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Review of Encounter (2021)

By Brent_Marchant (762) on 10 Dec 2021

One of the keys to making a successful thriller is the ability to sustain the suspense long enough to hold viewer interest…

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Review of The Power of the Dog (2021)

By Brent_Marchant (762) on 10 Dec 2021

Cinematic artistry is indeed inspiring, but, if a film doesn't have a comparably impressive narrative, that celluloid mastery generally all…

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Review of Encounter (2021)

By Brent_Marchant (762) on 10 Dec 2021

One of the keys to making a successful thriller is the ability to sustain the suspense long enough to hold viewer interest…

Read Review

Review of Encounter (2021)

By Brent_Marchant (762) on 10 Dec 2021

One of the keys to making a successful thriller is the ability to sustain the suspense long enough to hold viewer interest…

Read Review

Review of West Side Story (2021)

By Tasha Robinson (753) for Polygon (677) on 10 Dec 2021

It’s a hell of an achievement, and the rare case where a remake feels like an act of fervent fandom…

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Review of France (2021)

By Simon Abrams (730) for RogerEbert.com (5,563) on 10 Dec 2021

In theory, that sort of self-victimization could be funny; in this reality, not so much…

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Review of Red Rocket (2021)

By Matt Zoller Seitz (637) for RogerEbert.com (5,563) on 10 Dec 2021

Despite its missteps, this is Baker's best-directed film, judged purely in terms of how economically he sets up and pays off each mile marker…

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Review of The Velvet Underground (2021)

By Geewah (593) on 10 Dec 2021

A confession first, I'm a huge fan of The Velvet Underground…

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Review of West Side Story (2021)

By Moviemitch96 (552) on 10 Dec 2021

Directed by Steven Spielberg, this is a remake about the classic 1957 Broadway play and 1961 film of the same name that sees star-crossed lovers…

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Review of Don't Look Up (2021)

By Moviemitch96 (552) on 10 Dec 2021

From director Adam McKay ('Anchorman', 'Talladega Nights', 'Step Brothers' and more recent political comedies such as 'The Big Short' and 'Vice')…

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Review of The Real Charlie Chaplin (2021)

By Nicolas Rapold (488) for The New York Times (9,847) on 10 Dec 2021

The tell-all promise of the film’s title dwindles away into predictable perspectives from members of his family…

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Review of Agnes (2021)

By Sheila O'malley (474) for RogerEbert.com (5,563) on 10 Dec 2021

Cinematographer Samuel Calvin is to be commended for his striking work, and Reece shows an intuitive understanding of when to move the camera,…

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Review of Being the Ricardos (2021)

By Tomris Laffly (460) for RogerEbert.com (5,563) on 10 Dec 2021

It is with a zippy touch and a number of questionable directorial choices—Sorkin is still a much better writer than director—as well as…

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Review of France (2021)

By Mark Olsen (451) for Los Angeles Times (12,977) on 10 Dec 2021

In part because of the depth of Seydoux’s performance, the film becomes less an allegory of a nation and more a gripping character study,…

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Review of West Side Story (2021)

By Alan Ng (404) for Film Threat (5,156) on 10 Dec 2021

All Speilberg really did was take a masterpiece, keep it a masterpiece, and add a little flair (and backstory). He took gold and made prettier gold…

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Review of National Champions (2021)

By Odie Henderson (402) for RogerEbert.com (5,563) on 10 Dec 2021

You need a blackboard full of X’s and O’s to keep track of the petty plays this movie's running…

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Review of Don't Look Up (2021)

By Nick Allen (397) for RogerEbert.com (5,563) on 10 Dec 2021

A disastrous movie, Don’t Look Up shows McKay as the most out of touch he’s ever been with what is clever, or how to get his audience to care…

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Review of The Unforgivable (2021)

By Metacriticonur (388) on 10 Dec 2021

Bad [ bad ] adjective, worse, worst;(Slang) bad·der, bad·dest for 36. not good in any manner or degree…

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Review of West Side Story (2021)

By Habibiehakim (321) on 10 Dec 2021

8.5/10 Is there a time that I feel it was too long? yes, did I still prefer the original than this? yes, is it bad? no, is it perfect…

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Review of Don't Look Up (2021)

By Jamie Graham (285) for Total Film (3,532) on 10 Dec 2021

Performances pop as Earth gets the chop, with US politics, big business and social media going up in flames…

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