Browse Movie Reviews - Page 255,918 of 258,691

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Review of Night Falls on Manhattan (1997)

By Jeremy Heilman (393) for MovieMartyr.com (391) on 03 Jan 2003

One of the most unfairly overlooked Hollywood films of recent years, [it] marked a return to form for one of American cinema's great moralists…

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Review of K-19: The Widowmaker (2002)

By Forrest Hartman (372) for Reno Gazette-Journal (441) on 03 Jan 2003

The movie is solidly paced and well acted but lacks the emotional connection that might have made it a classic…

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Review of About Schmidt (2002)

By Forrest Hartman (372) for Reno Gazette-Journal (441) on 03 Jan 2003

This is the best type of comedy. In the theater, the material is worthy of gut-busting laughs, but reflection reveals the serious underbelly…

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Review of Catch Me If You Can (2002)

By Forrest Hartman (372) for Reno Gazette-Journal (441) on 03 Jan 2003

Like last year's Ocean's 11, Catch Me If You Can is reminiscent of Golden Age blockbusters: flashy, glitzy and fun…

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Review of The Emperor's Club (2002)

By Nick Davis (360) for Nick's Flick Picks (358) on 03 Jan 2003

The Emperor's Club, ruthless in its own placid way, finds one of our most conservative and hidebound movie-making traditions and gives it new…

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Review of Chicago (1927)

By Steve Schneider (315) for Orlando Weekly (1,048) on 03 Jan 2003

The accolades currently pouring in for this Fosse-derived piece of claptrap only prove that American musical theater is dead as a doornail…

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Review of Chicago (2002)

By Steve Schneider (315) for Orlando Weekly (1,048) on 03 Jan 2003

The accolades currently pouring in for this Fosse-derived piece of claptrap only prove that American musical theater is dead as a doornail…

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Review of The Lion King (1994)

By Philip Wuntch (283) for Dallas Morning News (1,592) on 03 Jan 2003

The IMAX screen enhances the personal touch of manual animation…

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Review of The Pianist (2002)

By Philip Wuntch (283) for Dallas Morning News (1,592) on 03 Jan 2003

The Pianist lacks the quick emotional connections of Steven Spielberg's Schindler's List. But Mr…

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Review of Double Whammy (2001)

By Bill Chambers (261) for Film Freak Central (1,643) on 03 Jan 2003

Perhaps if DiCillo's last two pictures weren't so clever, Double Whammy would stand on its individual merits a little more stably…

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Review of Intacto (2001)

By Gary Dowell (222) for Dallas Morning News (1,592) on 03 Jan 2003

Although Sam's concentration camp backstory flirts with tastelessness, Mr…

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Review of The Pianist (2002)

By Eric Harrison (215) for Houston Chronicle (970) on 03 Jan 2003

There seems to be no end to movies that deal with the Holocaust, but The Pianist, in its craftmanship and its approach to the tale, is a story…

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Review of The Pianist (2002)

By Eleanor Ringel Gillespie (205) for Atlanta Journal-Constitution (910) on 03 Jan 2003

In creating his one-man epic, Polanski takes us beyond the horror of evil or the banality of evil. He takes us into its hideous absurdity…

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Review of Antwone Fisher (2002)

By Audrey Rock-Richardson (174) for Tooele Transcript-Bulletin (Utah) (173) on 03 Jan 2003

it's the raw personal story, at turns disturbing and uplifting, that gives the movie it's weight…

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Review of Star Trek: Nemesis (2002)

By Paul Arendt (158) for Teletext (251) on 03 Jan 2003

How many more voyages can this limping but dearly-loved franchise survive…

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Review of The Curse of the Jade Scorpion (2001)

By Paul Arendt (158) for Teletext (251) on 03 Jan 2003

The old joke of Woody as irresistible romantic lead has gone from funny, to discomforting, to pitiable…

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Review of Chicago (2002)

By Paul Arendt (158) for Teletext (251) on 03 Jan 2003

Two hours of chocolate-coated pleasure…

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Review of Chicago (1927)

By Paul Arendt (158) for Teletext (251) on 03 Jan 2003

Two hours of chocolate-coated pleasure…

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Review of About Schmidt (2002)

By Todd Anthony (129) for South Florida Sun-Sentinel (746) on 03 Jan 2003

It's a boring movie about a boring man, made watchable by a bravura performance from a consummate actor incapable of being boring…

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Review of Gangs of New York (2002)

By Ray Greene (127) for Boxoffice Magazine (2,896) on 03 Jan 2003

It's hard to imagine that the young Scorsese, a daring and innovative film stylist, would have settled for such a sodden and blandly archetypal…

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