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Review of The Unforgivable (2021)

By Amy Nicholson (961) for The New York Times (9,847) on 09 Dec 2021

The screenplay, adapted by Peter Craig, Hillary Seitz and Courtenay Miles from a British mini-series, gifts Bullock a few big screaming scenes…

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Review of I Was a Simple Man (2021)

By David Rooney (943) for The Hollywood Reporter (7,050) on 09 Dec 2021

The edges are perhaps rougher and the narrative more structured, but the film carries echoes of the work of Asian contemplative cinema maestros…

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Review of National Champions (2021)

By Joe Leydon (915) for Variety (12,700) on 09 Dec 2021

As timely as last night’s episode of “ESPN Sports Center,” and as riveting as a well-crafted tick-tock suspenser, National Champions…

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Review of West Side Story (2021)

By David Fear (910) for Rolling Stone (4,035) on 09 Dec 2021

This West Side Story proves someone can still leave their mark on the legend without building it from the ground up…

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Review of West Side Story (2021)

By Jim Slotek (879) for Original-Cin (1,156) on 09 Dec 2021

This West Side Story retains its ‘50s feel, while polishing this venerable gem of a musical to a greater gleam…

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Review of Being the Ricardos (2021)

By Richard Brody (868) for The New Yorker (1,837) on 09 Dec 2021

In peeling away the myths of pop culture and its lovable celebrities, Sorkin reveals the source of its mighty and lasting power…

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Review of Slumber Party Massacre (2021)

By Leslie Felperin (768) for The Guardian (2,969) on 09 Dec 2021

It all playfully flirts with horror film conventions, offering up a winking orgy of patently fake gore and irony that’s for the most part…

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Review of The Summit of the Gods (2021)

By Tasha Robinson (753) for Polygon (677) on 09 Dec 2021

The Summit of the Gods isn’t a joyous film, and it isn’t a dreamy one…

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Review of I Was a Simple Man (2021)

By Guy Lodge (731) for Variety (12,700) on 09 Dec 2021

All Yogi’s actors work in subtle, effective deference to his natural command of atmosphere and place: This is a film where Hawaiian rainfall…

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Review of The Hating Game (2021)

By Kate Erbland (681) for IndieWire (3,631) on 09 Dec 2021

Thorne’s novel might be best known for its hot-and-bothered sex scenes, but she also built a romance with real stakes and big emotion, and…

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Review of National Champions (2021)

By Richard Whittaker (567) for Austin Chronicle (7,653) on 09 Dec 2021

It’s bleak and brutal, and Waugh’s cold tone (a definite throwback to Shot Caller) leaves no one with clean hands…

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Review of Don't Look Up (2021)

By Richard Lawson (539) for Vanity Fair (761) on 09 Dec 2021

Where Don’t Look Up finds its strength is in its lead performances, which can’t be undone even by the film’s exhausting, rapid-fire editing…

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Review of Lamb (2021)

By Ian Freer (515) for Empire (3,446) on 09 Dec 2021

Centred by a committed, affecting performance by Noomi Rapace, Lamb gets over its longueurs and missteps with interesting ideas, filmmaking…

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Review of LAMB (2021)

By Ian Freer (515) for Empire (3,446) on 09 Dec 2021

Centred by a committed, affecting performance by Noomi Rapace, Lamb gets over its longueurs and missteps with interesting ideas, filmmaking…

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Review of Drive My Car (2021)

By G. Allen Johnson (514) for San Francisco Chronicle (7,630) on 09 Dec 2021

Like Yûsuke’s beloved classic Saab 9000 that Misaki drives ever so carefully, Drive My Car moves ahead with smooth confidence and a fine-tuned…

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Review of West Side Story (2021)

By Steve Davis (486) for Austin Chronicle (7,653) on 09 Dec 2021

Spielberg suppresses his worst tendencies in the uncharted territory of his first movie musical…

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Review of Don't Look Up (2021)

By Johnny Oleksinski (478) for New York Post (6,650) on 09 Dec 2021

If McKay crafted the most enjoyable parts of his satire with a scalpel, somebody should’ve handed him a machete to chop the script down some…

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Review of Nightmare Alley (2021)

By Benjamin Lee (469) for The Guardian (2,969) on 09 Dec 2021

It’s [Del Toro’s] most strikingly beautiful film yet, a velvety, precisely styled noir with the year’s most impressively stacked cast…

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Review of Don't Look Up (2021)

By Mark Feeney (434) for Boston Globe (6,852) on 09 Dec 2021

Flat-footed and far too broad, it’s a reminder why “Saturday Night Live” skits don’t run two hours and 18 minutes…

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Review of Being the Ricardos (2021)

By Mark Feeney (434) for Boston Globe (6,852) on 09 Dec 2021

Like the title characters and the performances that go with them, Being the Ricardos has real zip…

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