movies.reviews (2,454) on 01 Jan 2000

Anaconda is simplistic, and could have used more of its monster, but it delivers…

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Review of Striptease (1977)

By Scott Renshaw (514) for rec.arts.movies.reviews (2,454) on 01 Jan 2000

The result is a film which is moving in several different directions at once: the source material is trying to make it dark, Bergman is trying…

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Review of Fallen (1998)

By Scott Renshaw (514) for rec.arts.movies.reviews (2,454) on 01 Jan 2000

Like Hoblit's Primal Fear, Fallen is a well-made and well-acted film which too often settles for the easy or obvious way to handle a situation…

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Review of Vanya on 42nd Street (1994)

By Scott Renshaw (514) for rec.arts.movies.reviews (2,454) on 01 Jan 2000

Vanya on 42nd Street is a superior interpretation of a fantastic play, but I couldn't quite shake the conviction that I really should have…

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Review of Eve's Bayou (1997)

By Scott Renshaw (514) for rec.arts.movies.reviews (2,454) on 01 Jan 2000

Deeply felt, consistently intriguing and often visually striking…

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Review of Blues Brothers 2000 (1998)

By Scott Renshaw (514) for rec.arts.movies.reviews (2,454) on 01 Jan 2000

The main problem is the absence of a similar focus on the music, replaced by a more cynical attempt to re-create the past…

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Review of Contempt (1963)

By G. Allen Johnson (514) for San Francisco Examiner (1,621) on 01 Jan 2000

Bardot's icy, almost lifeless cipher of a blond is Godard's metaphor for cinema: a big, plastic bit of good-looking nothing…

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Review of Independence Day (1996)

By Scott Renshaw (514) for rec.arts.movies.reviews (2,454) on 01 Jan 2000

Independence Day is woefully short on anything that rouses the imagination…

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Review of Face/Off (1997)

By Scott Renshaw (514) for rec.arts.movies.reviews (2,454) on 01 Jan 2000

The premise is, of course, absolutely ridiculous. It also is absolutely brilliant, and incredibly subversive…

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Review of The Game (1997)

By Scott Renshaw (514) for rec.arts.movies.reviews (2,454) on 01 Jan 2000

If this is David Fincher's idea of selling out, I hope folks are buying. We may be looking at the emergence of this generation's Hitchcock…

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Review of X-Men (2000)

By Scott Renshaw (514) for rec.arts.movies.reviews (2,454) on 01 Jan 2000

Not just a great comic book movie; it's actually a pretty good movie period…

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Review of The Thirteenth Floor (1999)

By Scott Renshaw (514) for Scott Renshaw's Screening Room (24) on 01 Jan 2000

This is genre film-making at its most superficially plot-driven, compounding its shallow characterizations with a ridiculous degree of…

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Page 258,005 of 258,691

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