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Review of Windfall (2022)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 18 Mar 2022

Plemons brings such a fascinating energy to his character that he really holds the film together…

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Review of Windfall (2022)

By Jeannette Catsoulis (1,537) for The New York Times (9,847) on 18 Mar 2022

Windfall is dramatically flat and logically wanting…

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Review of Deep Water (2022)

By Dana Stevens (1,435) for Slate (2,081) on 18 Mar 2022

Whether you find Deep Water deliciously preposterous or just … preposterous may depend on how much you miss that kind of movie…

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Review of Spin Me Round (2022)

By John Defore (1,351) for The Hollywood Reporter (7,050) on 18 Mar 2022

Amusing but the most lightweight of the five diverse features he’s made so far, it finds other members of the Baena gang (Aubrey Plaza, Molly…

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Review of Umma (2022)

By Peter Sobczynski (1,159) for RogerEbert.com (5,563) on 18 Mar 2022

The film bizarrely takes what could have been a touching and powerful drama about the traumatic family ties that bind (and occasionally choke)…

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Review of The Adam Project (2022)

By Compi24 (1,147) on 18 Mar 2022

Like Shawn Levy's previous Ryan Reynolds effort, Free Guy, The Adam Project exceeds expectations for me, but not in the ways I expected…

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Review of The Phantom of the Open (2022)

By Donald Clarke (1,051) for The Irish Times (483) on 18 Mar 2022

The film does feel a little thin in its later stages, but the inventive performances – Rylance’s in particular – keep the film aloft…

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Review of Deep Water (2022)

By Donald Clarke (1,051) for The Irish Times (483) on 18 Mar 2022

Nobody looks to have helped Affleck get to grips with the author’s signature sociopath and, rather than appearing coldly ruthless, this cuboid-headed…

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Review of Deep Water (2022)

By Brian Lowry (913) for CNN (497) on 18 Mar 2022

While the movie falls apart toward the end, the mystery -- and crackling central performances -- cruises along at a low boil much of the way…

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Review of Windfall (2022)

By Chris Barsanti (896) for Slant Magazine (8,298) on 18 Mar 2022

Windfall has a difficult time landing on the right tone or getting a bead on its characters…

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Review of Double Walker (2021)

By Jim Slotek (879) for Original-Cin (1,156) on 18 Mar 2022

Double Walker’s story is feverishly imaginative, though its internal logic often doesn’t hold up…

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Review of Bad Education (2004)

By Alejandro970 (859) on 18 Mar 2022

Este trabajo de Almodóvar podría ser el primero en el que la mujer no es la columna vertebral de la trama…

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Review of The Boy in the Striped Pyjamas (2008)

By Filipeneto (856) on 18 Mar 2022

World War II and Nazism are themes that cinema has explored abundantly, and the list of good films grows every decade…

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Review of Fresh (2022)

By Tara Brady (805) for The Irish Times (483) on 18 Mar 2022

It is equally a solid genre effort, characterised by gory set-pieces, discombobulating scenarios, and welcome lashings of feminist revenge…

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Review of Hive (2021)

By Tara Brady (805) for The Irish Times (483) on 18 Mar 2022

Basholli’s simple, elegantly structured script and Alex Bloom’s cinematography places Gashi’s carefully calibrated performance in almost…

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Review of Umma (2022)

By Jesse Hassenger (800) for Polygon (677) on 18 Mar 2022

Throughout its slim but slow 83 minutes, Umma piles up missed-opportunity scenes that cry out for a ghoulish sense of humor or an audience-rattling…

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Review of Windfall (2022)

By Barry Hertz (792) for The Globe and Mail (Toronto) (4,018) on 18 Mar 2022

A “clever” film that doesn’t do anything clever at all beyond its Hitchcockian opening credits, Windfall is a disposable and eye-rolling…

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Review of Windfall (2022)

By Guy Lodge (731) for Variety (12,700) on 18 Mar 2022

Blending the oddball sensibility of McDowell and regular co-writer Justin Lader with the nastier genre smarts of “Se7en” scribe Andrew…

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Review of Spin Me Round (2022)

By Kate Erbland (681) for IndieWire (3,631) on 18 Mar 2022

While Baena and Brie, who wrote the film together, don’t exactly flip the script on this seemingly well-trod subgenre, the duo (plus a star-packed…

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Review of The Power of the Dog (2021)

By Panchogul (602) on 18 Mar 2022

La película del 2021 es definitivamente El Poder del Perro, de entrada no parece la gran cosa hasta que más temprano que tarde las cosas…

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