Browse Movie Reviews - Page 257,981 of 258,691

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Review of Congo (1972)

By Barbara Shulgasser (553) for San Francisco Examiner (1,621) on 01 Jan 2000

In stupidity, this movie ranks up there among the greats…

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Review of The Fifth Element (1997)

By Barbara Shulgasser (553) for San Francisco Examiner (1,621) on 01 Jan 2000

This is a prodigious something. It's just difficult to say whether that something is good or evil…

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Review of Fair Game (1995)

By Barbara Shulgasser (553) for San Francisco Examiner (1,621) on 01 Jan 2000

This is right up there with the dumbest pictures of the year…

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Review of The Best Man (1999)

By Barbara Shulgasser (553) for Chicago Tribune (6,211) on 01 Jan 2000

For the most part the actors are forced to ham it up in order to get through cliche-ridden scenes, but a few manage to overcome the burden…

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Review of The Funeral (1996)

By Barbara Shulgasser (553) for San Francisco Examiner (1,621) on 01 Jan 2000

Ferrara's eerie version of crime-wracked New York City of the 1930s…

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Review of Leaving Las Vegas (1995)

By Barbara Shulgasser (553) for San Francisco Examiner (1,621) on 01 Jan 2000

A powerful movie about self-destruction and emotional neediness…

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Review of Gone with the Wind (1939)

By Barbara Shulgasser (553) for San Francisco Examiner (1,621) on 01 Jan 2000

The sexual tension and humorous byplay between Leigh and co-star Clark Gable, in the role of gentleman rogue Rhett Butler, was riveting…

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Review of The Frighteners (1996)

By Barbara Shulgasser (553) for San Francisco Examiner (1,621) on 01 Jan 2000

The Frighteners is a gooey pastiche of Casper, Ghost, Poltergeist, Back to the Future (it's produced by Future director Robert Zemeckis), Ghostbusters,…

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Review of Outbreak (1995)

By Barbara Shulgasser (553) for San Francisco Examiner (1,621) on 01 Jan 2000

Sometimes this movie feels like a horror picture directed by John Waters…

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Review of Wrongfully Accused (1998)

By Barbara Shulgasser (553) for San Francisco Examiner (1,621) on 01 Jan 2000

The rest of the cast doesn't look like it's having nearly as much fun as Nielsen is, but they are all exceedingly game and that's all that…

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Review of The Edge (1997)

By Barbara Shulgasser (553) for San Francisco Examiner (1,621) on 01 Jan 2000

It takes more than a few lines of clever dialogue, a hero who reads books, and an actor with British training and lots of dignity to keep a…

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Review of The Ice Storm (1997)

By Barbara Shulgasser (553) for San Francisco Examiner (1,621) on 01 Jan 2000

[D]espite good performances and fine intentions, ultimately fails…

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Review of Striptease (1996)

By Barbara Shulgasser (553) for San Francisco Examiner (1,621) on 01 Jan 2000

In order to like Striptease, you have to be a pretty serious Moore fan because although director Andrew Bergman's script (based on the book…

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Review of Fathers' Day (1997)

By Barbara Shulgasser (553) for San Francisco Examiner (1,621) on 01 Jan 2000

It's that predictable sweetness that makes any of this more than just bearable…

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Review of Just Cause (1995)

By Barbara Shulgasser (553) for San Francisco Examiner (1,621) on 01 Jan 2000

The plot falls with a thud, but the movie is surprisingly involving owing to performances by Connery, who is always an unfaltering standard…

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Review of EverAfter (1998)

By Barbara Shulgasser (553) for San Francisco Examiner (1,621) on 01 Jan 2000

Tennant and company do a fine job of retaining the otherworldliness of a fairy tale while at the same time explaining all the archaisms for…

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Review of Repulsion (1965)

By Barbara Shulgasser (553) for San Francisco Examiner (1,621) on 01 Jan 2000

Deneuve gives a scary and believable performance as a young woman who has never been completely integrated and who loses all sanity while we watch…

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Review of Fargo (1996)

By Barbara Shulgasser (553) for San Francisco Examiner (1,621) on 01 Jan 2000

The Coens haven't been this sharp, focused and fluid since their first film…

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Review of The Graduate (1967)

By Barbara Shulgasser (553) for San Francisco Examiner (1,621) on 01 Jan 2000

What's most fun is a brilliant, nasty, sad, defiant and overtly sexual performance by Anne Bancroft in her prime as Mrs. Robinson…

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Review of L.A. Confidential (1997)

By Barbara Shulgasser (553) for San Francisco Examiner (1,621) on 01 Jan 2000

Curtis Hanson has captured the flinty, sweaty days of post-World War II Los Angeles in his slick policier, L.A. Confidential…

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Page 257,981 of 258,691

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