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Review of Minions: The Rise of Gru (2022)

By Clarisse Loughrey (259) for The Independent (259) on 30 Jun 2022

There’s nothing all that special about The Rise of Gru, but it runs like a well-oiled machine…

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Review of Mr Malcolm's List (2022)

By Jocelyn Noveck (253) for The Associated Press (882) on 30 Jun 2022

Of course, you might ask, at a time of such turbulence in the world, what do 19th century upper-class romantic machinations have to do with,…

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Review of Minions: The Rise of Gru (2022)

By Zaki Hasan (247) for San Francisco Chronicle (7,630) on 30 Jun 2022

At 88 minutes, Minions: The Rise of Gru struggles to find enough story to encompass its run time, ending up feeling substantially longer as a result…

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Review of The Man from Toronto (2022)

By Calum Marsh (242) for The New York Times (9,847) on 30 Jun 2022

In The Man From Toronto, directed by Patrick Hughes, the vague sense of location is typical of a broader lack of effort…

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Review of Elvis (2022)

By Aj_13 (170) on 30 Jun 2022

Felt endless. Even though Baz Luhrmann's style remains palpable, Elvis still is your typical music biopic…

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Review of The Forgiven (2022)

By Kim Hughes (164) for Original-Cin (1,156) on 30 Jun 2022

McDonagh’s sumptuous version of the novel —which premiered at TIFF last year — is utterly faithful and thus note perfect, capturing its…

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Review of Minions: The Rise of Gru (2022)

By Josh Spiegel (148) for Polygon (677) on 30 Jun 2022

This is neither a uniquely marvelous film nor a teeth-gnashing pain. It’s OK in the moment, and it evaporates as soon as the end credits roll…

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Review of Sniper: The White Raven (2022)

By Natalia Winkelman (145) for The New York Times (9,847) on 30 Jun 2022

Like many other movies trailing a lone gunslinger, Sniper: The White Raven builds to a tense face-off, which for our hero comes to represent…

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Review of McEnroe (2022)

By David Hughes (139) for Time Out (7,510) on 30 Jun 2022

It’s an unabashed celebration of a maverick talent, with all the highlights you’d expect from an extraordinary career…

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Review of Marcel the Shell with Shoes On (2022)

By Mattyice (134) on 30 Jun 2022

Marcel the Shell with Shoes On is an adorable flick that anyone of any age can really adore…

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Review of Dune (2021)

By Dukejon (132) on 30 Jun 2022

I'm a big fan of the books but this film left me cold. Too long and ponderous, too many flashback scenes, only half the book is covered…

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Review of Dune (1984)

By Dukejon (132) on 30 Jun 2022

A guilty pleasure of mine…

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Review of Sundown (2022)

By Martyn Conterio (121) for CineVue (2,163) on 30 Jun 2022

Sundown is a film full of narrative and emotional surprises, upending the middle-aged bloke having a midlife crisis storyline, with Yves Cape’s…

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Review of Sundown (2022)

By Martyn Conterio (121) for CineVue (2,163) on 30 Jun 2022

Sundown is a film full of narrative and emotional surprises, upending the middle-aged bloke having a midlife crisis storyline, with Yves Cape’s…

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Review of The Sea Beast (2022)

By Leigh Monson (105) for The A.V. Club (5,644) on 30 Jun 2022

Overall, the narrative, performative, and visual splendor of The Sea Beast are enough to vastly outweigh minor issues in presentational consistency…

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Review of The Black Phone (2022)

By Jamess (104) on 30 Jun 2022

Adapted from a story by Stephen King's son and wonderful storyteller himself, Joe Hill, The Black Phone shares themes that Mr…

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Review of The Forgiven (2022)

By Martin Carr (79) for We Got This Covered (2,391) on 30 Jun 2022

The Forgiven should have been an epic morality tale with acres of grey area, but somehow misses its mark, forever scuppered by a cliched ending…

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Review of Marcel the Shell with Shoes On (2022)

By Trace Sauveur (69) for Austin Chronicle (7,653) on 30 Jun 2022

Anchored at the center is such a warm, tenderhearted personality and worldview that sends you out of the other side with a rejuvenated and…

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Review of Office Space (1999)

By Fartdouche (47) on 30 Jun 2022

Great movie, this is Mike Judge at his best, with countless hilarious scenes, quotes and performances…

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Review of Accepted (2022)

By Beandrea July (45) for The New York Times (9,847) on 30 Jun 2022

As we witness both the documentary’s subjects — and its director — navigate a shocking development in real time, a quietly probing film…

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