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Review of Dark Glasses (2022)

By Tim Robey (1,578) for The Telegraph (1,120) on 15 Feb 2022

Dark Glasses is mainly just flat, but it could definitely have done without this all-round disgrace of a dog performance – quite enough to…

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Review of The Outfit (2022)

By Peter Debruge (1,557) for Variety (12,700) on 15 Feb 2022

If you’re picturing shades of Kubrick’s “The Killing,” but with better clothes, fewer bullets and a self-effacing English fellow quietly…

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Review of Uncharted (2022)

By Tim Grierson (1,482) for Screen Daily (1,021) on 15 Feb 2022

Tom Holland and Mark Wahlberg are a likeable duo, and there are some spectacularly overblown set pieces, but this video-game adaptation ultimately…

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Review of The Outfit (2022)

By Robert Abele (1,309) for TheWrap (3,203) on 15 Feb 2022

What The Outfit doesn’t generate much of is organic suspense…

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Review of Uncharted (2022)

By Katie Walsh (1,279) for Los Angeles Times (12,977) on 15 Feb 2022

Uncharted is fine, and entertaining enough, but while some moments are inspired, others are completely inert…

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Review of Uncharted (2022)

By David Ehrlich (1,229) for IndieWire (3,631) on 15 Feb 2022

Perhaps the film’s Walmart approach to its action would’ve been more forgivable if the Uncharted games weren’t so frequently suffused…

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Review of Both Sides of the Blade (2022)

By David Ehrlich (1,229) for IndieWire (3,631) on 15 Feb 2022

As is often the case with Denis’ films, Fire grows more illuminating as it gets hotter; what starts like a constrained and unusually jagged…

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Review of Encanto (2021)

By Compi24 (1,147) on 15 Feb 2022

With most Disney animated features, the intentions are usually pure, harmless and clear…

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Review of Ghostbusters: Afterlife (2021)

By Imthenoob (1,101) on 15 Feb 2022

Afterlife is the kind of movie that leans heavily into the nostalgia factor and does little to really open the door to the next stage of adventures…

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Review of Both Sides of the Blade (2022)

By David Rooney (943) for The Hollywood Reporter (7,050) on 15 Feb 2022

The sense of love dissolving and lives thrown into chaos as a dormant past violently breaks through the surface is unexpectedly moving, all…

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Review of Uncharted (2022)

By Jesse Hassenger (800) for Paste Magazine (2,906) on 15 Feb 2022

Uncharted spends a lot of time scraping up meager points for what it isn’t, rather than what it is…

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Review of The Outfit (2022)

By Leslie Felperin (768) for The Hollywood Reporter (7,050) on 15 Feb 2022

If you prefer to riff on the garment-making angle central to its story, the film is flatteringly and economically cut from fine cloth, cleverly…

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Review of The Chaperone (2019)

By Leslie Felperin (768) for The Guardian (2,969) on 15 Feb 2022

All the corny romance stuff is about as intrinsic to the film’s soft appeal as the scrupulously well-made frocks, encompassing late Edwardian…

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Review of Uncharted (2022)

By Todd Gilchrist (762) for TheWrap (3,203) on 15 Feb 2022

Since making his debut with “Zombieland,” director Ruben Fleischer has developed an aptitude for cheerful proficiency (if not a ton of…

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Review of Both Sides of the Blade (2022)

By Guy Lodge (731) for Variety (12,700) on 15 Feb 2022

Denis’ latest sees her applying her usual rigorous form and psychological curiosity to material that tends to inspire more generic directorial…

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Review of Uncharted (2022)

By Mike D'angelo (730) for The A.V. Club (5,644) on 15 Feb 2022

Like text that’s been translated into another language and then re-translated back by someone else, Uncharted bears a clunky resemblance…

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Review of Uncharted (2022)

By Robert Kojder (605) for Polygon (677) on 15 Feb 2022

Even without the burden of introducing so many characters, the choices propelling Uncharted still lack stakes, genuine peril, fascinating twists…

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Review of Here Before (2022)

By Cath Clarke (570) for The Guardian (2,969) on 15 Feb 2022

The question of whether this is a ghost story or if Laura is experiencing a kind of psychological breakdown twists and turns in ways that lost…

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Review of Uncharted (2022)

By Brian Truitt (541) for USA Today (4,117) on 15 Feb 2022

It’s a rather impressive feat to bury Tom Holland’s considerable charisma, though that is one of the few aspects where his new film “Uncharted”…

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Review of Uncharted (2022)

By Jake Coyle (526) for The Associated Press (882) on 15 Feb 2022

The buddy movie balance of “Uncharted” never clicks…

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