Browse Movie Reviews - Page 1,969 of 258,691

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Review of The Northman (2022)

By Shadowx61 (1) on 22 Apr 2022

The Northman is spectacular, rousing, brutal and beautiful! 10/10 this is ART…

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Review of Father Stu (2022)

By Joe121212121212 (1) on 22 Apr 2022

Wonderful movie about an inspiring man. bad ratings are from liberals and democrats…

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Review of Fantastic Beasts: The Secrets of Dumbledore (2022)

By Paolomacc (1) on 22 Apr 2022

Molto piacevole, risponde ai quesiti sollevati dal capitolo precedente. Ambientazioni come sempre spettacolari. Ha scene di bellezza fuori dal comune…

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Review of Fantastic Beasts: The Secrets of Dumbledore (2022)

By Jeffersonpido98 (1) on 22 Apr 2022

Nice movie, must watch. But I suggest that they must add some verbal spells to gain more intensity to some action scenes…

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Review of How It Ends (2018)

By Relik78 (1) on 22 Apr 2022

Taking the anticlimax to new heights, How It Ends tells you everything except how it ends. Do yourself a favour and watch any other movie…

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Review of xXx: Return of Xander Cage (2017)

By Jackjay (1) on 22 Apr 2022

No concept, bad acting by many of the actors…

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Review of Sonic the Hedgehog 2 (2022)

By Dakotatomlin (1) on 22 Apr 2022

This movie is awesome!!!!!!!! This is probably the best video game movie in years…

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Review of Morbius (2022)

By Muggaming (1) on 22 Apr 2022

The morbius movie is a movie of all time, jared leto playing morbius was the best thing I have ever seen…

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Review of Morbius (2022)

By Daroberts0524 (1) on 22 Apr 2022

This movie was not given a chance. People went into the movie already assuming it was going to be bad. I rather enjoyed it…

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Review of Kiss of Death (1995)

By Kenneth Turan (2,323) for Los Angeles Times (12,977) on 21 Apr 2022

With a fine piece of work in his hands, Schroeder has brought all his skill to bear on Kiss of Death, and it has made all the difference…

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Review of Marvelous and the Black Hole (2022)

By Roger Moore (6,008) for Movie Nation (3,875) on 21 Apr 2022

There’s not a whole lot to this, but Tsang injects a lot of visual variety, and a few laughs, into “The Black Hole” that Sammy must magically…

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Review of Polar Bear (2022)

By Roger Moore (6,008) for Movie Nation (3,875) on 21 Apr 2022

Veteran British nature documentarian Alastair Fothergill and his “Penguins” director partner Jeff Wilson give us a sober-minded call to…

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Review of Brut Force (2022)

By Roger Moore (6,008) for Movie Nation (3,875) on 21 Apr 2022

Not every player has the screen presence of our leading lady, so director Symington never lets a scene go by that Lelia Symington isn’t in…

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Review of Dancing on Glass (2022)

By Roger Moore (6,008) for Movie Nation (3,875) on 21 Apr 2022

The picture’s meandering story told at a quiet, balletic pace rob it of much of the intensity that such Warning Labels for Ballet movies thrive on…

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Review of All Hail (2022)

By Roger Moore (6,008) for Movie Nation (3,875) on 21 Apr 2022

Director Carnevale and screenwriters Fernando Balmayor and Nicolás Giacobone (“Birdman”) completely and utterly lose the thread in the…

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Review of The Taming of the Shrewd (2022)

By Roger Moore (6,008) for Movie Nation (3,875) on 21 Apr 2022

Mountain goat attacks, bee shenanigans, squabbling conspirators and boorish local tourism appeals from a town that isn’t quite popular, isn’t…

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Review of Hatching (2022)

By Roger Moore (6,008) for Movie Nation (3,875) on 21 Apr 2022

Hatching, titled Pahanhautoja in Finnish, is a sins-of-the-mother creature feature parable played out in blunt, gruesome strokes in director…

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Review of Night Drive (2022)

By Roger Moore (6,008) for Movie Nation (3,875) on 21 Apr 2022

Even with the conspiracy and implied frame-up plot unfolding, the first hundred minutes of this “Drive” is too timid to deserve its over-the-top…

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Review of Night Drive (2022)

By Roger Moore (6,008) for Movie Nation (3,875) on 21 Apr 2022

Even with the conspiracy and implied frame-up plot unfolding, the first hundred minutes of this “Drive” is too timid to deserve its over-the-top…

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Review of Playground (2022)

By Peter Bradshaw (3,667) for The Guardian (2,969) on 21 Apr 2022

At just 72 minutes, this is a brief, intense feature: it’s possible that Wandel envisaged it as even shorter than it actually is, and perhaps…

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