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Review of Crush (2022)

By Christy Lemire (1,262) for RogerEbert.com (5,563) on 29 Apr 2022

Despite the familiar settings and tropes in director Sammi Cohen’s debut feature film, Crush feels refreshingly contemporary…

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Review of Crush (2022)

By Christy Lemire (1,262) for RogerEbert.com (5,563) on 29 Apr 2022

Despite the familiar settings and tropes in director Sammi Cohen’s debut feature film, Crush feels refreshingly contemporary…

Read Review

Review of Crush (2022)

By Christy Lemire (1,262) for RogerEbert.com (5,563) on 29 Apr 2022

Despite the familiar settings and tropes in director Sammi Cohen’s debut feature film, Crush feels refreshingly contemporary…

Read Review

Review of Memory (2022)

By Peter Sobczynski (1,159) for RogerEbert.com (5,563) on 29 Apr 2022

Memory is a little better than the majority of Neeson’s recent action excursions and there's a chance it may prove to be better than most…

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Review of Memory (2022)

By Peter Sobczynski (1,159) for RogerEbert.com (5,563) on 29 Apr 2022

Memory is a little better than the majority of Neeson’s recent action excursions and there's a chance it may prove to be better than most…

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Review of Take Me to the River: New Orleans (2022)

By Peter Sobczynski (1,159) for RogerEbert.com (5,563) on 29 Apr 2022

Take Me to the River: New Orleans is essentially a feature-length version of a commercial put out by the city’s tourism board hoping to lure…

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Review of Memory (2022)

By Peter Sobczynski (1,159) for RogerEbert.com (5,563) on 29 Apr 2022

Memory is a little better than the majority of Neeson’s recent action excursions and there's a chance it may prove to be better than most…

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Review of The Lady of Heaven (2021)

By Donald Clarke (1,051) for The Irish Times (483) on 29 Apr 2022

It is made with respect. It has educational value…

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Review of Memory (2022)

By Bilge Ebiri (1,050) for New York Magazine (Vulture) (3,519) on 29 Apr 2022

In the end, Memory’s greatest asset might be that it knows exactly what it is — a fun combination of sleazoid action and surprising emotion…

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Review of Vortex (2021)

By Bilge Ebiri (1,050) for New York Magazine (Vulture) (3,519) on 29 Apr 2022

There’s an unflinching, near-clinical relentlessness to the picture, but therein lies its compassion and empathy…

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Review of Memory (2022)

By Bilge Ebiri (1,050) for New York Magazine (Vulture) (3,519) on 29 Apr 2022

In the end, Memory’s greatest asset might be that it knows exactly what it is — a fun combination of sleazoid action and surprising emotion…

Read Review

Review of Memory (2022)

By Bilge Ebiri (1,050) for New York Magazine (Vulture) (3,519) on 29 Apr 2022

In the end, Memory’s greatest asset might be that it knows exactly what it is — a fun combination of sleazoid action and surprising emotion…

Read Review

Review of Vortex (2022)

By Bilge Ebiri (1,050) for New York Magazine (Vulture) (3,519) on 29 Apr 2022

There’s an unflinching, near-clinical relentlessness to the picture, but therein lies its compassion and empathy…

Read Review

Review of Crush (2022)

By Amy Nicholson (961) for The New York Times (9,847) on 29 Apr 2022

It is clear from the offset which sibling will win both Paige’s affection and the obligatory climactic smooch. The journey there can drag…

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Review of Crush (2022)

By Amy Nicholson (961) for The New York Times (9,847) on 29 Apr 2022

It is clear from the offset which sibling will win both Paige’s affection and the obligatory climactic smooch. The journey there can drag…

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Review of Crush (2022)

By Amy Nicholson (961) for The New York Times (9,847) on 29 Apr 2022

It is clear from the offset which sibling will win both Paige’s affection and the obligatory climactic smooch. The journey there can drag…

Read Review

Review of Crush (2022)

By Amy Nicholson (961) for The New York Times (9,847) on 29 Apr 2022

It is clear from the offset which sibling will win both Paige’s affection and the obligatory climactic smooch. The journey there can drag…

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Review of 10 to Midnight (1983)

By Broyax (884) on 29 Apr 2022

Le titre peut induire en erreur, car il ne s’agit pas d’une resucée du « Justicier dans la ville » typique au cours duquel Bronson va…

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Review of Vortex (2022)

By Richard Brody (868) for The New Yorker (1,837) on 29 Apr 2022

For all its observational realism, Vortex is a message movie, a work of philosophical art that packs a grim view not merely of old age but…

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Review of Vortex (2021)

By Richard Brody (868) for The New Yorker (1,837) on 29 Apr 2022

For all its observational realism, Vortex is a message movie, a work of philosophical art that packs a grim view not merely of old age but…

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