Browse Movie Reviews - Page 1,731 of 258,691

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Review of Lightyear (2022)

By Fu3Kea (1) on 21 Jun 2022

As long as political agendas keep being forced into movies I will keep rating a zero. These political agendas are catering to a minority…

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Review of Lightyear (2022)

By Metacritccorupt (1) on 21 Jun 2022

It's a shame that agenda-pushing is what Pixar has become. What used to be a wholesome studio has turned into a politically-driven sham…

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Review of Lightyear (2022)

By Bvip (1) on 21 Jun 2022

Not going to watch it in our home or in the theatre, adding a LGBT action in a kids movie is completely unnecessary…

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Review of Lightyear (2022)

By Razhyel (1) on 21 Jun 2022

Very bad…

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Review of Lightyear (2022)

By Bryanpierre (1) on 21 Jun 2022

**** absolute very very bad no its good for kids WTF its so boring I disappointment…

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Review of Hustle (2022)

By P4T13Nc3 (1) on 21 Jun 2022

I sincerely enjoyed this movie more than I thought I would...Also…

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Review of Doctor Strange in the Multiverse of Madness (2022)

By Dakyrlz (1) on 21 Jun 2022

The movie is about nothing, beautiful graphics and effects and that's all there is to say about the film…

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Review of Blowback (2022)

By Roger Moore (6,008) for Movie Nation (3,875) on 20 Jun 2022

The leads aren’t bad, but this script is fatally flawed and you’d hope they’d notice that before the camera rolls…

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Review of Collision (2022)

By Roger Moore (6,008) for Movie Nation (3,875) on 20 Jun 2022

Collision is the title of this South African variation on an Oscar winning theme…

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Review of The Witch: Part 2. The Other One (2022)

By Roger Moore (6,008) for Movie Nation (3,875) on 20 Jun 2022

Once it finally gets going, The Witch: Part 2, the Other One is impressive…

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Review of Swap Me, Baby (2022)

By Roger Moore (6,008) for Movie Nation (3,875) on 20 Jun 2022

It’s a stoner “Catastrophe,” for those who remember that Sharon Horgan/Rob Delaney TV series of a few years back — trippier and raunchier…

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Review of Heart Parade (2022)

By Roger Moore (6,008) for Movie Nation (3,875) on 20 Jun 2022

This dog never manages much more than a waddle…

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Review of Murder at Yellowstone City (2022)

By Roger Moore (6,008) for Movie Nation (3,875) on 20 Jun 2022

The results aren’t great…

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Review of Moon, 66 Questions (2022)

By Roger Moore (6,008) for Movie Nation (3,875) on 20 Jun 2022

It’s a self-consciously-filmed soft-spoken drama about family, family responsibilities and family secrets, and truthfully a rather drab affair…

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Review of Moon, 66 Questions (2022)

By Peter Bradshaw (3,667) for The Guardian (2,969) on 20 Jun 2022

Kokkali persuasively enacts both the emotional hurt and emotional healing…

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Review of Faya Dayi (2021)

By Peter Bradshaw (3,667) for The Guardian (2,969) on 20 Jun 2022

When the wisps of khat smoke clear away, it is perhaps not easy to decide exactly what is left behind, or to decide if khat is a cultural practice…

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Review of The Black Phone (2022)

By Owen Gleiberman (3,271) for Variety (12,700) on 20 Jun 2022

It’s a horror ride that holds you, and it should have no trouble carving out an audience, but I didn’t find it particularly scary…

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Review of Elvis (2022)

By Richard Roeper (2,737) for Chicago Sun-Times (7,580) on 20 Jun 2022

If you thought the magnificently flamboyant Luhrmann was well-suited to put the flashiest of spins on “The Great Gatsby,” you can imagine…

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Review of Good Luck to You, Leo Grande (2022)

By Stephanie Zacharek (2,333) for Time (1,811) on 20 Jun 2022

Good Luck To You, Leo Grande—from Australian director Sophie Hyde, with a script by Katy Brand—is the first great movie, in a long time,…

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Review of Jerry & Marge Go Large (2022)

By Jluis_001 (2,242) on 20 Jun 2022

Although Bryan Cranston and Annette Bening are splendid company as the leads in this story, the film itself cannot hide how mundane it actually…

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