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Review of Don't Look Up (2021)

By Nerk (1) on 14 Jan 2022

Without a doubt the worst movie I've ever seen. such lazy writing…

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Review of My Little Pony: A New Generation (2021)

By Djpelekefrederi (1) on 14 Jan 2022

This movie sucks…

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Review of Ray Donovan: The Movie (2022)

By Richard Roeper (2,737) for Chicago Sun-Times (7,580) on 13 Jan 2022

It was probably the right time to say goodbye to “Ray Donovan,” as the series had begun spinning its wheels in recent seasons, after the…

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Review of Who We Are: A Chronicle of Racism in America (2022)

By Joe Morgenstern (2,395) for Wall Street Journal (3,071) on 13 Jan 2022

What this film does best is offer, sometimes playfully and sometimes not, new perspectives on the central problem of our shared history…

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Review of Ready or Not (2019)

By Josh Larsen (2,042) for LarsenOnFilm (1,412) on 13 Jan 2022

Ready or Not works best as a black comedy about how far the obscenely rich will go to keep what they (undeservedly) have…

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Review of Shattered (2022)

By Noel Murray (1,901) for Los Angeles Times (12,977) on 13 Jan 2022

Although Shattered is a relatively short movie, it takes too long for Prieto and Loughery to put all these pieces into play — at which point…

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Review of Shattered (2022)

By Noel Murray (1,901) for Los Angeles Times (12,977) on 13 Jan 2022

Although Shattered is a relatively short movie, it takes too long for Prieto and Loughery to put all these pieces into play — at which point…

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Review of Ray Donovan: The Movie (2022)

By John Anderson (1,358) for Wall Street Journal (3,071) on 13 Jan 2022

There are a few characters and storylines that aren’t quite resolved, but the essentials—notably, what launched Mickey into a life of crime—are…

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Review of Italian Studies (2022)

By Katie Walsh (1,279) for Los Angeles Times (12,977) on 13 Jan 2022

Italian Studies is a unique curio of a film, a free sketch of time and place melting into a singular subjective experience that asks “does…

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Review of Topsy-Turvy (1999)

By Dawdlingpoet (1,123) on 13 Jan 2022

This is a costume drama film depicting a curious true story. It features plenty of witty dialogue and some comedy - gentle comedy, I'd say…

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Review of Italian Studies (2022)

By David Fear (910) for Rolling Stone (4,035) on 13 Jan 2022

For a long stretch, Italian Studies turns this trip down memory-loss lane into a low-wattage livewire, an unpredictable stroll into the unknown…

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Review of Who We Are: A Chronicle of Racism in America (2022)

By Ben Kenigsberg (863) for The New York Times (9,847) on 13 Jan 2022

It’s a confrontational film, but never an alienating one, and so much of what’s in it is persuasive…

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Review of Redemption Day (2021)

By Mauro_Lanari (665) on 13 Jan 2022

(Mauro Lanari) The director uses his own debut to show his technical skills with drones, long takes and sequence shots, waiting for a script…

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Review of Parallel Mothers (2021)

By Dave Calhoun (583) for Time Out (7,510) on 13 Jan 2022

Only Pedro Almodóvar could wrap a cry of pain about Spain’s inability to come to terms with its recent dark history into a gorgeous-looking…

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Review of The Tragedy of Macbeth (2021)

By Brian Truitt (541) for USA Today (4,117) on 13 Jan 2022

With “Tragedy of Macbeth,” something wicked this way comes – something familiar to anyone who remembers high school English classes but…

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Review of The Tragedy of Macbeth (2021)

By Brian Truitt (541) for USA Today (4,117) on 13 Jan 2022

With “Tragedy of Macbeth,” something wicked this way comes – something familiar to anyone who remembers high school English classes but…

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Review of Hotel Transylvania: Transformania (2022)

By Nicolas Rapold (488) for The New York Times (9,847) on 13 Jan 2022

Despite some flourishes (such as a mirror-like crystal cave), “Transformania” feels locked into the routine rhythms of its plotting and…

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Review of The King's Man (2021)

By Alan Ng (404) for Film Threat (5,156) on 13 Jan 2022

The King’s Man doesn’t pick up in any truly incredible way until the second half, where a fantastic narrative twist happens…

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Review of The Lost Daughter (2021)

By Alan Ng (404) for Film Threat (5,156) on 13 Jan 2022

The beauty of the film is just how genuine and down-to-earth the performances are and how Gyllenhaal maintains a natural, authentic tone throughout…

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Review of Sing 2 (2021)

By Metacriticonur (388) on 13 Jan 2022

Admirable [ ad-mer-uh-buhl ] adjective worthy of admiration; inspiring approval, reverence, or affection…

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