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Review of Not Okay (2022)

By Lena Wilson (121) for The New York Times (9,847) on 28 Jul 2022

As satires go, this one by the writer and director Quinn Shephard is hardly subtle — but though it lacks narrative finesse, Not Okay is brimming…

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Review of Girl Picture (2022)

By Lena Wilson (121) for The Playlist (3,871) on 28 Jul 2022

Even when this film is a bit too neat, it’s still totally irresistible…

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Review of Medusa (2021)

By Natalia Keogan (119) for Paste Magazine (2,906) on 28 Jul 2022

The film acts as a giallo thriller, a modern update to Lizzie Borden’s Born in Flames and the latest entry in Brazil’s anti-Bolsonaro fantasy…

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Review of Medusa (2022)

By Natalia Keogan (119) for Paste Magazine (2,906) on 28 Jul 2022

The film acts as a giallo thriller, a modern update to Lizzie Borden’s Born in Flames and the latest entry in Brazil’s anti-Bolsonaro fantasy…

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Review of Medusa (2022)

By Natalia Keogan (119) for Paste Magazine (2,906) on 28 Jul 2022

The film acts as a giallo thriller, a modern update to Lizzie Borden’s Born in Flames and the latest entry in Brazil’s anti-Bolsonaro fantasy…

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Review of Medusa (2021)

By Beatrice Loayza (94) for The New York Times (9,847) on 28 Jul 2022

Though dressed in shock-value clothing, Medusa is also a straightforward character study, tackling issues like the scourge of Western beauty…

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Review of Medusa (2022)

By Beatrice Loayza (94) for The New York Times (9,847) on 28 Jul 2022

Though dressed in shock-value clothing, Medusa is also a straightforward character study, tackling issues like the scourge of Western beauty…

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Review of Medusa (2022)

By Beatrice Loayza (94) for The New York Times (9,847) on 28 Jul 2022

Though dressed in shock-value clothing, Medusa is also a straightforward character study, tackling issues like the scourge of Western beauty…

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Review of Murina (2022)

By Marshall Shaffer (93) for The Playlist (3,871) on 28 Jul 2022

Kusijanović storms out of the gate with a confident coming-of-age tale full of relationships as rocky as the craggy Croatian coast in which…

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Review of Thirteen Lives (2022)

By Simon Thompson (92) for The Playlist (3,871) on 28 Jul 2022

Thirteen Lives is not an exhibition of spectacle in scale or execution…

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Review of Honor Society (2022)

By Martin Carr (79) for We Got This Covered (2,391) on 28 Jul 2022

Ultimately, The Honor Society feels like a small-scale charm offensive featuring some genuinely engaging characters…

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Review of Blue Island (2022)

By Richard Kuipers (66) for Variety (12,700) on 28 Jul 2022

While there is no shortage of frontline footage of arrests and protestors clashing with police, most of the running time is dedicated to placing…

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Review of Not Okay (2022)

By Adrian Horton (60) for The Guardian (2,969) on 28 Jul 2022

Not Okay is like many “internet movies” before it – approaching uncanny valley, somewhat obvious, just a little off — but this unsettling…

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Review of DC League of Super-Pets (2022)

By Adrian Horton (60) for The Guardian (2,969) on 28 Jul 2022

True to its animated predecessors, Super-Pets pulls off what other superhero entries have struggled to summon from the CGI universe: lighthearted…

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Review of Girl Picture (2022)

By Brianna Zigler (58) for The Film Stage (3,162) on 28 Jul 2022

Girl Picture is sweet, tender, and frequently amusing: a love letter to that time we ache to leave in the rearview mirror but which shapes…

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Review of DC League of Super-Pets (2022)

By Marco Vito Oddo (40) for Collider (1,032) on 28 Jul 2022

With a great voice cast, curious characters, and glimpses of an engaging art style, all the movie had to do to be great was rely more on the…

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Review of The Gray Man (2022)

By Adamtaylor792 (33) on 28 Jul 2022

What if we threw $200 million at some of the most famous actors in Hollywood and hoped something good came out of it? Well it's not this…

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Review of The Texas Chainsaw Massacre (2003)

By Injureddriver (33) on 28 Jul 2022

I'll be honest, I think I saw this version before I saw the original 1974 version…

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Review of Paradise Highway (2022)

By Concepción De León (22) for The New York Times (9,847) on 28 Jul 2022

If only the film had taken a broader view, filling in more details about the lives and motivations of the truck drivers as well as the sex…

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Review of Nope (2022)

By Jaredwallace91 (22) on 28 Jul 2022

Jordan Peels knows how to create layered spectacle and get people to the theaters…

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