Browse Movie Reviews - Page 255,235 of 258,691

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Review of Heavy Metal 2000 (2000)

By Alex Sandell (357) for Juicy Cerebellum (357) on 05 Aug 2003

Never captures the frantic energy of the first…

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Review of S.W.A.T. (2003)

By Alex Sandell (357) for Juicy Cerebellum (357) on 05 Aug 2003

There's a good movie hidden beneath the prosaic rubbish we've been served up…

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Review of Freaky Friday (1976)

By Louis B. Hobson (245) for Jam! Movies (2,396) on 05 Aug 2003

Freaky Friday is a most pleasant summer surprise, a funny and sweet family comedy…

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Review of Freaky Friday (2003)

By Louis B. Hobson (245) for Jam! Movies (2,396) on 05 Aug 2003

Freaky Friday is a most pleasant summer surprise, a funny and sweet family comedy…

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Review of Freaky Friday (2003)

By Bruce Westbrook (223) for Houston Chronicle (970) on 05 Aug 2003

Disney's new Freaky Friday may be a remake, but it ripples with far more creative zeal than this summer's slew of uninventive sequels, which…

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Review of Freaky Friday (2003)

By Sue Pierman (154) for Milwaukee Journal Sentinel (1,693) on 05 Aug 2003

Freaky features plenty of visual distractions, including flashy, funky outfits, accessories and music…

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Review of Freaky Friday (1976)

By Sue Pierman (154) for Milwaukee Journal Sentinel (1,693) on 05 Aug 2003

Freaky features plenty of visual distractions, including flashy, funky outfits, accessories and music…

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Review of Step Into Liquid (2003)

By Ed Halter (57) for Village Voice (8,525) on 05 Aug 2003

Like many late-franchise attempts, it stretches its material thin and grasps at novelty, overstaying its welcome despite a handful of requisite…

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Review of Freaky Friday (1976)

By Valerie Kuklenski (14) for Los Angeles Daily News (1,272) on 05 Aug 2003

Director Mark Waters and first-time screenwriter Heather Hach have given a fresh sensibility to an oft-told fable of walking in another's shoes…

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Review of Freaky Friday (2003)

By Valerie Kuklenski (14) for Los Angeles Daily News (1,272) on 05 Aug 2003

Director Mark Waters and first-time screenwriter Heather Hach have given a fresh sensibility to an oft-told fable of walking in another's shoes…

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Review of Hell's Highway: The True Story of Highway Safety Films (2003)

By Rod Granger (11) for Film Journal International (5,095) on 05 Aug 2003

How effective were the highway safety films in stopping accidents? Opinions differ…

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Review of American Wedding (2003)

By Millicent Mayfield (2) for San Francisco Examiner (1,621) on 05 Aug 2003

Awkward and mythic in its humor, the American Pie movies have accomplished a unique position in Hollywood stature -- that of a successful comedic…

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Review of Once in the Life (2000)

By Lou Lumenick (2,103) for New York Post (6,650) on 05 Aug 2003

Basically it's an acting exercise - a one-set rendition of that old stage and movie standby, the ex-convict struggling to go straight who's…

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Review of The Invisible Circus (2001)

By Jay Carr (837) for Boston Globe (6,852) on 05 Aug 2003

Director and screenwriter Adam Brooks, adapting Jennifer Egan's novel, doesn't seem to understand what makes a movie relevant…

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Review of Paradise Alley (1978)

By Ignatiy Vishnevetsky (836) for The A.V. Club (5,644) on 05 Aug 2003

Striking in the way it evokes fears of abandonment—children’s worries blown up to grown-up scale—and completely unlike any film Stallone…

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Review of Babe: Pig in the City (1998)

By Rita Kempley (781) for Washington Post (9,851) on 05 Aug 2003

This is hardly your same old trough of slop. Babe nonetheless prevails, demonstrating once again how a kind and steady heart can heal a sorry world…

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Review of Committed (2000)

By Jay Carr (837) for Boston Globe (6,852) on 05 Aug 2003

But one can only imagine how different the film might have been with, say, Parker Posey or Catherine Keener -- truly funky actresses with some…

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Review of What Planet Are You From? (2000)

By Phoebe Flowers (256) for Miami Herald (3,319) on 05 Aug 2003

An unapologetically stupid and implausible movie, but in the best possible way -- it's so sure of itself, it wins you over…

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Review of Traffic (2000)

By Kevin Maynard (208) for Mr. Showbiz (475) on 05 Aug 2003

Traffic is a riveting, semi-documentary drama, and yet calling it that is a disservice to just how suspenseful and stylish an entertainment it is…

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Review of Mistress (1992)

By Dave Kehr (1,442) for Chicago Tribune (6,211) on 04 Aug 2003

Co-writer and director Barry Primus knows his characters well, but his scenarios are stilted and pretentious…

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