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Review of Resurrection (2022)

By Barry Hertz (792) for The Globe and Mail (Toronto) (4,018) on 26 Jul 2022

The filmmaker is obviously toying with what horror films can be, with what audiences expect of both cheap thrills and high-priced performers…

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Review of Résurrection (2022)

By Barry Hertz (792) for The Globe and Mail (Toronto) (4,018) on 26 Jul 2022

The filmmaker is obviously toying with what horror films can be, with what audiences expect of both cheap thrills and high-priced performers…

Read Review

Review of Resurrection (2022)

By Barry Hertz (792) for The Globe and Mail (Toronto) (4,018) on 26 Jul 2022

The filmmaker is obviously toying with what horror films can be, with what audiences expect of both cheap thrills and high-priced performers…

Read Review

Review of The Reef: Stalked (2022)

By Leslie Felperin (768) for The Guardian (2,969) on 26 Jul 2022

Traucki manipulates the suspense competently enough, but this film mostly depends on tedious jump-scares for its effect, and has a few too…

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Review of The Gray Man (2022)

By Mauro_Lanari (665) on 26 Jul 2022

(Mauro Lanari) It seems that Keanu Reeves was one of the responsible in havin' seen in Ana de Armas the potential to launch her in Hollywood…

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Review of Flag Day (2021)

By Mauro_Lanari (665) on 26 Jul 2022

(Mauro Lanari) The United States seen by a loser with his family (true twice: that of the biopic and that of Penn) and filmed in indie style…

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Review of Blacklight (2022)

By Mauro_Lanari (665) on 26 Jul 2022

(Mauro Lanari) The invincibility of the action heroes, which rivals the superomism of the Marvel characters, however, has the luck that its…

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Review of George Michael: Freedom Uncut (2022)

By Cath Clarke (570) for The Guardian (2,969) on 26 Jul 2022

There’s perhaps not enough new material to justify a re-release, but as a whole it’s still great, and a reminder of just what a class act…

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Review of Resurrection (2022)

By G. Allen Johnson (514) for San Francisco Chronicle (7,630) on 26 Jul 2022

With Margaret threatening to lose it at any moment, “Resurrection” is #MeToo horror at its cringiest…

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Review of Resurrection (2022)

By G. Allen Johnson (514) for San Francisco Chronicle (7,630) on 26 Jul 2022

With Margaret threatening to lose it at any moment, “Resurrection” is #MeToo horror at its cringiest…

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Review of Resurrection (2022)

By G. Allen Johnson (514) for San Francisco Chronicle (7,630) on 26 Jul 2022

With Margaret threatening to lose it at any moment, “Resurrection” is #MeToo horror at its cringiest…

Read Review

Review of Résurrection (2022)

By G. Allen Johnson (514) for San Francisco Chronicle (7,630) on 26 Jul 2022

With Margaret threatening to lose it at any moment, “Resurrection” is #MeToo horror at its cringiest…

Read Review

Review of Resurrection (2022)

By G. Allen Johnson (514) for San Francisco Chronicle (7,630) on 26 Jul 2022

With Margaret threatening to lose it at any moment, “Resurrection” is #MeToo horror at its cringiest…

Read Review

Review of DC League of Super-Pets (2022)

By Lindsey Bahr (430) for The Associated Press (882) on 26 Jul 2022

Johnson and Hart seem to have fun, too, but a fair amount of their charm as a comedic duo is lost without their physical presence — not that…

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Review of The Outfit (2022)

By Royalguy07 (396) on 26 Jul 2022

A well done single location, maybe due to covid, crime film…

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Review of Fire Island (2022)

By Royalguy07 (396) on 26 Jul 2022

Found it entertaining and energetic, even if plot wise it was pretty standard formula…

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Review of Firestarter (2022)

By Royalguy07 (396) on 26 Jul 2022

One of the visually ugliest films I've ever watched, the color is so washed and bland. And its supported by equally bland everything else…

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Review of The Bad Guys (2022)

By Royalguy07 (396) on 26 Jul 2022

Enjoyed the animation and the premise, good performances all around and a nice tidy story…

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Review of Fire Island (2023)

By Royalguy07 (396) on 26 Jul 2022

Found it entertaining and energetic, even if plot wise it was pretty standard formula…

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Review of Nope (2022)

By Ginak (385) on 26 Jul 2022

A fantastic film by Jordan Peele. It certainly rivals 2001: A Space Odyssey for both originality and craft. Never a dull moment…

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