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Review of Agent Cody Banks (2003)

By Frank Ochieng (928) for TheWorldJournal.com (76) on 25 Mar 2003

Although director Harald Zwart does fortify this intentionally cheesy high-tech showcase with a sledgehammer of energetic flair and silliness,…

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Review of Gods and Generals (2003)

By Joe Leydon (915) for San Francisco Examiner (1,621) on 25 Mar 2003

A stiff and stilted historical pageant that somehow manages to make the savage tumult of thousands pitched against thousands seem not so much…

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Review of The Jungle Book 2 (2003)

By Joe Leydon (915) for San Francisco Examiner (1,621) on 25 Mar 2003

Consumer alert: The B-teamers have struck again…

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Review of Daredevil (2003)

By Joe Leydon (915) for San Francisco Examiner (1,621) on 25 Mar 2003

Boldly and brazenly larger-than-life, a rock-the-house popcorn flick propelled by thunderous waves of vengeful obsession and faux-operatic passion…

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Review of How to Lose a Guy in 10 Days (2003)

By Joe Leydon (915) for San Francisco Examiner (1,621) on 25 Mar 2003

The kind of instantly disposable but exceptionally agreeable trifle that's best enjoyed with one's significant other, preferably before or…

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Review of Dark Blue (2002)

By Joe Leydon (915) for San Francisco Examiner (1,621) on 25 Mar 2003

So many things go wrong -- stunningly, breathtakingly wrong -- throughout so much of Dark Blue that the movie is, somewhat like a spectacular…

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Review of Smelchak (1919)

By Joe Leydon (915) for San Francisco Examiner (1,621) on 25 Mar 2003

Boldly and brazenly larger-than-life, a rock-the-house popcorn flick propelled by thunderous waves of vengeful obsession and faux-operatic passion…

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Review of Stevie (2003)

By J. Hoberman (756) for Village Voice (8,525) on 25 Mar 2003

Foreigners often comment on the peculiar American combination of superficial friendliness and profound indifference…

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Review of Night and the City (1950)

By Michael Atkinson (678) for Village Voice (8,525) on 25 Mar 2003

A moody piece of Wellesian chiaroscuro (shot by Max Greene, né Mutz Greenbaum) and an occasionally discomfiting underworld plunge…

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Review of The Core (2003)

By Ross Anthony (612) for Hollywood Report Card (612) on 25 Mar 2003

Well acted and fun, makes a great springboard for conversation in any science class and a good old-fashioned night out at the movies…

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Review of Old School (2003)

By Jason Anderson (395) for eye WEEKLY (415) on 25 Mar 2003

Though it's too funny to warrant outright expulsion, Old School is a real underachiever…

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Review of What Time Is It There? (2001)

By Jason Anderson (395) for eye WEEKLY (415) on 25 Mar 2003

A funny and moving meditation on yearning, mourning and the vagaries of time…

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Review of Derrida (2002)

By Jason Anderson (395) for eye WEEKLY (415) on 25 Mar 2003

Derrida turns out to be an engaging, provocative and droll fellow before the cameras…

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Review of Bubba Ho-tep (2002)

By Adam Nayman (350) for eye WEEKLY (415) on 25 Mar 2003

Campbell, who narrates the film in a sad, recriminatory mumble, somehow manages to make ol' swivel hips affecting, frayed pompadour and all…

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Review of The Quiet American (2002)

By Adam Nayman (350) for eye WEEKLY (415) on 25 Mar 2003

Adapts a Graham Greene novel with something approaching economy but far removed from finesse…

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Review of Biker Boyz (2003)

By Adam Nayman (350) for eye WEEKLY (415) on 25 Mar 2003

Isn't really good enough to hold your attention but at least doesn't abuse it too badly in the fleeting moments that it does…

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Review of Poolhall Junkies (2002)

By Adam Nayman (350) for eye WEEKLY (415) on 25 Mar 2003

It's disreputable, occasionally ludicrous and merely kinda fun…

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Review of The Texas Chainsaw Massacre Part 2 (1986)

By Brian Mckay (336) for eFilmCritic.com (5,125) on 25 Mar 2003

The most tedious crapfest I've sat through in a while. Annoying characters who never shut up. Even some amusing moments with Hopper can't save it…

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Review of Happy, Texas (1999)

By Brian Mckay (336) for eFilmCritic.com (5,125) on 25 Mar 2003

Odd couple buddy picture with Rom-Com elements that work. Zhan gives one of his most hysterical performances to date…

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Review of House of 1000 Corpses (2003)

By Brian Mckay (336) for eFilmCritic.com (5,125) on 25 Mar 2003

Loud, fast, derivative, and hypnotic...if there are two things that [Rob Zombie] is all about, it's horror movies and the art of the spectacle...campy…

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