Browse Movie Reviews - Page 257,879 of 258,691

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Review of You've Got Mail (1998)

By Rob Blackwelder (857) for SPLICEDWire (872) on 01 Jan 2000

The entire movie is glazed with syrupy sweet generic moments...that clash with the potentially enjoyable, devious grown-up comedy that nearly…

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Review of Get Shorty (1995)

By Rob Blackwelder (857) for SPLICEDWire (872) on 01 Jan 2000

It's Hollywood happily mocking itself, with stock characters breaking their molds and digs at everything that is the movie business…

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Review of Being John Malkovich (1999)

By Rob Blackwelder (857) for SPLICEDWire (872) on 01 Jan 2000

Destined for well-deserved cult status along side such creepy-comedy masterpieces as Brazil and Harold and Maude…

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Review of Stealing Beauty (1996)

By Rob Blackwelder (857) for SPLICEDWire (872) on 01 Jan 2000

An intriguing, good-looking movie, and character-driven in the best sense. But truly, it's fanciful…

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Review of Bringing Out the Dead (1999)

By Rob Blackwelder (857) for SPLICEDWire (872) on 01 Jan 2000

Nicolas Cage inhabits this lonely, broken, everyday hero in a way no other actor ever could (save, perhaps, De Niro) in Martin Scorsese's ironically…

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Review of Star Trek: Insurrection (1998)

By Rob Blackwelder (857) for SPLICEDWire (872) on 01 Jan 2000

When Star Trek starts to resemble Battlestar Galactica and Babylon 5, something is amiss…

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Review of Baby Geniuses (1999)

By Rob Blackwelder (857) for SPLICEDWire (872) on 01 Jan 2000

Baby Geniuses doesn't waste any time getting stupid…

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Review of Lost in Space (1998)

By Rob Blackwelder (857) for SPLICEDWire (872) on 01 Jan 2000

Every action sequence in this grossly over-produced movie looks like designers from Nintendo were creative consultants…

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Review of My Favorite Martian (1999)

By Rob Blackwelder (857) for SPLICEDWire (872) on 01 Jan 2000

Almost entirely predicated on low-brow misfires and the thinnest of story precepts…

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Review of Michael Collins (1996)

By Rob Blackwelder (857) for SPLICEDWire (872) on 01 Jan 2000

The action, emotion and tension of Michael Collins don't transcend the screen in a way that will engage the uninitiated…

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Review of Stir of Echoes (1999)

By Rob Blackwelder (857) for SPLICEDWire (872) on 01 Jan 2000

There is a definitive moment at which the movie self-destructs, and its sad to see that happen when Echoes was shaping up to be an intensely…

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Review of Grosse Pointe Blank (1997)

By Rob Blackwelder (857) for SPLICEDWire (872) on 01 Jan 2000

The story-telling is sloppy…

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Review of Blast from the Past (1999)

By Rob Blackwelder (857) for SPLICEDWire (872) on 01 Jan 2000

Once it's in the second act, the groans catch up to the laughs and ultimately that race is a photo finish…

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Review of Gone with the Wind (1939)

By Rob Blackwelder (857) for SPLICEDWire (872) on 01 Jan 2000

At the film's center, of course, is Leigh's strikingly sympathetic portrayal as Scarlett O'Hara, the irascible, manipulative bitch…

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Review of The Ghost and the Darkness (1996)

By Rob Blackwelder (857) for SPLICEDWire (872) on 01 Jan 2000

The Ghost and the Darkness isn't bad as a matinee distraction, but goodness knows it isn't good, either…

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Review of South Park: Bigger, Longer & Uncut (1999)

By Rob Blackwelder (857) for SPLICEDWire (872) on 01 Jan 2000

By the time that opening showtune was over, I was laughing so hard I could hardly breathe. And it only gets funnier…

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Review of 54 (1998)

By Rob Blackwelder (857) for SPLICEDWire (872) on 01 Jan 2000

Little more than stock characters acting out a generic drama of sin and redemption against a lascivious backdrop that is far more interesting…

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Review of Cop Land (1997)

By Rob Blackwelder (857) for SPLICEDWire (872) on 01 Jan 2000

Mangold's script was interesting enough to draw enormous stars willing to work their buns off for scale…

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Review of The Net (1995)

By Rob Blackwelder (857) for SPLICEDWire (872) on 01 Jan 2000

If you forget the fact that computer-literacy is a prerequisite, The Net is at its heart a traditional suspense thriller…

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Review of Big Daddy (1999)

By Rob Blackwelder (857) for SPLICEDWire (872) on 01 Jan 2000

Adam Sandler has gone soft and it just doesn't work…

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