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Review of Fantastic Beasts: The Secrets of Dumbledore (2022)

By Moira Macdonald (1,892) for The Seattle Times (964) on 12 Apr 2022

Ultimately, this “Fantastic Beasts” has some moments of charm and energy, but falls prey to the same problem the two previous movies did…

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Review of Ambulance (2022)

By Tvjerry (1,783) on 12 Apr 2022

Michael Bay is best known for his big budget, big screen epics…

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Review of Fantastic Beasts: The Secrets of Dumbledore (2022)

By Michael O'sullivan (1,712) for Washington Post (9,851) on 12 Apr 2022

It may not be the most spellbinding of the prequels so far, but it does advance this saga in an entertaining, if less than fantastic way…

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Review of Navalny (2022)

By Justin Chang (1,535) for Los Angeles Times (12,977) on 12 Apr 2022

The geopolitical landscape has changed dramatically in the last few months since this sleek, smartly assembled and almost indecently entertaining…

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Review of Navalny (2022)

By Wendy Ide (1,500) for The Observer (UK) (826) on 12 Apr 2022

It’s a genuinely exciting piece of storytelling, a propulsive real-life quest for truth driven by ingenious tech-geeks and the disarming…

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Review of Fantastic Beasts: The Secrets of Dumbledore (2022)

By Wendy Ide (1,500) for The Observer (UK) (826) on 12 Apr 2022

In this third outing, there’s a crucial crackle of chemistry between Mikkelsen and Jude Law’s younger Dumbledore…

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Review of Murina (2022)

By Wendy Ide (1,500) for The Observer (UK) (826) on 12 Apr 2022

The atmosphere, of sun and celebration, rings as hollow as the Europop that Ante blasts to drown out arguments; sonar-stabs of cello on the…

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Review of Murina (2022)

By Tim Grierson (1,482) for Screen Daily (1,021) on 12 Apr 2022

Murina is a superb study in sustained subliminal menace, with Gracija Filipovic especially skilled playing a young woman learning how to utilise…

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Review of The Unbearable Weight of Massive Talent (2022)

By Luke Y. Thompson (1,447) for The A.V. Club (5,644) on 12 Apr 2022

If the movie were just meme-able moments, it might run out of steam, even with Cage delivering them practically nonstop…

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Review of You Are Not My Mother (2022)

By Anton Bitel (1,340) for Little White Lies (3,136) on 12 Apr 2022

Dolan ensures that such myth comes with a dark gothic edge, unnerving, insidious and uncannily ambiguous, as this clan’s internal problems…

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Review of Compartment No. 6 (2021)

By Mark Kermode (1,002) for The Observer (UK) (826) on 12 Apr 2022

Beautifully believable performances from Haarla and Borisov add emotional weight, rivalling the nuanced naturalistic charm of Ethan Hawke and…

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Review of Apollo 10½: A Space Age Childhood (2022)

By David Jenkins (910) for Little White Lies (3,136) on 12 Apr 2022

Apollo 10 ½ is about the subjective intimacy of history, and how all events are just an equally-sized, vibrantly-coloured fragment in the…

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Review of Operation Mincemeat (2022)

By David Jenkins (910) for Little White Lies (3,136) on 12 Apr 2022

It’s a model of old school screen storytelling, where the robust individual elements coalesce into the exact sum of their parts and not a…

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Review of Ambulance (2022)

By Richard Brody (868) for The New Yorker (1,837) on 12 Apr 2022

If the movie has any merit at all, it’s in the seemingly unintentional mockery of the conventions and styles of far more purposeful and intention-laden…

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Review of The Cellar (2022)

By Leslie Felperin (768) for The Guardian (2,969) on 12 Apr 2022

Writer-director Brendan Muldowney is better at contriving striking images of horror, filmed with umbral gloom by cinematographer Tom Comerford,…

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Review of Navalny (2022)

By Richard Whittaker (567) for Austin Chronicle (7,653) on 12 Apr 2022

As the focus of the film, Navalny himself is a fascinating and complex figure, but Roher makes him explicable by focusing on his family, his…

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Review of The Northman (2022)

By Richard Whittaker (567) for Austin Chronicle (7,653) on 12 Apr 2022

The Northman lives and breathes like the old epics; not Old Hollywood's cartoonish depictions of warriors with horned helmets, but the ancient…

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Review of Ambulance (2022)

By Jessica Kiang (522) for Los Angeles Times (12,977) on 12 Apr 2022

Ambulance is not good, exactly…

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Review of Murina (2022)

By Jessica Kiang (522) for Variety (12,700) on 12 Apr 2022

Murina is rife with symbolism, but it’s a mark of Kusijanović’s command — an astonishing quality for a first-time feature director —…

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Review of As They Made Us (2022)

By Tomris Laffly (460) for Variety (12,700) on 12 Apr 2022

Despite an eager-to-please ending that tries too hard to redeem the elderly Frays, Bialik’s movie still offers up hope, humor and above all,…

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