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Review of Nothing Compares (2022)

By Jonathan Christian (34) for The Playlist (3,871) on 28 Jan 2022

Depriving “Nothing Compares” of any mention of O’Connor’s more recent life irreparably wounds the film…

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Review of Lucy and Desi (2022)

By Ethan Anderton (34) for Slashfilm (971) on 28 Jan 2022

Amy Poehler relies heavily on this intimate collection of media, provided with the full support of both the Arnaz and Luckinbell families,…

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Review of Nanny (2022)

By Jourdain Searles (30) for The Hollywood Reporter (7,050) on 28 Jan 2022

With Nanny, Jusu crafts a contemplative, thematically rich story that deftly explores the emotional and spiritual costs of leaving your homeland…

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Review of IO (2019)

By Truerock (29) on 28 Jan 2022

IO could have been a good film - but, Anthony Dwane Mackie as the male lead Micah ruins the film…

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Review of Resurrection (2022)

By Lou Thomas (27) for Time Out (7,510) on 28 Jan 2022

Without exactly revolutionising the form, Semans’s debut delivers an unsettling tale of psychological torment and the kind of creeping dread…

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Review of Resurrection (2022)

By Lou Thomas (27) for Time Out (7,510) on 28 Jan 2022

Without exactly revolutionising the form, Semans’s debut delivers an unsettling tale of psychological torment and the kind of creeping dread…

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Review of Resurrection (2022)

By Lou Thomas (27) for Time Out (7,510) on 28 Jan 2022

Without exactly revolutionising the form, Semans’s debut delivers an unsettling tale of psychological torment and the kind of creeping dread…

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Review of Résurrection (2022)

By Lou Thomas (27) for Time Out (7,510) on 28 Jan 2022

Without exactly revolutionising the form, Semans’s debut delivers an unsettling tale of psychological torment and the kind of creeping dread…

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Review of Resurrection (2022)

By Lou Thomas (27) for Time Out (7,510) on 28 Jan 2022

Without exactly revolutionising the form, Semans’s debut delivers an unsettling tale of psychological torment and the kind of creeping dread…

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Review of Neptune Frost (2022)

By Toussaint Egan (19) for Polygon (677) on 28 Jan 2022

At times befuddling, though adamantly mesmerizing, Neptune Frost fuses searing anti-establishment lyricism with ethereal electronica to create…

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Review of Lucy and Desi (2022)

By Mary Siroky (10) for Consequence (296) on 28 Jan 2022

Lucy and Desi feels like a critical watch for anyone working to carve out their own corner of the incredibly difficult entertainment industry,…

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Review of The Prince of Egypt (1998)

By Shanehoron (6) on 28 Jan 2022

This is by far the greatest animated movie of all time in my opinion…

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Review of The Irishman (2019)

By Theirishman (5) on 28 Jan 2022

What to say ? This movie is very beautiful, unique characterizations and one of the best movies I have seen…

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Review of Nothing Compares (2022)

By Neil Mccormick (5) for The Telegraph (1,120) on 28 Jan 2022

Some might criticise its narrow focus, but on its own terms Nothing Compares is the most potent and hard-hitting film about the travails of…

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Review of Charli XCX: Alone Together (2022)

By Sydney Urbanek (4) for Paste Magazine (2,906) on 28 Jan 2022

While the doc is ostensibly yet another pop star chronicle in an era of constant pop star chronicles, it emerges as a surprisingly universal…

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Review of Back to the Future Part III (1990)

By Plushcollector (4) on 28 Jan 2022

It's still a good film, but it is not as good as the first too. Funny, though…

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Review of Casablanca (1943)

By Plushcollector (4) on 28 Jan 2022

It's a classic, and I can't deny that, but I feel like it's gotten stale over time…

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Review of Back to the Future Part II (1989)

By Plushcollector (4) on 28 Jan 2022

One of the best sequels ever made. Still funny and a great movie! A perfect trilogy…

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Review of Promising Young Woman (2020)

By Carmichael (4) on 28 Jan 2022

I think this movie should be mandatory to watch…

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Review of The Fallout (2021)

By Thedarkbird (3) on 28 Jan 2022

A debut simply very well done…

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Page 2,314 of 258,691

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