Browse Movie Reviews - Page 255,897 of 258,691

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Review of Bulworth (1998)

By Nick Davis (360) for Nick's Flick Picks (358) on 10 Jan 2003

Bulworth epitomizes the sort of film that gets lots of points for ambition and concept but fails in practice to live up to its own audaciously…

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Review of Bugsy (1991)

By Nick Davis (360) for Nick's Flick Picks (358) on 10 Jan 2003

There's much fun to be had at Bugsy, if elegance, precision, and energy are enough to satisfy your tastes…

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Review of A Simple Plan (1998)

By Nick Davis (360) for Nick's Flick Picks (358) on 10 Jan 2003

Overeager to pile so many possible, psych-lite motivations that nothing holds water or compels us very much... Terribly self-serious…

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Review of Amistad (1997)

By Nick Davis (360) for Nick's Flick Picks (358) on 10 Jan 2003

Spielberg's films never lack a certain degree of narrative and visual force, but his tendency toward sentimentality, a strictly antipodal,…

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Review of Washington Square (1997)

By Nick Davis (360) for Nick's Flick Picks (358) on 10 Jan 2003

Washington Square comes closer than did The Heiress to what James originally wrote: an elegy to a woman whom few people notice and no one loves…

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Review of Eyes Wide Shut (1999)

By Nick Davis (360) for Nick's Flick Picks (358) on 10 Jan 2003

The #1 Movie of 1999: 'A coherent summary of Kubrick's longtime themes and a worthy capstone to his long, distinguished career…

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Review of As Good as It Gets (1997)

By Nick Davis (360) for Nick's Flick Picks (358) on 10 Jan 2003

Perhaps, though, it is Carol's (and Hunt's) ongoing commitment to emotional honesty and fair play that make it increasingly difficult to ignore…

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Review of Dark City (1998)

By Nick Davis (360) for Nick's Flick Picks (358) on 10 Jan 2003

Even if Dark City is a little off-putting in its basic approach, there is a bounty of good things to be said about it…

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Review of L.A. Confidential (1997)

By Nick Davis (360) for Nick's Flick Picks (358) on 10 Jan 2003

A wondrous troika of actors lends L.A. Confidential its slippery but distinctive erotic poignancy…

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Review of Tarzan (1999)

By Nick Davis (360) for Nick's Flick Picks (358) on 10 Jan 2003

Tarzan is as full and seasoned a crop as one could expect from a field that has already been cultivated too many times…

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Review of Notting Hill (1999)

By Nick Davis (360) for Nick's Flick Picks (358) on 10 Jan 2003

It endears and entertains, with genuine warmth and grace…

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Review of Shakespeare in Love (1998)

By Nick Davis (360) for Nick's Flick Picks (358) on 10 Jan 2003

John Madden's first film after the stately but exceptionally closed-off Mrs…

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Review of Wild Things (1998)

By Nick Davis (360) for Nick's Flick Picks (358) on 10 Jan 2003

One of those thankfully rare pictures that makes every man and woman it portrays seem hollow and insubstantial…

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Review of Shadow of the Vampire (2000)

By Nick Davis (360) for Nick's Flick Picks (358) on 10 Jan 2003

An entertaining but hollow venture, all bark but no bite…

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Review of The Yards (2000)

By Nick Davis (360) for Nick's Flick Picks (358) on 10 Jan 2003

A very good film, and though obviously flawed, it does generate one form of elation: the feeling of seeing a young director stick to the guns…

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Review of The Spanish Prisoner (1997)

By Nick Davis (360) for Nick's Flick Picks (358) on 10 Jan 2003

David Mamet's latest contraption has its satisfying moments, but the film is rarely more than just that: a contraption…

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Review of Another Woman (1988)

By Nick Davis (360) for Nick's Flick Picks (358) on 10 Jan 2003

Commercially ignored and critically unheralded even by Allen's own falling standards, [the film is] a sensitive, accomplished, and ambitious…

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Review of Jurassic Park III (2001)

By Nick Davis (360) for Nick's Flick Picks (358) on 10 Jan 2003

The Jurassic movies have by now palpably entered the plane of baldly profit-hunting, unpretentious entertainment…

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Review of He Got Game (1998)

By Nick Davis (360) for Nick's Flick Picks (358) on 10 Jan 2003

The hypocritical misogyny of He Got Game is a fundamental weakness that reviewers so far have been happy to downplay or even to dismiss…

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Review of Indochine (1992)

By Nick Davis (360) for Nick's Flick Picks (358) on 10 Jan 2003

The tendency of Oscar voters toward visual bombast and style-over-substance filmmaking in the English-language categories also applies in the…

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