Last updated: 01 Oct 2026 at 13:57 UTC
Review of Hatching (2022)
By Mick Lasalle (3,303) for San Francisco Chronicle (7,630) on 03 May 2022
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Review of Doctor Strange in the Multiverse of Madness (2022)
By Owen Gleiberman (3,271) for Variety (12,700) on 03 May 2022
By Richard Roeper (2,737) for Chicago Sun-Times (7,580) on 03 May 2022
By Stephanie Zacharek (2,333) for Time (1,811) on 03 May 2022
By Bill Goodykoontz (2,123) for Arizona Republic (3,909) on 03 May 2022
By Michael O'sullivan (1,712) for Washington Post (9,851) on 03 May 2022
Review of Petite Maman (2021)
By Robbie Collin (1,612) for The Telegraph (1,120) on 03 May 2022
By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 03 May 2022
Review of Black Site (2022)
By Jeannette Catsoulis (1,537) for The New York Times (9,847) on 03 May 2022
By Justin Chang (1,535) for Los Angeles Times (12,977) on 03 May 2022
Review of The Duke (2021)
By Rex Reed (1,506) for Observer (1,042) on 03 May 2022
By Tim Grierson (1,482) for Screen Daily (1,021) on 03 May 2022
By Alonso Duralde (1,351) for TheWrap (3,203) on 03 May 2022
By John Defore (1,351) for The Hollywood Reporter (7,050) on 03 May 2022
By David Ehrlich (1,229) for IndieWire (3,631) on 03 May 2022
Review of The Unbearable Weight of Massive Talent (2022)
By Compi24 (1,147) on 03 May 2022
By Donald Clarke (1,051) for The Irish Times (483) on 03 May 2022
By Brian Lowry (913) for CNN (497) on 03 May 2022
By David Fear (910) for Rolling Stone (4,035) on 03 May 2022
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