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Review of She Will (2022)

By Jessica Kiang (522) for Variety (12,700) on 15 Jul 2022

As a superbly crafted, thematically rich fable, it administers a potent dose of #MeToo vengeance, all while wearing its nasty sense of humor…

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Review of Mrs. Harris Goes to Paris (2022)

By Soren Andersen (496) for The Seattle Times (964) on 15 Jul 2022

Mrs. Harris Goes To Paris is all sweetness and light. So sweet it nearly dissolves one’s fillings, especially at the end…

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Review of She Will (2022)

By Sheila O'malley (474) for RogerEbert.com (5,563) on 15 Jul 2022

She Will isn't exactly a horror movie…

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Review of Don't Make Me Go (2022)

By Benjamin Lee (469) for The Guardian (2,969) on 15 Jul 2022

Even before the dramatic left turn, all the way over the cliff and into flames, this ho-hum road trip comedy drama was already hard to like,…

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Review of Mrs. Harris Goes to Paris (2022)

By Tomris Laffly (460) for RogerEbert.com (5,563) on 15 Jul 2022

The world isn’t the happiest place to be these days, so why not cheer a little bit for a wholesome, decent character in a lovely dress…

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Review of Crimes of the Future (2022)

By Bertobellamy (400) on 15 Jul 2022

Love from anarchy; meaning from the void; evolution as a form of subversion…

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Review of Jackass Forever (2022)

By Royalguy07 (396) on 15 Jul 2022

Spent the entire runtime laughing, smiling, or wincing, this was a fun time…

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Review of Persuasion (2022)

By Courtney Howard (393) for The A.V. Club (5,644) on 15 Jul 2022

Despite these modern constraints, Cracknell’s adaptation crackles with life…

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Review of The Black Phone (2022)

By Metacriticonur (388) on 15 Jul 2022

Bad [ bad ] adjective, worse, worst;(Slang) bad·der, bad·dest for 36. not good in any manner or degree…

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Review of Persuasion (2022)

By Metacriticonur (388) on 15 Jul 2022

Bad [ bad ] adjective, worse, worst;(Slang) bad·der, bad·dest for 36. not good in any manner or degree…

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Review of She Will (2022)

By Fionnuala Halligan (367) for Screen Daily (1,021) on 15 Jul 2022

It fields such a disorientating mix of styles and symbols and tonal swerves (Rupert Everett going full fruit, for example), that it’s quite…

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Review of A Chiara (2021)

By Christopher Machell (333) for CineVue (2,163) on 15 Jul 2022

A Chiara is arguably Carpignano’s most accomplished work to date, pressing ever further into the interior psychologies of his characters…

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Review of Deception (2022)

By Habibiehakim (321) on 15 Jul 2022

Deception delivers some of the most interesting and engaging dialogue in movie i've ever seen, a miss of a one particular section of a story…

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Review of Deception (2022)

By Habibiehakim (321) on 15 Jul 2022

Deception delivers some of the most interesting and engaging dialogue in movie i've ever seen, a miss of a one particular section of a story…

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Review of Anything's Possible (2022)

By Dan Callahan (211) for TheWrap (3,203) on 15 Jul 2022

If only Anything’s Possible had been content to depict this relationship in all its newness onscreen without burdening these two appealing…

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Review of Mrs. Harris Goes to Paris (2022)

By Ross Bonaime (185) for Collider (1,032) on 15 Jul 2022

Mrs. Harris Goes to Paris is a quiet delight, a perfect summer interlude that exudes beauty, optimism and charm in every scene. Mrs…

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Review of Paws of Fury: The Legend of Hank (2022)

By Ross Bonaime (185) for Collider (1,032) on 15 Jul 2022

Who knows what Paws of Fury: The Legend of Hank could’ve been when it was originally envisioned over a decade ago, but what it ultimately…

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Review of Persuasion (2022)

By Ross Bonaime (185) for Collider (1,032) on 15 Jul 2022

In its own way, Persuasion is trying to persuade its audience that Austen was brilliant in her modernity, when Austen already handled that…

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Review of The Black Phone (2022)

By Mrpajamas (180) on 15 Jul 2022

In the end, I'm disappointed…

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Review of Where the Crawdads Sing (2022)

By Siddhant Adlakha (174) for IGN (1,013) on 15 Jul 2022

Where The Crawdads Sing is only mildly interesting if you look up the accusations against its author…

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