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Review of Emergency (2022)

By St3Phaniie (1) on 23 May 2022

This movie was sooo good. the first half had me laughing and then I was crying. the friendship in this is beautiful…

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Review of Firestarter (2022)

By Docbmac (1) on 23 May 2022

Horrible! Major let-down as when compared to the original, and although it had major shoes to fill they knew the risk…

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Review of Pretty Woman (1990)

By Andrewniihyiz (1) on 23 May 2022

I've been familiar with the film since I was a child. I watched it many times…

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Review of West Side Story (2021)

By Ainzooalgown (1) on 23 May 2022

The movie was supposed to be portrayed as the original but made a few changes in the scripts…

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Review of Morbius (2022)

By Srtolertus (1) on 23 May 2022

Before April 2022, I was Homeless, with no Family, no Job, nothing left for me. Then, another person gave me Tickets for Morbius…

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Review of Morbius (2022)

By Analarana (1) on 23 May 2022

It is truly an amazing movie. It really shows the improvement of the CGI in Marvel Studio over the past years…

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Review of Everything Everywhere All at Once (2022)

By Dashaaff (1) on 23 May 2022

Brilliant film, highly imaginative and moving at times. Perhaps too long, but I never felt it dragging…

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Review of Triangle of Sadness (2022)

By Peter Bradshaw (3,667) for The Guardian (2,969) on 22 May 2022

Strident, derivative and dismayingly deficient in genuine laughs, Ruben Östlund’s new movie is a heavy-handed Euro-satire, without the subtlety…

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Review of Aftersun (2022)

By Peter Bradshaw (3,667) for The Guardian (2,969) on 22 May 2022

With remarkable confidence, [Wells] just lets her movie unspool naturally, like a haunting and deceptively simple short story…

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Review of Aftersun (2022)

By Peter Bradshaw (3,667) for The Guardian (2,969) on 22 May 2022

With remarkable confidence, [Wells] just lets her movie unspool naturally, like a haunting and deceptively simple short story…

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Review of One Fine Morning (2022)

By Peter Bradshaw (3,667) for The Guardian (2,969) on 22 May 2022

For all its tendency to soap opera, it has a lovely happy-sad sweetness…

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Review of Triangle of Sadness (2022)

By Robbie Collin (1,612) for The Telegraph (1,120) on 22 May 2022

The points of Östlund’s Triangle are far from subtle…

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Review of Aftersun (2022)

By Tim Robey (1,578) for The Telegraph (1,120) on 22 May 2022

The film has a beguiling looseness – it captures that familiar holiday feeling of good days and bad days, or moods turning for no particular…

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Review of Aftersun (2022)

By Tim Robey (1,578) for The Telegraph (1,120) on 22 May 2022

The film has a beguiling looseness – it captures that familiar holiday feeling of good days and bad days, or moods turning for no particular…

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Review of One Fine Morning (2022)

By Tim Robey (1,578) for The Telegraph (1,120) on 22 May 2022

Seydoux has unfakeable chemistry here with a perfect-as-usual Poupaud, the leading man in French cinema who seems most incapable of putting…

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Review of Triangle of Sadness (2022)

By Peter Debruge (1,557) for Variety (12,700) on 22 May 2022

The thing about Östlund is that he makes you laugh, but he also makes you think…

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Review of Three Thousand Years of Longing (2022)

By Justin Chang (1,535) for Los Angeles Times (12,977) on 22 May 2022

The individual tales, though ornamented with all manner of fabulous CGI curlicues, are overly busy and only mildly involving, and “Three…

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Review of Triangle of Sadness (2022)

By Justin Chang (1,535) for Los Angeles Times (12,977) on 22 May 2022

In the blunt, sprawling, nearly 2 1/2-hour Triangle of Sadness, [Östlund] ascends to new levels of moral disgust while descending to new lows…

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Review of Emergency (2022)

By Wendy Ide (1,500) for The Observer (UK) (826) on 22 May 2022

Carey Williams’s smart satire of the daily realities of racial profiling is a switchback ride that lurches between comedy and nerve-shredding…

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Review of One Fine Morning (2022)

By Katie Walsh (1,279) for TheWrap (3,203) on 22 May 2022

Like a weaver on a loom, Hansen-Løve loops these moments together, threading small moments of thought-provoking social commentary throughout,…

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