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Review of Gran Turismo (2023)

By Jluis_001 (2,242) on 25 Aug 2023

Gran Turismo can proudly boast of offering a healthy dose of modest and unambitious entertainment…

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Review of Scrapper (2023)

By Kyle Smith (1,916) for Wall Street Journal (3,071) on 25 Aug 2023

As directed with a wonderful combination of whimsy, deadpan humor and childlike exhilaration by Ms. Regan, the film is impish and full of bounce…

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Review of Scrapper (2023)

By Robbie Collin (1,612) for The Telegraph (1,120) on 25 Aug 2023

Scrapper rummages around with style. It puts bubbles in the kitchen sink…

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Review of Theater Camp (2023)

By Robbie Collin (1,612) for The Telegraph (1,120) on 25 Aug 2023

Theater Camp’s comedy springs entirely from personality: the jokes aren’t really quotable because they depend on you knowing who’s making…

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Review of The Blackening (2023)

By Robbie Collin (1,612) for The Telegraph (1,120) on 25 Aug 2023

The film’s tendency to go broad wherever possible renders it fairly un-scary, while in place of Get Out’s deep and needling cultural allegory…

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Review of The Dive (2023)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 25 Aug 2023

The Dive feels routine, a soggy journey from point A to point B that doesn’t do anything interesting enough to make it stand out in the dog…

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Review of Bottoms (2023)

By Alonso Duralde (1,351) for The Film Verdict (26) on 25 Aug 2023

Seligman and Sennott, reteaming after Shiva Baby, clearly know the beats and tropes of the teen comedy while taking every opportunity to subvert…

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Review of Retribution (2023)

By Peter Sobczynski (1,159) for RogerEbert.com (5,563) on 25 Aug 2023

Here is a film so devoid of thrills, excitement, or purpose that it seems to have been custom-made to play in empty multiplexes during the…

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Review of Retribution (2023)

By Bilge Ebiri (1,050) for New York Magazine (Vulture) (3,519) on 25 Aug 2023

This is a paycheck movie, to be sure, the kind of direct-to-video title that gets a theatrical release because the lead actor still has star…

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Review of You Are So Not Invited to My Bat Mitzvah (2023)

By Brian Lowry (913) for CNN (497) on 25 Aug 2023

A familiar but very nicely done coming-of-age story…

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Review of Retribution (2023)

By Brian Lowry (913) for CNN (497) on 25 Aug 2023

Set in Berlin, the Speed-like conceit possesses a crisp and efficient stupidity before, predictably, running out of gas…

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Review of Gran Turismo (2023)

By Brian Lowry (913) for CNN (497) on 25 Aug 2023

As underdog car-racing movies go, think of “Gran Turismo” as “Nerd v…

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Review of Retribution (2023)

By David Fear (910) for Rolling Stone (4,035) on 25 Aug 2023

Retribution is not the worst of his thrillers/action movies — that honor belongs to either last year’s god-awful Blacklight or this freezer-burned…

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Review of Scrapper (2023)

By Tara Brady (805) for The Irish Times (483) on 25 Aug 2023

The tricky father-daughter pairing at the centre of Charlotte Regan’s surefooted debut feature marks Scrapper as the poppier, knockabout…

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Review of You Are So Not Invited to My Bat Mitzvah (2023)

By Alison Willmore (681) for New York Magazine (Vulture) (3,519) on 25 Aug 2023

This winning coming-of-age comedy understands that, when you’re 13 years old, the world really does feel like it could end if you’re not…

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Review of Bottoms (2023)

By Alison Willmore (681) for New York Magazine (Vulture) (3,519) on 25 Aug 2023

If anything, I wanted Bottoms to be even more anarchic. . . As is, it’s still a great — and audacious — time…

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Review of You Are So Not Invited to My Bat Mitzvah (2023)

By Chris Vognar (609) for Rolling Stone (4,035) on 25 Aug 2023

It’s actually exciting to watch a star whose stock-in-trade has been arrested development flourish in a mature midlife period…

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Review of Retribution (2023)

By David Sims (534) for The Atlantic (1,046) on 25 Aug 2023

Neeson himself has done admirable work making mid-budget throwbacks with a little extra grit and gravitas…

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Review of You Are So Not Invited to My Bat Mitzvah (2023)

By G. Allen Johnson (514) for San Francisco Chronicle (7,630) on 25 Aug 2023

Director Sammi Cohen takes an attention-deficit disorder approach to storytelling, in which every feeling and plot twist is punctuated by a…

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Review of Scrapper (2023)

By Sheila O'malley (474) for RogerEbert.com (5,563) on 25 Aug 2023

The resilience in Scrapper is a type of lived creativity, an imaginative space where Georgie—and her father—make up their own rules and…

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Page 24 of 258,691

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