Browse Movie Reviews - Page 255,069 of 258,691

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Review of Shoah (1985)

By Ed Gonzalez (1,102) for Slant Magazine (8,298) on 28 Sep 2003

Lanzmann builds the past using tools that exist only in the present, summoning an unfathomable catastrophe with the voices and memories of survivors…

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Review of The School of Rock (2003)

By Sean O'connell (919) for Filmcritic.com (3,164) on 28 Sep 2003

A collaboration between indie auteur director Richard Linklater and taboo-pushing screenwriter Mike White shouldn't feel so mainstream…

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Review of The Human Stain (2003)

By Jules Brenner (885) for Cinema Signals (847) on 28 Sep 2003

The movie's nature and content brings together a team of actors that's about as good as it gets and the ravishing Nicole Kidman has a few moments…

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Review of The Scorpion King (2002)

By Jeffrey Chen (849) for Window to the Movies (638) on 28 Sep 2003

Isn't horrible because it's so obviously non-serious, but just being wink-wink silly isn't enough to breathe life into it…

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Review of My Life Without Me (2003)

By Annlee Ellingson (847) for FilmStew.com (638) on 28 Sep 2003

Sarah Polley's performance is exquisite, with shades of complexity flickering across her face as she absorbs the information her doctor has…

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Review of In This World (2003)

By Annlee Ellingson (847) for FilmStew.com (638) on 28 Sep 2003

In This World is a prime example of the type of film that can benefit from digital cinematography…

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Review of Duplex (2003)

By Todd Gilchrist (762) for FilmStew.com (638) on 28 Sep 2003

A sadly appropriate follow-up to DeVito's Death To Smoochy debacle, Duplex reveals not only the actors' and filmmakers' narcissism, but the…

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Review of The School of Rock (2003)

By Joblo (608) for JoBlo's Movie Emporium (1,959) on 28 Sep 2003

Jack Black is worth the price of admission alone... and then some…

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Review of Lost in Translation (2003)

By Derek Smith (382) for Apollo Guide (1,430) on 28 Sep 2003

An amazing mood piece that captures the characters' inner turmoil, confusion, restlessness and the strange, surreal surroundings that are the…

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Review of Thirteen (1988)

By Derek Smith (382) for Apollo Guide (1,430) on 28 Sep 2003

Co-writer/ director Catherine Hardwicke has a talent for bringing emotion to the screen, but she must learn to channel it toward a deeper understanding…

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Review of Thirteen (1974)

By Derek Smith (382) for Apollo Guide (1,430) on 28 Sep 2003

Co-writer/ director Catherine Hardwicke has a talent for bringing emotion to the screen, but she must learn to channel it toward a deeper understanding…

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Review of Thirteen (2003)

By Derek Smith (382) for Apollo Guide (1,430) on 28 Sep 2003

Co-writer/ director Catherine Hardwicke has a talent for bringing emotion to the screen, but she must learn to channel it toward a deeper understanding…

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Review of The Rundown (2003)

By Dan Jardine (362) for Apollo Guide (1,430) on 28 Sep 2003

Passable entertainment that is notable primarily as The Rock's successful vehicle to action stardom…

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Review of The School of Rock (2003)

By Danny Minton (313) for KBTV-NBC (Beaumont, TX) (104) on 28 Sep 2003

Jack is exactly like the guy in school that you always wanted to hang out with and no matter what kind of trouble he gets into - you are always…

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Review of Boyz n the Hood (1991)

By Bill Chambers (261) for Film Freak Central (1,643) on 28 Sep 2003

The Singleton of Boyz is a youth-incited political firebrand, and the film has lost none of its power to affect us with the sight of a neighbourhood…

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Review of Crimson Gold (2003)

By Jamie Russell (254) for BBC.com (1,500) on 28 Sep 2003

Panahi's class-conscious storyline may be infuriatingly minimalist, but it's held together by a quietly subversive willingness to question…

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Review of The Young and the Damned (1950)

By Gabe Leibowitz (202) for eCinemaCenter.com (18) on 28 Sep 2003

One of the most powerful of all coming-of-age films, Los Olvidados is Luis Buñuel's first masterpiece, a blend of surrealism and horrific…

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Review of Alien (1979)

By Gabe Leibowitz (202) for Film and Felt (184) on 28 Sep 2003

In an era where the horror genre has faded into a laughable mix of teen slashers and formulaic storylines, Alien provides a welcome nostalgic…

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Review of On the Waterfront (1954)

By Gabe Leibowitz (202) for eCinemaCenter.com (18) on 28 Sep 2003

Extremely polished and featuring another powerhouse effort from Brando…

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Review of Alien³ (1992)

By Gabe Leibowitz (202) for Film and Felt (184) on 28 Sep 2003

In an era where the horror genre has faded into a laughable mix of teen slashers and formulaic storylines, Alien provides a welcome nostalgic…

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