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Review of Predator 2 (1990)

By Hellholehorror (226) on 25 Feb 2022

A tacky crap sequel. It really was that bad. Sometimes painful to watch other times mildly exciting…

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Review of Planet of the Apes (1968)

By R96Sk (195) on 25 Feb 2022

Having seen all three films from the rebooted series, I came into watching the original series expecting something relatively similar…

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Review of Beneath the Planet of the Apes (1970)

By R96Sk (195) on 25 Feb 2022

Quite a far way off its predecessor, even if 'Beneath the Planet of the Apes' is still a good film…

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Review of Licorice Pizza (2021)

By Aj_13 (170) on 25 Feb 2022

Charismatic performances, hilarious sequences, a direction that exudes elegance and a wonderful soundtrack…

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Review of Cyrano (2021)

By Kim Hughes (164) for Original-Cin (1,156) on 25 Feb 2022

Dinklage’s performance here is crushingly sad, and he is never more persuasive than as a man convinced he is unworthy of love despite his…

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Review of Tyler Perry's A Madea Homecoming (2022)

By Craig D. Lindsey (161) for The A.V. Club (5,644) on 25 Feb 2022

Although marginally more woke than other Madea installments (the fam has an unexpected response when one of them publicly comes out), Homecoming…

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Review of Green Book (2018)

By Kelvinselimor (157) on 25 Feb 2022

Green Book. Tony, who am I then? One of the few films for me that really touched me emotionally…

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Review of No Exit (2022)

By Ferdosa Abdi (130) for Screen Rant (892) on 25 Feb 2022

No Exit is a gratifying thriller with a stellar lead performance by Liu…

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Review of NO EXIT (2022)

By Ferdosa Abdi (130) for Screen Rant (892) on 25 Feb 2022

No Exit is a gratifying thriller with a stellar lead performance by Liu…

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Review of No Exit (2022)

By Lena Wilson (121) for TheWrap (3,203) on 25 Feb 2022

The filmmaking itself is sound. Liu is spellbinding, and her supporting cast of character actors are game for the script’s insanity…

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Review of NO EXIT (2022)

By Lena Wilson (121) for TheWrap (3,203) on 25 Feb 2022

The filmmaking itself is sound. Liu is spellbinding, and her supporting cast of character actors are game for the script’s insanity…

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Review of No Exit (2022)

By Hoai-Tran Bui (110) for Slashfilm (971) on 25 Feb 2022

While competently performed — Liu in particular is exceptional, lending a fraught likability to Darby; Haysbert exudes a natural warmth;…

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Review of NO EXIT (2022)

By Hoai-Tran Bui (110) for Slashfilm (971) on 25 Feb 2022

While competently performed — Liu in particular is exceptional, lending a fraught likability to Darby; Haysbert exudes a natural warmth;…

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Review of No Exit (2022)

By Beatrice Loayza (94) for The New York Times (9,847) on 25 Feb 2022

No Exit drops an arsenal of twists and rug-pulls at a machine gun’s pace, though Power, the director, doesn’t quite know how to milk the…

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Review of NO EXIT (2022)

By Beatrice Loayza (94) for The New York Times (9,847) on 25 Feb 2022

No Exit drops an arsenal of twists and rug-pulls at a machine gun’s pace, though Power, the director, doesn’t quite know how to milk the…

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Review of No Exit (2022)

By Nobilis1984 (91) on 25 Feb 2022

Again just a solid but boring movie. Netflix is full of these average movies and just getting bored…

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Review of NO EXIT (2022)

By Nobilis1984 (91) on 25 Feb 2022

Again just a solid but boring movie. Netflix is full of these average movies and just getting bored…

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Review of The Royal Tenenbaums (2001)

By Comandantecobra (90) on 25 Feb 2022

Episodial story of an unconventional family…

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Review of The Ledge (2022)

By Asher Luberto (79) for The Playlist (3,871) on 25 Feb 2022

As good as she is, and as timely as the film can be, it is frustrating that the villain seems to have waltzed in from a 1930s noir…

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Review of The Desperate Hour (2022)

By Aurora Amidon (74) for Paste Magazine (2,906) on 25 Feb 2022

The Desperate Hour, while consistently entertaining and confidently boasting a tight, no-frills script, fights too hard to explain that it…

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