Browse Movie Reviews - Page 2,172 of 258,691

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Review of Huda's Salon (2022)

By Justin Chang (1,535) for Los Angeles Times (12,977) on 04 Mar 2022

Working with cinematographers Ehab Assal and Peter Flinckenberg, Abu-Assad continually boxes his female leads into tight corners, visually…

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Review of Dear Mr. Brody (2022)

By Robert Abele (1,309) for TheWrap (3,203) on 04 Mar 2022

Concurrently, as Maitland provides pockets of warmth and humanity in the legacies of a handful of letter-writers, he relays through archival…

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Review of The Batman (2022)

By Compi24 (1,147) on 04 Mar 2022

Warner Bros…

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Review of mid90s (2018)

By Dawdlingpoet (1,123) on 04 Mar 2022

This is very much a nostalgic film depicting somewhat streetwise adolescents living in a teenage skater culture during the mentioned 1990s…

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Review of Nightride (2022)

By Donald Clarke (1,051) for The Irish Times (483) on 04 Mar 2022

Happily, the screenplay is a model of design and economy. The dilemmas remain clear. The solutions mostly make sense…

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Review of Huda's Salon (2022)

By Bilge Ebiri (1,050) for New York Magazine (Vulture) (3,519) on 04 Mar 2022

Abu-Assad has made his share of films about the cruel absurdity of life under Israeli occupation, but here he lets all sides have it…

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Review of Lucy and Desi (2022)

By Brian Lowry (913) for CNN (497) on 04 Mar 2022

Lucy and Desi puts a big heart around Lucille Ball and Desi Arnaz, not only as the beloved stars of I Love Lucy and one of Hollywood's great…

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Review of After Yang (2022)

By David Fear (910) for Rolling Stone (4,035) on 04 Mar 2022

As you find yourself instinctively reviewing those own seemingly insignificant moments in your own life, the ones that you hold so dear, while…

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Review of Deception (2022)

By Richard Brody (868) for The New Yorker (1,837) on 04 Mar 2022

In Desplechin’s implicit view of his artistic heroes and milieu, he turns Roth’s personal story into his own…

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Review of Both Sides of the Blade (2022)

By Richard Brody (868) for The New Yorker (1,837) on 04 Mar 2022

The silences that overwhelm the movie’s confrontational rages and the suppression of backstory details, underplaying motives and emphasizing…

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Review of Deception (2022)

By Richard Brody (868) for The New Yorker (1,837) on 04 Mar 2022

In Desplechin’s implicit view of his artistic heroes and milieu, he turns Roth’s personal story into his own…

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Review of Parallel Mothers (2021)

By Alejandro970 (859) on 04 Mar 2022

La coincidencia, la memoria histórica y la maternidad juntos en una trama que solo alguien como Almodóvar supo hacer de ellos un coctel que…

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Review of You Are Not My Mother (2022)

By Tara Brady (805) for The Irish Times (483) on 04 Mar 2022

For much of its impressive duration, Dolan’s film blurs the line between family friction, bipolar disorder and the supernatural…

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Review of Fresh (2022)

By Tasha Robinson (753) for Polygon (677) on 04 Mar 2022

By the end of Fresh, the film hasn’t done anything more than restating what it made clear at the start: Dating is hell, and women deserve…

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Review of Fresh (2022)

By Alison Willmore (681) for New York Magazine (Vulture) (3,519) on 04 Mar 2022

Like a lot of movies these days, Fresh feels like it was conceived through its themes first and then written to bolster those ideas, rather…

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Review of After Yang (2022)

By Alison Willmore (681) for New York Magazine (Vulture) (3,519) on 04 Mar 2022

After Yang has the structure of a subdued mystery, though at its core it has no answers to these, or any, questions…

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Review of Against the Ice (2022)

By Mauro_Lanari (665) on 04 Mar 2022

(Mauro Lanari) Insipid Netflix pastime produced by Kormákur who relaunches after his 2015 Everest…

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Review of The Batman (2022)

By Panchogul (602) on 04 Mar 2022

The Batman es una espectacularidad y una gloria por dondequiera que se le mire, es intensa, cruda y explosiva, definitivamente Robert Pattinson…

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Review of Legally Blonde (2001)

By Panchogul (602) on 04 Mar 2022

Un clásico de los 2000 y en lo personal forma parte de mi infancia, tiene un potente mensaje sobre la autosuperación y creer en uno mismo…

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Review of The Batman (2022)

By Bfoore90 (601) on 04 Mar 2022

A very good movie. Its a bit different in terms of the character meaning as this Batman seems a bit more practical than the others…

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