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Review of Cordelia! (2022)

By Glenn Kenny (1,728) for RogerEbert.com (5,563) on 20 May 2022

Sometimes the walls don’t have to be closing in to create an oppressive atmosphere. Sometimes it’s just enough to have the wallpaper closing in…

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Review of Cordelia (2022)

By Glenn Kenny (1,728) for RogerEbert.com (5,563) on 20 May 2022

Sometimes the walls don’t have to be closing in to create an oppressive atmosphere. Sometimes it’s just enough to have the wallpaper closing in…

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Review of Armageddon Time (2022)

By Tim Robey (1,578) for The Telegraph (1,120) on 20 May 2022

Gray has taken a dicey risk here, by thinking through white guilt from such an unapologetically personal place…

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Review of Three Thousand Years of Longing (2022)

By Peter Debruge (1,557) for Variety (12,700) on 20 May 2022

These days, audiences are so savvy about the tricks at a filmmaker’s disposal that the movie’s greatest achievement is that it seizes our…

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Review of Three Thousand Years of Longing (2022)

By Tim Grierson (1,482) for Screen Daily (1,021) on 20 May 2022

Hardly lacking ambition or verve, this amped-up fairy tale comes complete with social commentary and a grownup examination of the consequences…

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Review of Like a Rolling Stone: The Life & Times of Ben Fong-Torres (2021)

By Robert Abele (1,309) for Los Angeles Times (12,977) on 20 May 2022

When rock star wattage is the focus, “Like a Rolling Stone” doesn’t distinguish itself, but when Kai finds those ties in Fong-Torres’…

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Review of Three Thousand Years of Longing (2022)

By David Ehrlich (1,229) for IndieWire (3,631) on 20 May 2022

In fact, the two stars are so sweet and searching together — their characters’ respective power and mutual solitude pulling them together…

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Review of Downton Abbey: A New Era (2022)

By Mike Scott (1,178) for New Orleans Times-Picayune (573) on 20 May 2022

Charming as it all is, don’t expect A New Era to win many awards or break box office records…

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Review of Deception (2022)

By Peter Sobczynski (1,159) for RogerEbert.com (5,563) on 20 May 2022

To give Deception, the latest attempt to bring Roth to the screen, a little bit of credit, it does come closer than most to rendering his prose…

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Review of Deception (2022)

By Peter Sobczynski (1,159) for RogerEbert.com (5,563) on 20 May 2022

To give Deception, the latest attempt to bring Roth to the screen, a little bit of credit, it does come closer than most to rendering his prose…

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Review of Benediction (2022)

By Donald Clarke (1,051) for The Irish Times (483) on 20 May 2022

The two performances, rather than playing in a continuum, work as contrasting sides of a fractured psyche…

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Review of Benediction (2021)

By Donald Clarke (1,051) for The Irish Times (483) on 20 May 2022

The two performances, rather than playing in a continuum, work as contrasting sides of a fractured psyche…

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Review of Torn Hearts (2022)

By Matt Donato (975) for Paste Magazine (2,906) on 20 May 2022

Grant packs plenty into Torn Hearts’ double-barrel approach, and assures herself as a director who knows her way around a joyfully dark midnighter…

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Review of Three Thousand Years of Longing (2022)

By David Rooney (943) for The Hollywood Reporter (7,050) on 20 May 2022

While there’s a liberal sprinkling of humor, the mysteries it conjures are windy and academic, though not the kind of academic that stands…

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Review of Downton Abbey: A New Era (2022)

By Brian Lowry (913) for CNN (497) on 20 May 2022

Elegant, occasionally adorable and at times quite emotional, series creator Julian Fellowes still knows how to pluck the right strings –…

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Review of Torn Hearts (2022)

By Jared Mobarak (867) for The Film Stage (3,162) on 20 May 2022

Sagal delivers a captivating antagonist as a result…

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Review of Chip 'n Dale: Rescue Rangers (2022)

By Alison Willmore (681) for New York Magazine (Vulture) (3,519) on 20 May 2022

What it is, really, is a showbiz satire about media ownership and our nostalgia fixation, though it muddles its message before the tone gets…

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Review of Downton Abbey: A New Era (2022)

By Richard Lawson (539) for Vanity Fair (761) on 20 May 2022

A New Era really, really should be the end of Downton Abbey, but I’d happily watch these freaks stumbling through the 1930s if they were…

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Review of Three Thousand Years of Longing (2022)

By Richard Lawson (539) for Vanity Fair (761) on 20 May 2022

It’s a curious film, messy in all its ambition but consistently transfixing, an earnest labor of love—and one about love…

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Review of Family Camp (2022)

By Nicolas Rapold (488) for The New York Times (9,847) on 20 May 2022

Dad humor abounds in Family Camp, a vanishingly mild comedy that resembles other films about parents and kids bumbling in the wilderness…

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