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Review of Top Gun: Maverick (2022)

By Peter Travers (3,602) for ABC News (186) on 27 May 2022

The sequel is still unapologetically rah-rah about American imperialism, but who cares…

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Review of Top Gun: Maverick (2022)

By Peter Rainer (2,575) for Christian Science Monitor (3,788) on 27 May 2022

Top Gun: Maverick is a perfectly tolerable time-killer, and I enjoy popcorn as much as anyone, but I just hope these won’t be the only kinds…

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Review of Jazz Fest: A New Orleans Story (2022)

By Nell Minow (2,357) for RogerEbert.com (5,563) on 27 May 2022

After the pure joy of the musical numbers, the best thing about this movie is that even with all of its abundance it leaves you wanting more…

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Review of Top Gun: Maverick (2022)

By Jluis_001 (2,242) on 27 May 2022

Many times the entertainment that doesn't seek to be complicated tends to be very relaxed and ends up being rather poor and, of course, completely…

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Review of V/H/S (2012)

By Josh Larsen (2,042) for LarsenOnFilm (1,412) on 27 May 2022

V/H/S is icky stuff that doesn’t deserve a pass just because the awful men in it get what’s coming to them…

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Review of We Feed People (2022)

By Glenn Kenny (1,728) for RogerEbert.com (5,563) on 27 May 2022

It’s refreshing to see an account of a famous food guy who doesn’t wallow in his own character defects…

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Review of The Bob's Burgers Movie (2022)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 27 May 2022

On the fresh side of the bun, The Bob’s Burgers Movie is briskly plotted and nails the big heart and wonderful characters of the beloved…

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Review of Broker (2022)

By Tim Robey (1,578) for The Telegraph (1,120) on 27 May 2022

All his usual strengths fail him in a different culture here, perhaps because the veneer of venal cynicism that ought to be the film’s top…

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Review of Broker (2022)

By Peter Debruge (1,557) for Variety (12,700) on 27 May 2022

Kore-eda is surprisingly generous toward his characters, nearly all of whom are breaking the law, but whose fundamental decency is brought…

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Review of Broker (2022)

By Tim Grierson (1,482) for Screen Daily (1,021) on 27 May 2022

As often with Kore-eda’s pictures, Broker is about family, but it extends beyond that theme to talk about fundamental aspects of life —…

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Review of Top Gun: Maverick (2022)

By Compi24 (1,147) on 27 May 2022

Honestly, the hype this had coming out of Cannes had me a bit worried…

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Review of Good Boys (2019)

By Dawdlingpoet (1,123) on 27 May 2022

This is a pretty typical Superbad typer film, with young teens…

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Review of Top Gun: Maverick (2022)

By Donald Clarke (1,051) for The Irish Times (483) on 27 May 2022

In short, Kosinski and his team have accomplished their odd, hybrid mission more impressively than should have been possible…

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Review of The Bob's Burgers Movie (2022)

By Donald Clarke (1,051) for The Irish Times (483) on 27 May 2022

The amiable big-screen spin-off will satisfy fans but – unlike, say, The Inbetweeners Movie – is unlikely to win over those unfamiliar…

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Review of Broker (2022)

By David Rooney (943) for The Hollywood Reporter (7,050) on 27 May 2022

Much of this might have been formulaic in less artful hands, but Kore-eda has an unfaltering lightness of touch, a way of injecting emotional…

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Review of Operation Mincemeat (2022)

By Alejandro970 (859) on 27 May 2022

This real episode of the Second World War is made according to the formula of the war genre…

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Review of Zero Contact (2022)

By William Bibbiani (788) for TheWrap (3,203) on 27 May 2022

It’s a film full of boring conversations, daft sci-fi conceits, and confusing suspense, which add up to practically nothing. “Zero” indeed…

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Review of A Chiara (2021)

By Simon Abrams (730) for RogerEbert.com (5,563) on 27 May 2022

Carpignano’s impressionistic plot and pseudo-naturalistic style also tends to boil down human emotions so as to only suggest rather than…

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Review of Showing Up (2023)

By Neil Smith (699) for Total Film (3,532) on 27 May 2022

Reichardt and Williams reunite to muted effect to create a portrait of an artist that feels a little unfinished…

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Review of Emergency (2022)

By Mauro_Lanari (665) on 27 May 2022

(Mauro Lanari) The daily news is overflowing with facts like these, no need to exasperate them artificially with a script awarded at festivals…

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