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Review of Return to Space (2022)

By Robert Abele (1,309) for Los Angeles Times (12,977) on 07 Apr 2022

The film is a relatively smooth blend of optimism for a rejuvenated emphasis on human exploration in the beyond, and branded content promoting…

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Review of Return to Space (2022)

By David Ehrlich (1,229) for IndieWire (3,631) on 07 Apr 2022

The film’s scattershot focus — in stark contrast to the breathless immediacy of “The Rescue” — and advertorial tone diminish the…

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Review of Tolkien (2019)

By Dawdlingpoet (1,123) on 07 Apr 2022

This is very much an average biopic. It has the look and feel of a TV film and the visual effects were alright but nothing special…

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Review of A Call to Spy (2020)

By Dawdlingpoet (1,123) on 07 Apr 2022

This is an interesting story with some good performances but its not quite as gripping as I may have expected…

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Review of The Cobbler (2014)

By Dawdlingpoet (1,123) on 07 Apr 2022

This is a fairly typical Adam Sandler comedy film, without any gross-out humour. Its a light and easy watch and its certainly pretty cheesy…

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Review of Tourist Trap (1979)

By Imthenoob (1,101) on 07 Apr 2022

Tourist Trap is a cheesy but oddly unique and interesting slasher from the late 70s…

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Review of Sonic the Hedgehog 2 (2022)

By Amy Nicholson (961) for The New York Times (9,847) on 07 Apr 2022

Sonic the Hedgehog 2 is a fast-paced romp that’s silly, filled with quips and unabashedly for children — which is refreshing, coming at…

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Review of Whiteout (2009)

By Broyax (884) on 07 Apr 2022

La petite Kate tente de faire une infidélité à ses vampitreries habituelles et se hasarde dans ce thriller très bon marché…

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Review of Ambulance (2022)

By Jim Slotek (879) for Original-Cin (1,156) on 07 Apr 2022

With DNA largely spliced from the movie Speed, it’s a carnage-filled action film that is essentially a single extended car chase…

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Review of Metal Lords (2022)

By Jared Mobarak (867) for The Film Stage (3,162) on 07 Apr 2022

It’s not laugh-out-loud funny, but I was smiling for the duration, and its subversions of certain archetypes (see Noah Urrea’s Clay) kept…

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Review of All the Old Knives (2022)

By Ben Kenigsberg (863) for The New York Times (9,847) on 07 Apr 2022

While All the Old Knives keeps cleverly resetting the table it’s laid out, it can’t fundamentally alter the meal…

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Review of As They Made Us (2022)

By Lisa Kennedy (833) for The New York Times (9,847) on 07 Apr 2022

Even with veterans like Hoffman and Bergen, it’s Agron’s film…

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Review of Ambulance (2022)

By Barry Hertz (792) for The Globe and Mail (Toronto) (4,018) on 07 Apr 2022

Ambulance is here to remind you of the head-spinning delights of watching a genuine cinematic madman at work…

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Review of As They Made Us (2022)

By Bob Strauss (787) for San Francisco Chronicle (7,630) on 07 Apr 2022

The film is worth watching thanks to a flawless central performance by “Glee” alum Dianna Agron, solid elder annoyance shtick from Candice…

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Review of Fresh (2022)

By Mauro_Lanari (665) on 07 Apr 2022

(Mauro Lanari) A demonic symbol appears on the credits: as in Martyrs (Laugier 2007), spiritual lucubrations serve the debutant Mimi Cave just…

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Review of The Contractor (2022)

By Mauro_Lanari (665) on 07 Apr 2022

(Mauro Lanari) Discharged from the U.S…

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Review of Coast (2022)

By Richard Whittaker (567) for Austin Chronicle (7,653) on 07 Apr 2022

Coast is undeniably empathetic towards the inner lives of kids living in the bland nothingness of California’s Central Coast, but it’s…

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Review of Ambulance (2022)

By Richard Lawson (539) for Vanity Fair (761) on 07 Apr 2022

Ambulance is a visual ordeal, but deliberately so. Bay wants us to feel the exhausted tension of his characters…

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Review of Sonic the Hedgehog 2 (2022)

By Johnny Oleksinski (478) for New York Post (6,650) on 07 Apr 2022

The first “Sonic” worked unexpectedly well because it thrust the wisecracking alien into a small town filled with humans — a hog out…

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Review of Ambulance (2022)

By Mark Feeney (434) for Boston Globe (6,852) on 07 Apr 2022

The movie is what it is: relentless, shameless, and purely as an exercise in technique almost dementedly skilled…

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