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Review of Try Harder! (2021)

By Nick Allen (397) for RogerEbert.com (5,563) on 03 Dec 2021

Try Harder! is a charming dark comedy with a light touch, with part of its self-deprecating humor right there in the title…

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Review of The Last Duel (2021)

By Rebecca31 (376) on 03 Dec 2021

The Last Duel is based on real life events that took place around the time of France’s last sanctioned trial by combat…

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Review of The Forever Prisoner (2021)

By Roxana Hadadi (336) for The A.V. Club (5,644) on 03 Dec 2021

Gibney’s challenging interview style, the uncompromising tone of his questions, and the way he undercuts Mitchell’s self-aggrandizing martyrdom…

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Review of Flee (2021)

By Roxana Hadadi (336) for RogerEbert.com (5,563) on 03 Dec 2021

A country can be a home, and a home can be erased, and the aching, lovely Flee trafficks in the space between belonging and wandering…

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Review of Benedetta (2021)

By Habibiehakim (321) on 03 Dec 2021

Benedetta is a story that might already sounds familiar, but it's not, it's more than just a story, it's a fascinating and powerful story that…

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Review of The Sleeping Negro (2021)

By Carlos Aguilar (278) for Los Angeles Times (12,977) on 03 Dec 2021

Disconcerting in its justified bluntness, Myers’ brisk film is more monologue than movie, but undeniably essential in jolting everyone out…

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Review of The Hand of God (2021)

By Andrew Crump (271) for Paste Magazine (2,906) on 03 Dec 2021

Guided by Fabietto, the movie takes its time. It watches. It breathes…

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Review of Boxing Day (2021)

By Clarisse Loughrey (259) for The Independent (259) on 03 Dec 2021

It’s a rare achievement contained within an even rarer type of film: a Black-led, British romantic comedy…

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Review of Silent Night (2021)

By Clarisse Loughrey (259) for The Independent (259) on 03 Dec 2021

Most of Silent Night’s pleasures are to be found in the strength of its cast – Knightley, whose comic talent is frequently underused, can…

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Review of A Boy Called Christmas (2021)

By Clarisse Loughrey (259) for The Independent (259) on 03 Dec 2021

It’s surprising how much the film can flit between clangingly obvious bits of exposition – aha! The source of the floppy red hat…

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Review of C'mon C'mon (2021)

By Clarisse Loughrey (259) for The Independent (259) on 03 Dec 2021

C’mon C’mon is a great big bear hug wrapped in celluloid…

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Review of Boxing Day (2021)

By Clarisse Loughrey (259) for The Independent (259) on 03 Dec 2021

It’s a rare achievement contained within an even rarer type of film: a Black-led, British romantic comedy…

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Review of C'mon C'mon (2021)

By Charles Bramesco (223) for Little White Lies (3,136) on 03 Dec 2021

The tone never defines the stakes in such grave terms, but that’s the key to the potency of Mills’ cinema: life’s pivotal turns come…

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Review of The Hand of God (2021)

By Sophie Monks Kaufman (221) for Little White Lies (3,136) on 03 Dec 2021

The dynamic of the central four is a pleasure incarnate…

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Review of Single All the Way (2021)

By Teo Bugbee (199) for The New York Times (9,847) on 03 Dec 2021

The supporting cast compensates with piquancy in the side dishes, but the main course is a flavorless misfire…

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Review of Paris, Texas (1984)

By Aj_13 (170) on 03 Dec 2021

I struggled to be captivated by the story for the first minutes, but when it progressively starts to quicken, it turns up to be a great touching…

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Review of Single All the Way (2021)

By Ferdosa Abdi (130) for Screen Rant (892) on 03 Dec 2021

With an underlying theme of love and acceptance, Single All The Way blossoms into a funny, delightful, and heartwarming romcom gift for all…

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Review of Bruised (2021)

By Ferdosa Abdi (130) for Screen Rant (892) on 03 Dec 2021

While formulaic, Bruised beats the odds by being a fairly entertaining & moving sports drama that has everything one would expect from a Berry film…

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Review of Resident Evil: Welcome to Raccoon City (2021)

By James White (109) for Empire (3,446) on 03 Dec 2021

This latest visit to Raccoon City captures the games’ spirit but fails to translate that to cinematic thrills…

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Review of Torn (2021)

By Matt Fagerholm (98) for RogerEbert.com (5,563) on 03 Dec 2021

By inviting viewers to share in the most private of transformative periods for his family, Max Lowe scaled the Mount Everest of the soul, creating…

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