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Review of The Legend of Johnny Lingo (2003)

By Bruce Bennett (577) for Spectrum (St. George, Utah) (575) on 11 Oct 2003

Those who want a similarly-themed film need look no further than 'Whale Rider,' just as rich visually and in spirit-and a superior movie in…

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Review of The Harder They Come (1972)

By Michael W. Phillips, Jr. (528) for Goatdog's Movies (527) on 11 Oct 2003

Entertaining if not incredibly professional…

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Review of In America (2003)

By Clint Morris (426) for Moviehole (333) on 11 Oct 2003

If you only see one movie this year, make sure it's something as sweet, as memorable and as moving, as the excellent In America…

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Review of Lipstick (2013)

By Eric Henderson (366) for Slant Magazine (8,298) on 11 Oct 2003

Lamont Johnson buys wholesale into scripter David Rayfiel's dissection of the fine line between image and reality…

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Review of Lipstick (1999)

By Eric Henderson (366) for Slant Magazine (8,298) on 11 Oct 2003

Lamont Johnson buys wholesale into scripter David Rayfiel's dissection of the fine line between image and reality…

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Review of Lipstick (1976)

By Eric Henderson (366) for Slant Magazine (8,298) on 11 Oct 2003

It’s Lifetime. It’s camp. It’s seriously confused, and it should speak directly to drag queens in straight relationships everywhere…

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Review of Gigli (2003)

By Ian Waldron-Mantgani (282) for UK Critic (265) on 11 Oct 2003

It tries a valiant effort to be smart and edgy, and feels like something that's always edging at greatness but never quite managing to break…

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Review of Ichi the Killer (2001)

By Ian Waldron-Mantgani (282) for UK Critic (265) on 11 Oct 2003

There is a charm about the movie's crazy camera angles and insistence on grabbing for silly visual jokes, but you can't quite call it a success…

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Review of Good Bye, Lenin! (2003)

By Ian Waldron-Mantgani (282) for UK Critic (265) on 11 Oct 2003

The backdrop is snatching at random political significance, and the plot just turns into a stupid and pointless comedy of errors…

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Review of Calendar Girls (2003)

By Ian Waldron-Mantgani (282) for UK Critic (265) on 11 Oct 2003

Places itself in a tradition of films that are fairly easy to make, looks like it's doing a professional job and still ends up failing…

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Review of Intolerable Cruelty (2003)

By Marrit Ingman (203) for Austin Chronicle (7,653) on 11 Oct 2003

It is wonderful for what it is: a delightful, thoroughly satisfying comedy of modern manners…

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Review of House of the Dead (2003)

By Kamal 'The Diva' Larsuel (195) for 3BlackChicks Review (195) on 11 Oct 2003

When are these people going to learn that the flimsy plots that work in video games are not going to work for movies…

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Review of The League of Extraordinary Gentlemen (2003)

By Shannon J. Harvey (76) for Sunday Times (Australia) (102) on 11 Oct 2003

As a more popular 19th-century author, Robert Frost, said: Poetry is what is lost in translation. They've certainly lost it here…

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Review of Swimming Pool (2003)

By Shannon J. Harvey (76) for Sunday Times (Australia) (102) on 11 Oct 2003

French director Francois Ozon is a real tease, playing his audience before revealing the final knockout…

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Review of Matchstick Men (2003)

By Shannon J. Harvey (76) for Sunday Times (Australia) (102) on 11 Oct 2003

Matchstick Men might be a lesser Catch Me If You Can or Ocean's Eleven, but it's got a jazzy, understated style all of its own…

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Review of House of the Dead (2003)

By J. Kelly Nestruck (5) for National Post (1,405) on 11 Oct 2003

How are you supposed to be even remotely scared if you're constantly being reminded that what you're watching is a movie written and directed…

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Review of The General's Daughter (1999)

By Peter Travers (3,602) for Rolling Stone (4,035) on 11 Oct 2003

Watching John Travolta ease into a role is always a pleasure, but this film version of Nelson DeMille's 1992 best-selling mystery novel is…

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Review of Hart's War (2002)

By Carrie Rickey (1,198) for Philadelphia Inquirer (3,920) on 11 Oct 2003

The plot is canny, but it would be little more than an ingenious springloaded device were it not for the performances by Howard and Iures…

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Review of The Art of Amália (2000)

By Jack Mathews (1,044) for New York Daily News (5,623) on 11 Oct 2003

An unabashed celebration of her (Amalia) distinctive voice…

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Review of Ready to Rumble (2000)

By Sean Axmaker (1,564) for Seattle Post-Intelligencer (2,422) on 11 Oct 2003

Stephen Brill's flat-footed script begins as an idiot comedy with the gross-out gags of a Farrelly brothers film…

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