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Review of Everything Everywhere All at Once (2022)

By Compi24 (1,147) on 20 Apr 2022

Undeniably one of the most whacked out, imaginative, convention-busting movies I've seen in a long, long time and quite possibly my favorite…

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Review of The Duke (2021)

By Brent Simon (1,142) for The A.V. Club (5,644) on 20 Apr 2022

If the film isn’t quite as complicated as one might sometimes wish it to be, that isn’t to say that this unassuming version of its decidedly…

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Review of Butch Cassidy and the Sundance Kid (1969)

By Dawdlingpoet (1,123) on 20 Apr 2022

I really enjoyed this film - its a classic biopic, with great performances from Paul Newman and Robert Redford as the titular characters…

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Review of The Forever Purge (2021)

By Imthenoob (1,101) on 20 Apr 2022

The worst film of the franchise…

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Review of The White Fortress (2022)

By Sheri Linden (962) for The Hollywood Reporter (7,050) on 20 Apr 2022

Drljača’s dialogue is sharp and alive throughout the film, particularly so during Mona and Faruk’s first date…

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Review of The Unbearable Weight of Massive Talent (2022)

By David Fear (910) for Rolling Stone (4,035) on 20 Apr 2022

You wish the movie wasn’t content to be a feature-length meme and truly deserved what Cage is doing with this long, hard look in the fun-house…

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Review of Charade (1963)

By Broyax (884) on 20 Apr 2022

Film d’espionnage ou film policier… on ne sait pas trop…

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Review of 12 Angry Men (1957)

By Broyax (884) on 20 Apr 2022

Pour un film de Sidney Lumet, c’est étonnamment regardable…

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Review of The Unbearable Weight of Massive Talent (2022)

By Jim Slotek (879) for Original-Cin (1,156) on 20 Apr 2022

The movie is both an exercise in self-mockery and a spoof of both Hollywood and the kind of movie Cage might take to pay the bills…

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Review of The Duke (2021)

By Jared Mobarak (867) for The Film Stage (3,162) on 20 Apr 2022

The heart of The Duke is what shines brightest…

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Review of The White Fortress (2022)

By Jared Mobarak (867) for The Film Stage (3,162) on 20 Apr 2022

A walk through the woods is thus the scenario that brings up the two genres…

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Review of White Hot: The Rise & Fall of Abercrombie & Fitch (2022)

By Ben Kenigsberg (863) for The New York Times (9,847) on 20 Apr 2022

While the movie provides encouraging evidence of how much societal sensibilities have changed, it is fundamentally dressing up well-worn material…

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Review of Moonshot (2022)

By Leslie Felperin (768) for The Guardian (2,969) on 20 Apr 2022

Most welcome of all is the generous sprinkling of good one-liners thanks to screenwriter Max Taxe’s witty script, solid direction from Christopher…

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Review of Fantastic Beasts: The Secrets of Dumbledore (2022)

By Mattbrady99 (654) on 20 Apr 2022

Man, they killed so many magical Bambis in this movie…

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Review of The Unbearable Weight of Massive Talent (2022)

By Richard Whittaker (567) for Austin Chronicle (7,653) on 20 Apr 2022

This is Cage trying to find himself in all those messy decisions he’s made, trying to make amends while accepting and celebrating who he is…

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Review of 9 Bullets (2022)

By Richard Whittaker (567) for Austin Chronicle (7,653) on 20 Apr 2022

9 Bullets just constantly misfires, and never gets better than the inadvertent comedy of Worthington pulling a gun on a dog as a negotiating tactic…

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Review of The White Fortress (2022)

By Jessica Kiang (522) for Variety (12,700) on 20 Apr 2022

The sad, wise heart of Drljača’s small, impressively controlled film condemns neither of them, but instead understands what horror stories…

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Review of The Unbearable Weight of Massive Talent (2022)

By Mark Feeney (434) for Boston Globe (6,852) on 20 Apr 2022

Nicolas Cage has had one of the stranger careers in Hollywood history. Considering Hollywood history, that’s saying something…

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Review of 9 Bullets (2022)

By Courtney Howard (393) for The A.V. Club (5,644) on 20 Apr 2022

It’s a dud, yet one made semi-palatable thanks to a decent performance from leading lady Lena Headey, and of all things, a soulful ballad…

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Review of The Unbearable Weight of Massive Talent (2022)

By Clint Worthington (295) for Consequence (296) on 20 Apr 2022

The fundamental disconnect behind Massive Talent, besides its deliberately shaky tonal shifts, is that it feels like a career corrective for…

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