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Review of West Side Story (2021)

By Matt Singer (625) for ScreenCrush (954) on 07 Dec 2021

Spielberg’s version improves upon the original in almost every way; the performances are stronger, the casting is better, the script is sharper,…

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Review of Being the Ricardos (2021)

By Brian Truitt (541) for USA Today (4,117) on 07 Dec 2021

While it lacks a strong overall narrative focus, Ricardos makes the most of a strong supporting cast and Sorkin’s excellent, banter-filled script…

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Review of Red Rocket (2021)

By David Sims (534) for The Atlantic (1,046) on 07 Dec 2021

Mikey is one of Baker’s most thought-through creations, and Rex brings him to life with terrifying honesty…

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Review of Don't Look Up (2021)

By Ian Freer (515) for Empire (3,446) on 07 Dec 2021

Don’t Look Up takes the pulse of contemporary life and finds it crazy, scary and, most of all, funny…

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Review of Being the Ricardos (2021)

By Johnny Oleksinski (478) for New York Post (6,650) on 07 Dec 2021

I’ve always had my reservations about Sorkin as a director. His scripts tend to be better than his final products…

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Review of Don't Look Up (2021)

By Mae Abdulbaki (411) for Screen Rant (892) on 07 Dec 2021

Don’t Look Up is a deeply unsettling yet darkly humorous watch…

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Review of Being the Ricardos (2021)

By Mae Abdulbaki (411) for Screen Rant (892) on 07 Dec 2021

It’s unfortunate that Being the Ricardos never becomes as interesting as the people it’s centered on…

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Review of Brazil (1985)

By Eva3Si0N (403) on 07 Dec 2021

Brazil is one of the best adaptations of dystopias. Stylistically, the film is very similar to 1984…

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Review of Sudden Impact (1983)

By Eva3Si0N (403) on 07 Dec 2021

Sudden Impact has already 4 part about Dirty Harry. Now Eastwood has completely untied his hands, he has become a regesser…

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Review of Diary of a Wimpy Kid (2021)

By Courtney Howard (393) for Variety (12,700) on 07 Dec 2021

It establishes its own identity, occasionally improving upon its cinematic predecessor enough to make it a worthwhile watch…

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Review of Don't Look Up (2021)

By Derek Smith (382) for Slant Magazine (8,298) on 07 Dec 2021

Like Vice before it, the film too often uses satire as a tool of castigation rather than as a means of truly attacking the status quo…

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Review of Being the Ricardos (2021)

By Robert Daniels (336) for The Playlist (3,871) on 07 Dec 2021

Being the Ricardos isn’t a total disaster, but it’s not a grand triumph either…

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Review of Don't Look Up (2021)

By Chris Evangelista (306) for Slashfilm (971) on 07 Dec 2021

Worst of all, these final moments of the film make it abundantly clear that as a storyteller and a filmmaker, McKay has absolutely nothing…

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Review of Don't Look Up (2021)

By Clint Worthington (295) for Consequence (296) on 07 Dec 2021

The biggest problem with McKay’s stuff is that he thinks he’s the next Paddy Chayefsky, bringing down untold wisdom from on high and proclaiming…

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Review of Being the Ricardos (2021)

By Jake Cole (292) for Slant Magazine (8,298) on 07 Dec 2021

Like all Aaron Sorkin-penned characters, this film’s version of Lucille Ball is a mouthpiece for his brand of smarmy, know-it-all sarcasm…

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Review of Being the Ricardos (2021)

By Olly Richards (291) for Empire (3,446) on 07 Dec 2021

The things Sorkin is criticised for — grand speeches, an earnest streak — are the things that make his work sing when the context is right…

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Review of Being the Ricardos (2021)

By Clarisse Loughrey (259) for The Independent (259) on 07 Dec 2021

It is, at the very least, far more interested in words than ideas – perhaps the defining feature of Sorkin’s work…

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Review of Annabelle Comes Home (2019)

By Mrpajamas (180) on 07 Dec 2021

At first, I was glad to see the Warrens come on and it's a fact that they pulled the whole movie for me…

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Review of Being the Ricardos (2021)

By Siddhant Adlakha (174) for IGN (1,013) on 07 Dec 2021

A film about so many different things that it ends up about none of them, Aaron Sorkin’s Being the Ricardos is visually inert, and features…

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Review of The Last Duel (2021)

By Unclewillard (169) on 07 Dec 2021

I was expecting a by the numbers medieval action flick, expertly done by a master in his prime (I'm a sucker for Ridley Scott most of the time),…

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