Browse Movie Reviews - Page 257,589 of 258,691

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Review of Gone with the Wind (1939)

By Roger Ebert (5,190) for Chicago Sun-Times (7,580) on 01 Jan 2000

A towering landmark of film, quite simply because it tells a good story, and tells it wonderfully well…

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Review of Fantasia (1940)

By Roger Ebert (5,190) for Chicago Sun-Times (7,580) on 01 Jan 2000

Throughout Fantasia, Disney pushes the edges of the envelope…

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Review of Rain Man (1988)

By Roger Ebert (5,190) for Chicago Sun-Times (7,580) on 01 Jan 2000

Rain Man is so fascinating because it refuses to supply those questions with sentimental but unrealistic answers…

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Review of The Land Before Time (1988)

By Roger Ebert (5,190) for Chicago Sun-Times (7,580) on 01 Jan 2000

I guess I sort of liked the film. although I wonder why it couldn't have spent more time on natural history and the sense of discovery…

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Review of The Wizard of Oz (1939)

By Roger Ebert (5,190) for Chicago Sun-Times (7,580) on 01 Jan 2000

The Wizard of Oz has a wonderful surface of comedy and music, special effects and excitement, but we still watch it six decades later because…

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Review of National Lampoon's Christmas Vacation (1989)

By Roger Ebert (5,190) for Chicago Sun-Times (7,580) on 01 Jan 2000

Sequence after sequence seems to contain all the necessary material, to be well on the way toward a payoff, and then it somehow doesn't work…

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Review of Planes, Trains and Automobiles (1987)

By Roger Ebert (5,190) for Chicago Sun-Times (7,580) on 01 Jan 2000

It is perfectly cast and soundly constructed, and all else flows naturally. Steve Martin and John Candy don't play characters; they embody themselves…

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Review of The Black Cauldron (1985)

By Roger Ebert (5,190) for Chicago Sun-Times (7,580) on 01 Jan 2000

By the end of The Black Cauldron I was remembering, with something of a shock of nostalgia, the strength and utter storytelling conviction…

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Review of City Lights (1931)

By Roger Ebert (5,190) for Chicago Sun-Times (7,580) on 01 Jan 2000

If only one of Charles Chaplin's films could be preserved, “City Lights” (1931) would come the closest to representing all the different…

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Review of The War of the Roses (1989)

By Roger Ebert (5,190) for Chicago Sun-Times (7,580) on 01 Jan 2000

It's to the credit of DeVito and his co-stars they they were willing to go that far, but maybe it shows more courage than wisdom…

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Review of Das Boot (1981)

By Roger Ebert (5,190) for Chicago Sun-Times (7,580) on 01 Jan 2000

Wolfgang Petersen's direction is an exercise in pure craftsmanship. [Director's Cut]…

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Review of The Doors (1991)

By Roger Ebert (5,190) for Chicago Sun-Times (7,580) on 01 Jan 2000

Watching the movie is like being stuck in a bar with an obnoxious drunk, when you're not drinking…

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Review of The Ghost and the Darkness (1996)

By Roger Ebert (5,190) for Chicago Sun-Times (7,580) on 01 Jan 2000

“The Ghost and the Darkness is an African adventure that makes the Tarzan movies look subtle and realistic…

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Review of The Frighteners (1996)

By Roger Ebert (5,190) for Chicago Sun-Times (7,580) on 01 Jan 2000

Incredible, the amount of work that went into ``The Frighteners.'' And appalling…

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Review of Scrooged (1988)

By Roger Ebert (5,190) for Chicago Sun-Times (7,580) on 01 Jan 2000

It was obviously intended as a comedy, but there is little comic about it, and indeed the movie's overriding emotions seem to be pain and anger…

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Review of I Still Know What You Did Last Summer (1998)

By Roger Ebert (5,190) for Chicago Sun-Times (7,580) on 01 Jan 2000

The movie's R rating mentions 'intense terror violence and gore,' but only its publicity team could consider it intense or terrifying. Gore it has…

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Review of Dazed and Confused (1993)

By Roger Ebert (5,190) for Chicago Sun-Times (7,580) on 01 Jan 2000

The film's real inspiration, I think, is to depict some high school kids from the 1970s with such unblinking attention that we will realize…

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Review of Heavenly Creatures (1994)

By Roger Ebert (5,190) for Chicago Sun-Times (7,580) on 01 Jan 2000

What makes Jackson's film enthralling and frightening is the way it shows these two unhappy girls, creating an alternative world so safe and…

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Review of Disclosure (1994)

By Roger Ebert (5,190) for Chicago Sun-Times (7,580) on 01 Jan 2000

It is an exercise in pure cynicism, with little respect for its subject -- or for its thriller plot, which I defy anyone to explain…

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Review of The Last Emperor (1987)

By Roger Ebert (5,190) for Chicago Sun-Times (7,580) on 01 Jan 2000

Everything involving the life of Pu Yi was a waste. Everything except one thing: the notion that a single human life could have infinite value…

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