Browse Movie Reviews - Page 2,235 of 258,691

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Review of The Spiderwick Chronicles (2008)

By Alexvill (1) on 17 Feb 2022

It's amazing Ended melanie and TWICE and BLACKPINK I love this so much Deserve moreee…

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Review of Red Notice (2021)

By Ramtin2Qi (1) on 17 Feb 2022

I did not expect such nonsense from these actors. time is money…

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Review of Peter von Kant (2022)

By Peter Bradshaw (3,667) for The Guardian (2,969) on 16 Feb 2022

There is something lighter, almost flippant and French-farcical about this new Von Kant: a man brought low by l’amour, inviting from the…

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Review of Robe of Gems (2023)

By Peter Bradshaw (3,667) for The Guardian (2,969) on 16 Feb 2022

It is a disturbing and unsettling piece of work, a psycho-pathological moodboard of a film, in which guilt, horror and shame poison the atmosphere…

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Review of The Real Charlie Chaplin (2021)

By Peter Bradshaw (3,667) for The Guardian (2,969) on 16 Feb 2022

This film may not have all that much new material but it piercingly asks the right questions about Chaplin’s elusive reality…

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Review of Uncharted (2022)

By Mick Lasalle (3,303) for San Francisco Chronicle (7,630) on 16 Feb 2022

Uncharted isn’t a classic, but for an action movie coming out in the doldrums of February, it’s practically Citizen Kane…

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Review of Kimi (2022)

By Josh Larsen (2,042) for LarsenOnFilm (1,412) on 16 Feb 2022

Koepp’s fairly straightforward screenplay doesn’t take us in many surprising directions, so the film’s pleasures lie in Kravitz’s jittery…

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Review of Ted K (2021)

By Elizabeth Weitzman (1,905) for TheWrap (3,203) on 16 Feb 2022

A risky experiment with a striking payoff, Ted K is an impressionistic attempt to personalize the most unrelatable experience imaginable: life…

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Review of I Want You Back (2022)

By Tvjerry (1,783) on 16 Feb 2022

Almost as soon as the movie starts, Charlie Day and Jenny Slate both lose their relationships…

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Review of Marry Me (2022)

By Tvjerry (1,783) on 16 Feb 2022

Jennifer Lopez plays a fictional version of herself, a music superstar…

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Review of Peter von Kant (2022)

By Tim Robey (1,578) for The Telegraph (1,120) on 16 Feb 2022

Where Fassbinder crafted extraordinary tableaux of self-parodic misery, such as the drunken, prostrate Petra diving for the phone on her white…

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Review of Taurus (2022)

By Tim Robey (1,578) for The Telegraph (1,120) on 16 Feb 2022

I was surprised to find how emptying out a man in this fashion triggered genuine emotion by the end…

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Review of Alcarràs (2022)

By Tim Robey (1,578) for The Telegraph (1,120) on 16 Feb 2022

It manages a light, improvisatory mastery, an immaculate hold on tone, and a grave yet sunlit tableau of an ending, with each one of these…

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Review of Ted K (2021)

By Robert Abele (1,309) for Los Angeles Times (12,977) on 16 Feb 2022

A little of Ted Kaczynski can go a long way — especially at two hours — even as one’s appreciation for Copley’s intensity and cinematographer…

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Review of Taurus (2022)

By David Ehrlich (1,229) for IndieWire (3,631) on 16 Feb 2022

The warts-and-all honesty that Baker brings to the table doesn’t prevent Sutton from repackaging his story as a simple cautionary tale about…

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Review of Shiva Baby (2021)

By Dawdlingpoet (1,123) on 16 Feb 2022

This is a quite claustrophobic feeling domestic drama, with a really good use of stringed instrument type music to really bring home the tension…

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Review of They Live in the Grey (2022)

By Matt Donato (975) for Paste Magazine (2,906) on 16 Feb 2022

They Live in the Grey is a modest indie with thematic layers and evergreen mortal dread that could use two or three more editing bay passes…

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Review of A Banquet (2022)

By Matt Donato (975) for Paste Magazine (2,906) on 16 Feb 2022

There are glimpses of comparably daydreamy thrillers like Come True or The Feast that give themselves to the fantasy of mania, but A Banquet…

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Review of Peter von Kant (2022)

By David Rooney (943) for The Hollywood Reporter (7,050) on 16 Feb 2022

Peter von Kant is perhaps a bit too rarefied an endeavor to significantly expand Ozon’s following, and some LGBTQ audiences might conceivably…

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Review of Alcarràs (2022)

By David Rooney (943) for The Hollywood Reporter (7,050) on 16 Feb 2022

Lovely, unforced Chekhovian notes grace the gently observed snapshot of a summer of unstoppable change and momentous upheaval…

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