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Review of Clemency (2019)

By Rogan Graham (10) for Little White Lies (3,136) on 14 Feb 2022

Chukwu is a master of show don’t tell, and the deft emotional performances she elicits from Woodard and Hodge make this heavy experience…

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Review of The Waterboy (1998)

By Deckard2 (6) on 14 Feb 2022

Thank you so much......for being my friends…

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Review of Marry Me (2022)

By Trigueiro (2) on 14 Feb 2022

Marry Me is a movie that lives up to its premise and tries to bring rom-coms back into the sunlight…

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Review of Spider-Man 2 (2004)

By Pizzatime12 (2) on 14 Feb 2022

Pizza Time Pizza Time Pizza Time Pizza Time Pizza Time Pizza Time Pizza Time Pizza Time…

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Review of Spider-Man (2002)

By Pizzatime12 (2) on 14 Feb 2022

Pizza Time Pizza Time Pizza Time Pizza Time Pizza Time Pizza Time Pizza Time Pizza Time…

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Review of The King's Man (2021)

By Alexbannik (1) on 14 Feb 2022

I like it much. Stupid fun movie. Good made. Some moments just awesome. Fighting scenes are amazing. Good son story. A lot of good twists…

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Review of The Power of the Dog (2021)

By Mgrandell (1) on 14 Feb 2022

I found it to be abusive to animals and stopped watching at 32 minutes when Benedict, the fake vegan, started swatting the horse in the face…

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Review of The Power of the Dog (2021)

By Esotericeric (1) on 14 Feb 2022

This movie tells you its more important than it is, and the critics believed it…

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Review of Wonder (2017)

By Eggsjpg (1) on 14 Feb 2022

I won't go over every single problem I have with this, but I will say a lot I don't like about this movie. 1…

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Review of Seabiscuit (2003)

By Lawrence Toppman (1,654) for Charlotte Observer (1,670) on 13 Feb 2022

On first acquaintance, Seabiscuit seems to be about anything but horse racing: the disappearance of the American frontier after 1910, our love…

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Review of Death on the Nile (2022)

By Jluis_001 (2,242) on 13 Feb 2022

Let's start with something basic and that I need to get off my chest: Gal Gadot can't act. There it is. I said it…

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Review of Playground (2022)

By Manohla Dargis (1,909) for The New York Times (9,847) on 13 Feb 2022

This is the first feature from the writer-director Laura Wandel, and it’s a knockout, as flawlessly constructed as it is harrowing…

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Review of Playground (2022)

By Manohla Dargis (1,909) for The New York Times (9,847) on 13 Feb 2022

This is the first feature from the writer-director Laura Wandel, and it’s a knockout, as flawlessly constructed as it is harrowing…

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Review of Marry Me (2022)

By Wendy Ide (1,500) for The Observer (UK) (826) on 13 Feb 2022

[A] silly, shallow romcom, which is as thin and predictable as Kat’s tinny pop songs…

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Review of Death on the Nile (2022)

By Wendy Ide (1,500) for The Observer (UK) (826) on 13 Feb 2022

The camera whirls giddily, dizzy from the sparkle and spectacle, but not quite able to conceal the fact that this is an empty bauble of a movie…

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Review of Wheel of Fortune and Fantasy (2021)

By Wendy Ide (1,500) for The Observer (UK) (826) on 13 Feb 2022

This female-led triptych of stories, with its deft, empathetic camerawork and intimate, intricately crafted character sketches, is a minor…

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Review of Sweat (2020)

By Dawdlingpoet (1,123) on 13 Feb 2022

This is ultimately a film about sexual violence in the age of social media influencers…

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Review of Black Rain (1989)

By Dawdlingpoet (1,123) on 13 Feb 2022

This is a pretty typical US rebellious, out of control cop chases Asian killer to his home turf and swears to get even malarky…

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Review of Flee (2021)

By Mark Kermode (1,002) for The Observer (UK) (826) on 13 Feb 2022

This is a triumph-of-the-human-spirit story as dramatic as the most finely wrought melodrama, with flashes of vintage newsreels reminding us…

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Review of Searching (2018)

By Alejandro970 (859) on 13 Feb 2022

Social networks can be questionable, but they can be useful in the background…

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Page 2,253 of 258,691

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