Browse Movie Reviews - Page 257,627 of 258,691

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Review of Shakespeare in Love (1998)

By Owen Gleiberman (3,271) for Entertainment Weekly (6,953) on 01 Jan 2000

This is a movie full of moments, and performances, to savor…

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Review of Blue Streak (1971)

By Owen Gleiberman (3,271) for Entertainment Weekly (6,953) on 01 Jan 2000

Lawrence seems trapped in his jug-eared, slightly clownish nervousness, like a sidekick suddenly shoved into the spotlight…

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Review of Holy Smoke (1999)

By Owen Gleiberman (3,271) for Entertainment Weekly (6,953) on 01 Jan 2000

Winslet is the sort of actress who can rage at the heavens and reach for them at the same time…

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Review of Armageddon (1997)

By Owen Gleiberman (3,271) for Entertainment Weekly (6,953) on 01 Jan 2000

Bay doesn't stage scenes, exactly -- he stages moments…

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Review of Billy Elliot (2000)

By Owen Gleiberman (3,271) for Entertainment Weekly (6,953) on 01 Jan 2000

[Bell] makes Billy the angelic urchin joyous in a streetwise, unphony way, and his dancing, which fuses classical ballet rigor with a loose…

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Review of American Beauty (1999)

By Owen Gleiberman (3,271) for Entertainment Weekly (6,953) on 01 Jan 2000

You know you're in the hands of a true filmmaker when you feel invited, at every turn, to share his sense of entrancement…

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Review of Titan A.E. (2000)

By Owen Gleiberman (3,271) for Entertainment Weekly (6,953) on 01 Jan 2000

Titan A.E. is ''Star Wars'' pulped and mashed into flavorless kiddie corn…

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Review of Almost Famous (2000)

By Owen Gleiberman (3,271) for Entertainment Weekly (6,953) on 01 Jan 2000

The performances ... have a beautiful, unforced naturalism, and the movie is laced with memorable moments…

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Review of Blue Streak (1999)

By Owen Gleiberman (3,271) for Entertainment Weekly (6,953) on 01 Jan 2000

Lawrence seems trapped in his jug-eared, slightly clownish nervousness, like a sidekick suddenly shoved into the spotlight…

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Review of Stir of Echoes (1999)

By Owen Gleiberman (3,271) for Entertainment Weekly (6,953) on 01 Jan 2000

It offers a stir of an echo of horror, rather than the genuine cathartic article…

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Review of The Wizard of Oz (1939)

By Owen Gleiberman (3,271) for Entertainment Weekly (6,953) on 01 Jan 2000

The Wizard of Oz remains the weirdest, scariest, kookiest, most haunting and indelible kid-flick-that's-really-for-adults ever made in Hollywood…

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Review of Battlefield Earth (2000)

By Owen Gleiberman (3,271) for Entertainment Weekly (6,953) on 01 Jan 2000

Battlefield Earth is just a lumbering, poorly photographed piece of derivative sci-fi drivel, full of grunting extras scampering around in…

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Review of Lake Placid (1999)

By Owen Gleiberman (3,271) for Entertainment Weekly (6,953) on 01 Jan 2000

There's a special look that actors get - avid yet resigned - when the movie they're starring in is so bad it practically billboards their stalled…

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Review of Timecode (2000)

By Owen Gleiberman (3,271) for Entertainment Weekly (6,953) on 01 Jan 2000

Stands as a rare feat of technology made human…

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Review of Best in Show (2000)

By Owen Gleiberman (3,271) for Entertainment Weekly (6,953) on 01 Jan 2000

You giggle every so often, but you never give yourself over to the characters…

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Review of Wonder Boys (2000)

By Owen Gleiberman (3,271) for Entertainment Weekly (6,953) on 01 Jan 2000

Sweet, flaky, and more than a little aimless…

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Review of Quills (2000)

By Owen Gleiberman (3,271) for Entertainment Weekly (6,953) on 01 Jan 2000

Quills bleaches the danger -- and fascination -- out of De Sade, turning him into a kind of mad saint of ''Masterpiece Theatre'' porn…

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Review of Pups (1999)

By Owen Gleiberman (3,271) for Entertainment Weekly (6,953) on 01 Jan 2000

Ash ... is a genuine provocateur-filmmaker…

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Review of Chuck & Buck (2000)

By Owen Gleiberman (3,271) for Entertainment Weekly (6,953) on 01 Jan 2000

The most resonant and haunting movie I've seen this year…

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Review of The Original Kings of Comedy (2000)

By Owen Gleiberman (3,271) for Entertainment Weekly (6,953) on 01 Jan 2000

The routines are charged, even between jokes, with anticipatory hilarity…

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