Browse Movie Reviews - Page 257,585 of 258,691

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Review of Little Indian, Big City (1994)

By Roger Ebert (5,190) for Chicago Sun-Times (7,580) on 01 Jan 2000

If you, under any circumstances, see Little Indian, Big City, I will never let you read one of my reviews again…

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Review of Se7en (1995)

By Roger Ebert (5,190) for Chicago Sun-Times (7,580) on 01 Jan 2000

A dark, grisly, horrifying and intelligent thriller…

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Review of Croupier (1998)

By Roger Ebert (5,190) for Chicago Sun-Times (7,580) on 01 Jan 2000

The point of the movie is not the plot, but the character and the atmosphere…

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Review of Little Buddha (1993)

By Roger Ebert (5,190) for Chicago Sun-Times (7,580) on 01 Jan 2000

The modern sequences lack realism or credibility. The ancient sequences play like the equivalent of a devout Bible story…

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Review of Assassin(s) (1997)

By Roger Ebert (5,190) for Chicago Sun-Times (7,580) on 01 Jan 2000

This movie is filled with such preposterous impossibilities that Forrest Gump could have improved it with a quick rewrite…

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Review of Jingle All the Way (1996)

By Roger Ebert (5,190) for Chicago Sun-Times (7,580) on 01 Jan 2000

I liked a lot of the movie, which is genial and has a lot of energy, but I was sort of depressed by its relentlessly materialistic view of…

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Review of The Last Supper (1995)

By Roger Ebert (5,190) for Chicago Sun-Times (7,580) on 01 Jan 2000

The best shot in this film is the first one. Not a good sign…

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Review of The Empire Strikes Back (1980)

By Roger Ebert (5,190) for Chicago Sun-Times (7,580) on 01 Jan 2000

The best of three Star Wars films, and the most thought-provoking…

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Review of Kids (2011)

By Roger Ebert (5,190) for Chicago Sun-Times (7,580) on 01 Jan 2000

Moore and Bening are superb actors here, evoking a marriage of more than 20 years, and all of its shadings and secrets, idealism and compromise…

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Review of Torrents of Spring (1989)

By Roger Ebert (5,190) for Chicago Sun-Times (7,580) on 01 Jan 2000

It is a tragic love story told in limp images, its tone a dying sigh, its high points scarcely less nostalgic than the low…

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Review of Before the Rain (1994)

By Roger Ebert (5,190) for Chicago Sun-Times (7,580) on 01 Jan 2000

This is one of the year's best films, a brilliant directorial debut for a young man named Milcho Manchevski…

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Review of Paulie (2011)

By Roger Ebert (5,190) for Chicago Sun-Times (7,580) on 01 Jan 2000

The film is aimed at children, I suppose, although I don't think they'll like Paulie all that much. I didn't…

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Review of A Year of the Quiet Sun (1984)

By Roger Ebert (5,190) for Chicago Sun-Times (7,580) on 01 Jan 2000

This is a small, quiet film of enormous power…

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Review of Claire of the Moon (1992)

By Roger Ebert (5,190) for Chicago Sun-Times (7,580) on 01 Jan 2000

Nicole Conn, who wrote and directed, has not yet learned to do either job with spontaneity and naturalness, and the function of each scene…

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Review of Frogs for Snakes (1998)

By Roger Ebert (5,190) for Chicago Sun-Times (7,580) on 01 Jan 2000

Not a film so much as a filmed idea. That could be interesting, but alas it is a very bad idea…

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Review of I Love Trouble (1948)

By Roger Ebert (5,190) for Chicago Sun-Times (7,580) on 01 Jan 2000

Maybe it would have been funnier if the evil cow conglomerate had been replaced by something sillier and more lightweight; it's hard to sustain…

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Review of The Umbrellas of Cherbourg (1964)

By Roger Ebert (5,190) for Chicago Sun-Times (7,580) on 01 Jan 2000

A surprisingly effective film, touching and knowing and, like Deneuve, ageless…

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Review of A Woman Under the Influence (1974)

By Roger Ebert (5,190) for Chicago Sun-Times (7,580) on 01 Jan 2000

A Woman Under the Influence gives us a woman whose influences only gradually reveal themselves…

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Review of Floating Weeds (1959)

By Roger Ebert (5,190) for Chicago Sun-Times (7,580) on 01 Jan 2000

Sooner or later, everyone who loves movies comes to Ozu. He is the quietest and gentlest of directors, the most humanistic, the most serene…

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Review of School Daze (1942)

By Roger Ebert (5,190) for Chicago Sun-Times (7,580) on 01 Jan 2000

Although the film has big structural problems and leaves a lot of loose ends, there was never a moment when it didn't absorb me…

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