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Review of Joyride (2022)

By Peter Bradshaw (3,667) for The Guardian (2,969) on 27 Jul 2022

Every actor involved sells it hard and it’s good natured, but the unbelievability factor is just too high…

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Review of Thirteen Lives (2022)

By Liam Lacey (1,725) for Original-Cin (1,156) on 27 Jul 2022

It’s a film that has some obvious parallels to Howard’s Apollo 13, a docudrama about a small group of endangered people in a claustrophobic…

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Review of Resurrection (2022)

By Michael O'sullivan (1,712) for Washington Post (9,851) on 27 Jul 2022

Resurrection ultimately leaves us, like Gwyn, wondering if the story that’s just been dropped in our laps — a kind of sick, surreal poetry,…

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Review of Anonymous Club (2022)

By Michael O'sullivan (1,712) for Washington Post (9,851) on 27 Jul 2022

The low-key music documentary “Anonymous Club” — ostensibly a portrait of Australian singer-songwriter Courtney Barnett — kind of feels…

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Review of Resurrection (2022)

By Michael O'sullivan (1,712) for Washington Post (9,851) on 27 Jul 2022

Resurrection ultimately leaves us, like Gwyn, wondering if the story that’s just been dropped in our laps — a kind of sick, surreal poetry,…

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Review of Resurrection (2022)

By Michael O'sullivan (1,712) for Washington Post (9,851) on 27 Jul 2022

Resurrection ultimately leaves us, like Gwyn, wondering if the story that’s just been dropped in our laps — a kind of sick, surreal poetry,…

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Review of Résurrection (2022)

By Michael O'sullivan (1,712) for Washington Post (9,851) on 27 Jul 2022

Resurrection ultimately leaves us, like Gwyn, wondering if the story that’s just been dropped in our laps — a kind of sick, surreal poetry,…

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Review of Resurrection (2022)

By Michael O'sullivan (1,712) for Washington Post (9,851) on 27 Jul 2022

Resurrection ultimately leaves us, like Gwyn, wondering if the story that’s just been dropped in our laps — a kind of sick, surreal poetry,…

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Review of The Wheel (2022)

By Peter Debruge (1,557) for Variety (12,700) on 27 Jul 2022

Pink, a veteran TV director who takes a rather self-important “a film by” credit on what feels like a first feature (it’s his fifth),…

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Review of Earwig (2022)

By Peter Debruge (1,557) for Variety (12,700) on 27 Jul 2022

Earwig teeters on the brink of ennui for most of its taxing two-hour running time, asking us to care about characters the film hasn’t really…

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Review of Paradise Highway (2022)

By Luke Y. Thompson (1,447) for The A.V. Club (5,644) on 27 Jul 2022

As intriguing as the combination of Binoche and Grillo might sound, it would be much more impactful if they shared the screen for more than…

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Review of Gone in the Night (2022)

By Dennis Harvey (1,137) for Variety (12,700) on 27 Jul 2022

What at first looks like a standard missing-person suspense tale turns out to have a more complicated agenda — but it is so haphazardly advanced…

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Review of Free Chol Soo Lee (2022)

By Dennis Harvey (1,137) for Variety (12,700) on 27 Jul 2022

It’s a well-crafted enterprise that leaves its human subject a bit of an enigma, albeit one we empathize with enough to feel sorely disappointed…

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Review of Simon Birch (1998)

By Dawdlingpoet (1,123) on 27 Jul 2022

This is very much a family film, one with a fair dosage of sentimentality, cheese and cliche…

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Review of Resurrection (2022)

By Jordan Hoffman (1,025) for The A.V. Club (5,644) on 27 Jul 2022

Movies like Resurrection are terrific because they blur the line between how you’d act in reality and what’s appropriate for a film…

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Review of Resurrection (2022)

By Jordan Hoffman (1,025) for The A.V. Club (5,644) on 27 Jul 2022

Movies like Resurrection are terrific because they blur the line between how you’d act in reality and what’s appropriate for a film…

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Review of Resurrection (2022)

By Jordan Hoffman (1,025) for The A.V. Club (5,644) on 27 Jul 2022

Movies like Resurrection are terrific because they blur the line between how you’d act in reality and what’s appropriate for a film…

Read Review

Review of Résurrection (2022)

By Jordan Hoffman (1,025) for The A.V. Club (5,644) on 27 Jul 2022

Movies like Resurrection are terrific because they blur the line between how you’d act in reality and what’s appropriate for a film…

Read Review

Review of Resurrection (2022)

By Jordan Hoffman (1,025) for The A.V. Club (5,644) on 27 Jul 2022

Movies like Resurrection are terrific because they blur the line between how you’d act in reality and what’s appropriate for a film…

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Review of Glorious (2022)

By Matt Donato (975) for Slashfilm (971) on 27 Jul 2022

Glorious might not save the world, yet it's still a wonderful way to pass the time while humanity as we know it is devoured by threats we'll…

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Page 1,594 of 258,691

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