Browse Movie Reviews - Page 1,679 of 258,691

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Review of Fire of Love (2022)

By Justin Chang (1,535) for Los Angeles Times (12,977) on 06 Jul 2022

The fire of Katia and Maurice Krafft’s obsession consumed them, in no small part, because it ultimately restored their kinship with humanity…

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Review of Mr Malcolm's List (2022)

By Rex Reed (1,506) for Observer (1,042) on 06 Jul 2022

From Ireland, Mr…

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Review of Girl in the Picture (2022)

By Christy Lemire (1,262) for RogerEbert.com (5,563) on 06 Jul 2022

At first, the story is fascinating. Soon, it becomes dizzying. Quickly, it turns sickening. And eventually, it’s heartbreaking…

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Review of Hello, Goodbye, and Everything in Between (2022)

By Lisa Kennedy (833) for The New York Times (9,847) on 06 Jul 2022

For those viewers aged out of the movie’s intended demographic, that quandary isn’t as compelling as the evidence of its lead actors’…

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Review of Fourth of July (2022)

By Barry Hertz (792) for The Globe and Mail (Toronto) (4,018) on 06 Jul 2022

This film is a dud all on its own, a watered down Woody Allen facsimile that is long on F-bombs and short on wit, with an internal logic that…

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Review of Fire of Love (2022)

By William Bibbiani (788) for TheWrap (3,203) on 06 Jul 2022

Fire of Love is a wholly satisfying, overwhelming documentary, as disarming as it is explosive…

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Review of Rubikon (2022)

By Leslie Felperin (768) for The Guardian (2,969) on 06 Jul 2022

While the ensuing sense of despair that overwhelms the drama is credible, it does bring with it a certain sense of torpor that makes the film…

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Review of Fortress: Sniper's Eye (2022)

By Leslie Felperin (768) for The Guardian (2,969) on 06 Jul 2022

Amid all this dross there is a charming scene in where a young couple, played by Natalie Burn and Michael Sirow, banter and giggle: their screen…

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Review of Fire of Love (2022)

By Matt Zoller Seitz (637) for RogerEbert.com (5,563) on 06 Jul 2022

Fire of Love is one of a vanishingly rare breed of documentary that is determined to be total cinema, not just capturing the facts of what…

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Review of The Bad Guys (2022)

By Panchogul (602) on 06 Jul 2022

La mejor película de animación en lo que va del año y de las mejores en general…

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Review of 18½ (2022)

By Cath Clarke (570) for The Guardian (2,969) on 06 Jul 2022

It’s entertaining enough and you never know where the story is headed, but it doesn’t quite hold together…

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Review of Fire of Love (2022)

By Sam Adams (514) for Slate (2,081) on 06 Jul 2022

Like the Maysles’ brothers documentaries about Christo and Jean-Claude, which followed the environmental artists and life partners over the…

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Review of The Sea Beast (2022)

By Lindsey Bahr (430) for The Associated Press (882) on 06 Jul 2022

The Sea Beast is notable for its refusal to dumb itself down for a young audience…

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Review of Donnie Darko (2001)

By Eva3Si0N (403) on 06 Jul 2022

Donnie Darko has become a cult thriller with elements of mysticism…

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Review of Unstoppable (2010)

By Eva3Si0N (403) on 06 Jul 2022

Unstoppable is a great disaster movie. A local disaster, but how it was presented to the viewer…

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Review of National Treasure (2004)

By Eva3Si0N (403) on 06 Jul 2022

National Treasure is a typical adventure film. There is a good cast, a good plot tie and a delusional plot…

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Review of Europa Report (2013)

By Eva3Si0N (403) on 06 Jul 2022

Europa Report is an excellent Sci-Fi film, shot in a pseudo-documentary style. Shooting a movie on camera in a budget is a great solution…

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Review of Dark Star (1974)

By Eva3Si0N (403) on 06 Jul 2022

Dark Star is John Carpenter's debut film. This is a comedy Sci-Fi film from the 70s made on a very tight budget…

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Review of Event Horizon (1997)

By Eva3Si0N (403) on 06 Jul 2022

Event Horizon is a good chamber Sci-Fi thriller. You just shouldn't expect scale and realism from it…

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Review of The Mask (1994)

By Eva3Si0N (403) on 06 Jul 2022

Mask is one of the best comedies of the 90s and in the filmography of Jim Carrey. Great light comedy for the evening. Great comedy of the absurd…

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