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Review of The Hand of God (2021)

By Joe Morgenstern (2,395) for Wall Street Journal (3,071) on 03 Dec 2021

The Hand of God creates a reality that is by turns hilarious, heartbreaking and remarkable for its buoyancy and grace…

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Review of Flee (2021)

By Joe Morgenstern (2,395) for Wall Street Journal (3,071) on 03 Dec 2021

We are all snapshooters these days, highly placed spectators to tragedy that seems to be beyond our comprehension, let alone control…

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Review of Benedetta (2021)

By Joe Morgenstern (2,395) for Wall Street Journal (3,071) on 03 Dec 2021

This is a significant addition to the Verhoeven canon, meaning it’s elegantly crafted, formidably well performed and as fascinating as it is lurid…

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Review of Mixtape (2021)

By Nell Minow (2,357) for RogerEbert.com (5,563) on 03 Dec 2021

The contrast between the edgy, high-energy songs and the thinly-drawn characters and predictable storyline will make it of most interest to…

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Review of Betrayed (2021)

By Nick Schager (2,294) for Variety (12,700) on 03 Dec 2021

Handsomely mounted and deftly dramatized, it’s an agonized study of suffering and treachery, and no less valuable — or powerful — for…

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Review of West Side Story (2021)

By Josh Larsen (2,042) for LarsenOnFilm (1,412) on 03 Dec 2021

During the production numbers, Spielberg’s camera is almost always on the move, but not in a distracting way…

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Review of Encanto (2021)

By Tvjerry (1,783) on 03 Dec 2021

There’s a new bakery in town, and its name just might sound a little familiar to local Deadheads…

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Review of Encounter (2021)

By Glenn Kenny (1,728) for RogerEbert.com (5,563) on 03 Dec 2021

For a while Pearce does a very clever balancing act, taking everyday unpleasantries and grotesqueries of life and exaggerating them just so…

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Review of Listening to Kenny G (2021)

By Glenn Kenny (1,728) for The New York Times (9,847) on 03 Dec 2021

As a music industry story, Kenny G’s rise, engineered by the mogul Clive Davis but at times bucked by the artist himself, is fascinating…

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Review of Encounter (2021)

By Glenn Kenny (1,728) for RogerEbert.com (5,563) on 03 Dec 2021

For a while Pearce does a very clever balancing act, taking everyday unpleasantries and grotesqueries of life and exaggerating them just so…

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Review of Encounter (2021)

By Glenn Kenny (1,728) for RogerEbert.com (5,563) on 03 Dec 2021

For a while Pearce does a very clever balancing act, taking everyday unpleasantries and grotesqueries of life and exaggerating them just so…

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Review of The Souvenir: Part II (2021)

By Liam Lacey (1,725) for Original-Cin (1,156) on 03 Dec 2021

Watching The Souvenir: Part II is a wonderful tonic for those feelings of ciné cynicism, a reminder of film as a means of discovery…

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Review of The Scary of Sixty-First (2021)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 03 Dec 2021

In the end, I was left feeling like The Scary of Sixty-First was all set-up and no follow-through…

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Review of Benedetta (2021)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 03 Dec 2021

There are times when Verhoeven is throwing so many ideas into his purposefully overcrowded screenplay that it starts to feel unfocused, like…

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Review of Benedetta (2021)

By Jeannette Catsoulis (1,537) for The New York Times (9,847) on 03 Dec 2021

Verhoeven brings more vitality to his work than many filmmakers half his age, and his screenplay (with David Birke) is a tasteless hoot, gleefully…

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Review of Benedetta (2021)

By Justin Chang (1,535) for Los Angeles Times (12,977) on 03 Dec 2021

Verhoeven clearly wants us to laugh; the movie’s a gas…

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Review of Silent Night (2021)

By Christy Lemire (1,262) for RogerEbert.com (5,563) on 03 Dec 2021

Writer/director Camille Griffin’s feature filmmaking debut is an ambitious but muddled mix of Christmas comedy and apocalyptic drama…

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Review of Betrayed (2021)

By Gary Goldstein (1,089) for Los Angeles Times (12,977) on 03 Dec 2021

The movie has its share of disturbing visuals, but it’s the profound emotional toll taken on the Braudes and their fellow Jews that packs…

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Review of The Hand of God (2021)

By Donald Clarke (1,051) for The Irish Times (483) on 03 Dec 2021

Paolo Sorrentino’s soothing, funny, occasionally infuriating The Hand of God sits somewhere between the irresistible sentimentality of the…

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Review of Blue Bayou (2021)

By Donald Clarke (1,051) for The Irish Times (483) on 03 Dec 2021

The main thread of the script is efficient enough, but the loosely connected subplot concerning a terminally ill acquaintance strains the boundaries…

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