Browse Movie Reviews - Page 1,831 of 258,691

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Review of Showing Up (2023)

By Tim Robey (1,578) for The Telegraph (1,120) on 28 May 2022

Achieving the gossamer profundity of one of Alice Munro’s short stories, her film is about the uninterrogated privileges success brings and…

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Review of War Pony (2023)

By Peter Debruge (1,557) for Variety (12,700) on 28 May 2022

If Larry Clark had ever found his way onto the Pine Ridge Reservation, he probably would have come away with a film like “War Pony,” which…

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Review of Ava (2017)

By Wendy Ide (1,500) for Screen Daily (1,021) on 28 May 2022

Along with its arresting visual sense – the film is handsomely shot on 35mm – it can boast a robust resistance to the cinematic cliches…

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Review of Funny Pages (2022)

By Tim Grierson (1,482) for Screen Daily (1,021) on 28 May 2022

The prickly protagonists of Funny Pages would not be pleasant company in real life, but writer-director Owen Kline’s proudly dyspeptic feature…

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Review of Showing Up (2023)

By Tim Grierson (1,482) for Screen Daily (1,021) on 28 May 2022

Like the distinctive artwork made by Showing Up’s sculptor protagonist, Kelly Reichardt’s eighth feature is beautifully crafted, a modest…

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Review of Showing Up (2023)

By David Ehrlich (1,229) for IndieWire (3,631) on 28 May 2022

As with Lizzy’s sculptures, which go into the kiln all mottled and damp but come out glistening with new layers of color, Showing Up is transformed…

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Review of Hotel Mumbai (2019)

By Dawdlingpoet (1,123) on 28 May 2022

This is a pretty decent action thriller film…

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Review of God's Creatures (2022)

By David Rooney (943) for The Hollywood Reporter (7,050) on 28 May 2022

The evocative sense of a place frozen in time and the raw feelings behind the family dynamic ultimately carry the film…

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Review of Showing Up (2023)

By David Rooney (943) for The Hollywood Reporter (7,050) on 28 May 2022

This beautifully acted, expertly modulated film is a work of such enveloping gentleness that even the worst crises are simply absorbed into…

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Review of C'mon C'mon (2021)

By Alejandro970 (859) on 28 May 2022

No one said babysitting was easy, right…

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Review of Taxi Driver (1976)

By Filipeneto (856) on 28 May 2022

“Are you talking to me…

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Review of Taxi Driver (1976)

By Filipeneto (856) on 28 May 2022

“Are you talking to me…

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Review of Ava (2017)

By Leslie Felperin (768) for The Hollywood Reporter (7,050) on 28 May 2022

Mysius loses control of the tone, and the wayward direction of the last half hour, which unfolds mostly at a gypsy wedding and goes on 15 minutes…

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Review of God's Creatures (2022)

By Guy Lodge (731) for Variety (12,700) on 28 May 2022

The film’s formal flourishes are modest, centering the actors ahead of all else…

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Review of Funny Pages (2022)

By Neil Smith (699) for Total Film (3,532) on 28 May 2022

It has an unpredictability that keeps you on your toes and a bitter pathos that gives every laugh (of which there are many) a note of tragic despair…

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Review of God's Creatures (2022)

By Kate Erbland (681) for IndieWire (3,631) on 28 May 2022

This is Aileen’s story and when “God’s Creatures” makes the odd choice to turn away from her just as things are reaching a fever pitch,…

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Review of War Pony (2023)

By Kate Erbland (681) for IndieWire (3,631) on 28 May 2022

Despite the apparent care and respect that went into Keough and Gammell’s film, “War Pony” also makes clear how very far there is still…

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Review of Showing Up (2023)

By Anna Smith (519) for Time Out (7,510) on 28 May 2022

From Certain Women to First Cow, Reichardt has delivered some deep and powerful storytelling, and seeing her commit more fully to her lighter…

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Review of Riding the Bullet (2004)

By Eva3Si0N (403) on 28 May 2022

Riding the Bullet is not the best thriller based on the novel by Stephen King…

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Review of Showing Up (2023)

By Rodrigo Perez (382) for The Playlist (3,871) on 28 May 2022

Like the discreet, uncluttered canvass of her works— minimalist, spare, and with just enough inviting details to inspire your curiosity—Reichardt…

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