Browse Movie Reviews - Page 1,794 of 258,691

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Review of The Dark Knight (2008)

By Johncenafan48 (3) on 08 Jun 2022

This is probably my 2nd favorite movie of all time. My favorite superhero movie. The acting is amazing…

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Review of Top Gun: Maverick (2022)

By Securion (2) on 08 Jun 2022

Just perfect in every way. Completely devoid of wokeness. An amazing film…

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Review of The Siege of Robin Hood (2022)

By Julesa (1) on 08 Jun 2022

Loved The Siege of Robin Hood! Fab action, comedy, careful character arcs, and evocative music score…

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Review of Wrath of Man (2021)

By The_Movie_Guy (1) on 08 Jun 2022

I was super excited to watch this movie…

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Review of Morbius (2022)

By Morbin_Time (1) on 08 Jun 2022

This movie had me morbin all over my screen and movie theater its a 10 out of **** 10 when he said its morbin time I was ready to have a morb…

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Review of Hustle (2022)

By Roger Moore (6,008) for Movie Nation (3,875) on 07 Jun 2022

Sandler’s in a role tailor made for him, and he still lets us see the wheels turning and the effort it takes to make this guy feel real…

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Review of I'm Charlie Walker (2022)

By Roger Moore (6,008) for Movie Nation (3,875) on 07 Jun 2022

I’m Charlie Walker has just enough “feel good” and “that’ll show them” elements to get by…

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Review of The Lost Girls (2022)

By Roger Moore (6,008) for Movie Nation (3,875) on 07 Jun 2022

The film is something of an unemotional muddle, never quite finding the heart of mother-daughter love it so seems to want to test in this story…

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Review of Bergman Island (2021)

By Peter Bradshaw (3,667) for The Guardian (2,969) on 07 Jun 2022

A valuable if slightly passionless and reticent movie…

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Review of I'm Charlie Walker (2022)

By Mick Lasalle (3,303) for San Francisco Chronicle (7,630) on 07 Jun 2022

The movie is so enamored of Walker, and Colter radiates so much charisma and pleasant mischief in the role, that it takes about half the running…

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Review of Relative (2022)

By Richard Roeper (2,737) for Chicago Sun-Times (7,580) on 07 Jun 2022

The gifted writer-director Michael Glover Smith (“Mercury in Retrograde,” “Rendezvous in Chicago”) continues to grow as a filmmaker,…

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Review of Relative (2022)

By Richard Roeper (2,737) for Chicago Sun-Times (7,580) on 07 Jun 2022

The gifted writer-director Michael Glover Smith (“Mercury in Retrograde,” “Rendezvous in Chicago”) continues to grow as a filmmaker,…

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Review of Hustle (2022)

By Glenn Kenny (1,728) for RogerEbert.com (5,563) on 07 Jun 2022

If Hustle passes around a lot of sports movie cliches, it does so with a light touch…

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Review of Dashcam (2022)

By Wendy Ide (1,500) for The Observer (UK) (826) on 07 Jun 2022

Best seen in a cinema with the rowdiest audience you can find…

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Review of Hustle (2022)

By Wendy Ide (1,500) for The Observer (UK) (826) on 07 Jun 2022

This is quality film-making, with enough that’s distinctive – Dan Deacon’s score is a pulsing, panicky jolt of energy – to appeal beyond…

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Review of Bergman Island (2021)

By Wendy Ide (1,500) for The Observer (UK) (826) on 07 Jun 2022

Bergman Island has a languid, meandering pace and a plot that is governed by chance encounters and discoveries…

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Review of Block Party (2022)

By Katie Walsh (1,279) for TheWrap (3,203) on 07 Jun 2022

Block Party is a lightweight comedy that frustrates because there’s the potential for it to be great, to resonate beyond its blandly formulaic…

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Review of Funny Face (1957)

By Kevin Thomas (1,201) for Los Angeles Times (12,977) on 07 Jun 2022

You can argue with the movie in your head, even while you admit—say, when Dick and Jo dance their way across a stream by lightly stepping…

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Review of The Bad Guys (2022)

By Compi24 (1,147) on 07 Jun 2022

Easily one of the bigger surprises of the year for me, DreamWorks Animation's heist comedy The Bad Guys contains some of the best-looking and…

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Review of I'm Charlie Walker (2022)

By Brent Simon (1,142) for The A.V. Club (5,644) on 07 Jun 2022

It is a bewildering misfire which roundly illustrates the differences between a historically under-told story which arguably should be amplified…

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