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Review of Resurrection (2022)

By Bilge Ebiri (1,050) for New York Magazine (Vulture) (3,519) on 29 Jul 2022

About halfway through Resurrection, Rebecca Hall delivers a nearly eight-minute monologue about her character’s past that is so riveting,…

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Review of A Love Song (2022)

By Bilge Ebiri (1,050) for New York Magazine (Vulture) (3,519) on 29 Jul 2022

It’s all supremely touching and evocative without ever feeling too on-the-nose or heavy-handed…

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Review of Resurrection (2022)

By Bilge Ebiri (1,050) for New York Magazine (Vulture) (3,519) on 29 Jul 2022

About halfway through Resurrection, Rebecca Hall delivers a nearly eight-minute monologue about her character’s past that is so riveting,…

Read Review

Review of Resurrection (2022)

By Bilge Ebiri (1,050) for New York Magazine (Vulture) (3,519) on 29 Jul 2022

About halfway through Resurrection, Rebecca Hall delivers a nearly eight-minute monologue about her character’s past that is so riveting,…

Read Review

Review of Résurrection (2022)

By Bilge Ebiri (1,050) for New York Magazine (Vulture) (3,519) on 29 Jul 2022

About halfway through Resurrection, Rebecca Hall delivers a nearly eight-minute monologue about her character’s past that is so riveting,…

Read Review

Review of Resurrection (2022)

By Bilge Ebiri (1,050) for New York Magazine (Vulture) (3,519) on 29 Jul 2022

About halfway through Resurrection, Rebecca Hall delivers a nearly eight-minute monologue about her character’s past that is so riveting,…

Read Review

Review of Paradise Highway (2022)

By Joe Leydon (915) for Variety (12,700) on 29 Jul 2022

Gutto demonstrates welcome restraint and a meticulous avoidance of anything that resembles exploitation, relying on indirect yet impactful…

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Review of Not Okay (2022)

By Brian Lowry (913) for CNN (497) on 29 Jul 2022

Not Okay isn’t the kind of movie that’s going to amass a vast audience (hence its debut via Hulu), but it is one of those of-the-moment…

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Review of Fire of Love (2022)

By David Jenkins (910) for Little White Lies (3,136) on 29 Jul 2022

Dosa’s film is a slick, moving and cutely Herzogian portrait of this loving, monomaniacal couple who straddled the line between the eccentric…

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Review of Girl, Interrupted (1999)

By Alejandro970 (859) on 29 Jul 2022

Based on a memoir, the film cannot avoid its resemblance to One flew over the Cuckoo's nest, but the result is not so lucky, as it lacks something…

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Review of Fire of Love (2022)

By Tara Brady (805) for The Irish Times (483) on 29 Jul 2022

The Kraffts, who first bonded over their love of Mount Etna, remain as committed to the cause of understanding volcanic hazards and triggers…

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Review of The Deer King (2021)

By Tara Brady (805) for The Irish Times (483) on 29 Jul 2022

The animation remains enchanting and is punctuated by exciting swords-and-sandals action, even if the finished film is not quite the classic…

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Review of Purple Hearts (2022)

By Guy Lodge (731) for Variety (12,700) on 29 Jul 2022

This glossy but gloopy Netflix original is primarily out to serve its leading lady’s legions of fans, some of them perhaps young enough not…

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Review of Joyride (2022)

By Guy Lodge (731) for Variety (12,700) on 29 Jul 2022

Joyride needs some deft actors driving it, and it has lucked out: An up-for-anything Olivia Colman and scrappy newcomer Charlie Reid make for…

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Review of Hypochondriac (2022)

By Simon Abrams (730) for RogerEbert.com (5,563) on 29 Jul 2022

When a movie doesn’t quite come together, it’s often tempting to say that something essential is missing…

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Review of Blue Island (2022)

By Simon Abrams (730) for RogerEbert.com (5,563) on 29 Jul 2022

The artful parallels that director Chan Tze Woon draws between contemporary and now middle-aged pro-democratic Hong Kong protesters often seem…

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Review of Possessor (2020)

By Mauro_Lanari (665) on 29 Jul 2022

(Mauro Lanari) An incomprehensibly divisive film: Brandon was able to synthesize both of his father's poetics, the first on the new flesh and…

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Review of Thirteen Lives (2022)

By Johnny Oleksinski (478) for New York Post (6,650) on 29 Jul 2022

In attempting to dramatize their harrowing story in the film Thirteen Lives...the director doesn’t make quick, from-the-gut decisions the…

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Review of Sharp Stick (2022)

By Tomris Laffly (460) for RogerEbert.com (5,563) on 29 Jul 2022

Dunham unearths a refreshing amount of humor, honesty, and sincerity through Sarah Jo’s misadventures with Josh between bedsheets, at once…

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Review of Honor Society (2022)

By Tomris Laffly (460) for Variety (12,700) on 29 Jul 2022

This stylishly bouncy teenage romp mostly reaps the rewards of its fearless gambles, not least its willingness to treat teenagers as in-progress…

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