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Review of Memory (2022)

By Roger Moore (6,008) for Movie Nation (3,875) on 27 Apr 2022

It’s still a half-decent movie, closer to Neeson’s late-career “Taken” peak than his most recent films…

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Review of I Love America (2022)

By Peter Bradshaw (3,667) for The Guardian (2,969) on 27 Apr 2022

Sophie Marceau delivers the cringe in this clunkingly bad LA dating comedy: tin-eared, cliched, unfunny and misjudged in every horribly unconvincing…

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Review of Memory (2022)

By Mick Lasalle (3,303) for San Francisco Chronicle (7,630) on 27 Apr 2022

Neeson also does a good job tracing his character’s cognitive deterioration over the course of the movie…

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Review of Memory (2022)

By Mick Lasalle (3,303) for San Francisco Chronicle (7,630) on 27 Apr 2022

Neeson also does a good job tracing his character’s cognitive deterioration over the course of the movie…

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Review of Memory (2022)

By Mick Lasalle (3,303) for San Francisco Chronicle (7,630) on 27 Apr 2022

Neeson also does a good job tracing his character’s cognitive deterioration over the course of the movie…

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Review of Memory (2022)

By Richard Roeper (2,737) for Chicago Sun-Times (7,580) on 27 Apr 2022

Neeson never phones in his performances, but he’s particularly invested this time around, playing a guy who can be a pure killing machine…

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Review of Memory (2022)

By Richard Roeper (2,737) for Chicago Sun-Times (7,580) on 27 Apr 2022

Neeson never phones in his performances, but he’s particularly invested this time around, playing a guy who can be a pure killing machine…

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Review of Memory (2022)

By Richard Roeper (2,737) for Chicago Sun-Times (7,580) on 27 Apr 2022

Neeson never phones in his performances, but he’s particularly invested this time around, playing a guy who can be a pure killing machine…

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Review of Don't Tell a Soul (2020)

By Jluis_001 (2,242) on 27 Apr 2022

Too contrived for such a simple premise. It's bleak yes, but goes absolutely nowhere, especially with that hollow ending…

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Review of Summer of Soul (...Or, When the Revolution Could Not Be Televised) (2021)

By Jluis_001 (2,242) on 27 Apr 2022

It's an outstanding showcase of African American music as well as a history lesson…

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Review of Bigbug (2022)

By Jluis_001 (2,242) on 27 Apr 2022

It's a proposal outside of more conventional standards, certainly that has merit, but it's unable to generate any kind of genuine emotion that…

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Review of Memory (2022)

By Bill Goodykoontz (2,123) for Arizona Republic (3,909) on 27 Apr 2022

Memory is a good-enough movie that could have been a lot better. Neeson is to thank for most of the good…

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Review of Memory (2022)

By Bill Goodykoontz (2,123) for Arizona Republic (3,909) on 27 Apr 2022

Memory is a good-enough movie that could have been a lot better. Neeson is to thank for most of the good…

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Review of Memory (2022)

By Bill Goodykoontz (2,123) for Arizona Republic (3,909) on 27 Apr 2022

Memory is a good-enough movie that could have been a lot better. Neeson is to thank for most of the good…

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Review of Memory (2022)

By Michael O'sullivan (1,712) for Washington Post (9,851) on 27 Apr 2022

Memory is by no means a deep film. But there’s something here that lends the familiar proceedings a bittersweet aftertaste that lingers in the mind…

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Review of Memory (2022)

By Michael O'sullivan (1,712) for Washington Post (9,851) on 27 Apr 2022

Memory is by no means a deep film. But there’s something here that lends the familiar proceedings a bittersweet aftertaste that lingers in the mind…

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Review of Memory (2022)

By Michael O'sullivan (1,712) for Washington Post (9,851) on 27 Apr 2022

Memory is by no means a deep film. But there’s something here that lends the familiar proceedings a bittersweet aftertaste that lingers in the mind…

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Review of Playground (2022)

By Robbie Collin (1,612) for The Telegraph (1,120) on 27 Apr 2022

Vitally, Wandel doesn’t ramp up the misery here for dramatic effect, but rather successfully makes the fairly everyday unpleasantness feel…

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Review of Playground (2022)

By Robbie Collin (1,612) for The Telegraph (1,120) on 27 Apr 2022

Vitally, Wandel doesn’t ramp up the misery here for dramatic effect, but rather successfully makes the fairly everyday unpleasantness feel…

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Review of Memory (2022)

By Peter Debruge (1,557) for Variety (12,700) on 27 Apr 2022

In the end, “Memory” isn’t terribly convincing, but it’s at least trying for something more serious than most…

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