Browse Movie Reviews - Page 1,519 of 258,691

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Review of Nope (2022)

By Metacriticonur (388) on 12 Aug 2022

Admirable [ ad-mer-uh-buhl ] adjective worthy of admiration; inspiring approval, reverence, or affection…

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Review of Emergency Declaration (2022)

By Michael Ordona (350) for Los Angeles Times (12,977) on 12 Aug 2022

The performances are uniformly solid, especially by the two leads, and the generally low-key cinematic style keeps us in the pocket of the story…

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Review of Emergency Declaration (2022)

By Robert Daniels (336) for The New York Times (9,847) on 12 Aug 2022

Emergency Declaration, a piercing thriller from the South Korean writer-director Han Jae-rim, manages to deliver excitement and melodrama out…

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Review of Prey (2022)

By Christopher Machell (333) for CineVue (2,163) on 12 Aug 2022

Endless drone shots, perspective switches and too many CGI animals undercut any grit or claustrophobia that Trachtenberg – director of the…

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Review of Prey (2022)

By Christopher Machell (333) for CineVue (2,163) on 12 Aug 2022

Endless drone shots, perspective switches and too many CGI animals undercut any grit or claustrophobia that Trachtenberg – director of the…

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Review of Summering (2022)

By Andrew Crump (271) for Paste Magazine (2,906) on 12 Aug 2022

Everyone has off days, or in his case off years…

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Review of Emily the Criminal (2022)

By Jacob Oller (247) for Paste Magazine (2,906) on 12 Aug 2022

While Plaza continues to make her case as a versatile A-lister capable of leading the more complex version of this kind of heist film, Emily…

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Review of Secret Headquarters (2022)

By Calum Marsh (242) for The New York Times (9,847) on 12 Aug 2022

When the kids are just doing kid stuff…

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Review of Secret Headquarters (2022)

By Jude Dry (205) for IndieWire (3,631) on 12 Aug 2022

With a PG-rated humor that parents can enjoy too, Secret Headquarters feels like the movie equivalent of the fun uncle who speaks to you like…

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Review of Stay on Board: The Leo Baker Story (2022)

By Teo Bugbee (199) for The New York Times (9,847) on 12 Aug 2022

This is a candid look at one person’s experience with coming out, a humane document that shows the bravery and resilience of queer people…

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Review of The Devil All the Time (2020)

By Liamexe (198) on 12 Aug 2022

This film is enjoyable. It burns slowly. amazing acting I loved Bill Skarsgard…

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Review of Master and Commander: The Far Side of the World (2003)

By R96Sk (195) on 12 Aug 2022

I enjoyed 'Master and Commander: The Far Side of the World…

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Review of Day Shift (2022)

By John Nugent (191) for Empire (3,446) on 12 Aug 2022

The action is well-shot, and the buddy dynamic is fun…

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Review of Day Shift (2022)

By Ross Bonaime (185) for Collider (1,032) on 12 Aug 2022

Yet even though it never quite reaches its full potential, Day Shift is enjoyable for the aspects it does want to focus on, even though it’s…

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Review of Elvis (2022)

By Soulwarfare (173) on 12 Aug 2022

The movie makes weird choices. Modern songs in the soundtrack. Focusing on the manager rather than Elvis…

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Review of Prey (2022)

By Lambo442 (171) on 12 Aug 2022

This is a solid action film with good characters and amazing cinematography and action choreography…

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Review of Thirteen Lives (2022)

By Aj_13 (170) on 12 Aug 2022

Rock solid film by Ron Howard. Being based in such powerful true events, Thirteen Lives is exactly what you think it would be…

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Review of Elvis (2022)

By Onlyclassicvg1 (154) on 12 Aug 2022

It may not be slavishly devoted to the facts (this isn't your typical birth-to-deather), but as with Todd Haynes's glam fantasia Velvet Goldmine,…

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Review of Rogue Agent (2022)

By Natalia Winkelman (145) for The New York Times (9,847) on 12 Aug 2022

The real account of Robert Freegard might have been unbelievable. Its dramatization, however, is preposterous…

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Review of Free Chol Soo Lee (2022)

By Lena Wilson (121) for TheWrap (3,203) on 12 Aug 2022

In the documentary Free Chol Soo Lee, first-time doc directors Julie Ha and Eugene Yi use archival materials in an attempt to present their…

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